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Description
This is the first English-language book to provide an in-depth, holistic examination of evaluative aesthetics and criticism and how they apply to film. Organised around the explication of key concepts, the book illuminates the connections between the work of philosophers, theorists and critics. It demonstrates the evaluation of film form through the close analysis of sequences and steers the reader through the subject area, from its fundamental aspects to its most advanced. Suitable for students of films studies and philosophical aesthetics, undergraduates and postgraduates, it also provides a supportive framework for academics researching or teaching in the area.
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