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Since the early days of cinema, filmmakers have been intrigued by the lives and loves of British monarchs. The most recent productions by ITV and Netflix show that the fascination with British royalty continues unabated both in Britain and around the world.
This book examines strategies of representing power and the staging of myths of power in seven popular films about British monarchs that were made after the mid-1990s revival of the “royal biopic” genre. By combining approaches from cultural studies with concepts and theories from the humanities, such as film studies and art history, it offers a comprehensive understanding of the cinematic portraits of royalty. In addition, the volume opens up new perspectives on how meaning is generated in films about the monarchy and on the connections between the biographical narratives. The introductory chapter to the case studies reviews the different academic positions on representations of royalty, provides a toolkit for studying the subject and demonstrates ways to approach the films. The book addresses questions of historical context and goes beyond a mere exploration of historical accuracy to reveal the films’ underlying ideological aims.
As such, it makes a distinctive new contribution to the growing body of interdisciplinary work on the British monarchy in general and its cinematic representations in particular. It is the first monograph about representational mechanisms of royal identities and British past(s) in royal films such as Elizabeth, The Queen and The King’s Speech.
Julia Kinzler holds a PhD in English Studies from Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), Germany. Her doctoral thesis discussed strategies of representing power and the staging of myths of power in cinematic portraits of royalty. In addition to teaching British Cultural Studies at the English Department of FAU, she has published articles and presented papers about monarchy on film, Shakespeare on screen and Victorian discourses on gender and sexuality. Her other research interests include heritage cinema, gender studies, and intermediality and adaptation studies.
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