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Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people. This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations. Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written). The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places. The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form. The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes. The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.
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Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity. The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless. Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them. So Hatless removes her hat. As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats. Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air. By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens. Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.
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‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives. The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy. The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.
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In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
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Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat. The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac. As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.
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An egg has hatched, and what comes out of it? A chicken? No. A turtle? No. It’s a dinosaur. But where is his family? The little dinosaur searches the animal kingdom for someone who looks like him and settles on the giraffe. In this picture book by educator and author Hessa Al Muhairi, with illustrations by Sura Ghazwan, a dinosaur sets out in search of animals like him. He finds plenty of animals, but none that look the same...until he meets the giraffe. This story explores identity and belonging and teaches children about accepting differences in carefully crafted language.
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On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.
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One of Egypt’s leading literary voices offers a first-hand look at political, social, cultural events of the last 40 years and how they influenced his writing. Ibrahim Abdelmeguid, called “the quintessential writer about Alexandria” by The National newspaper, looks back over his decades-long writing career this book, which what he calls a “literary autobiography.” In it, he reflects on the social, political, and cultural influences in Egypt and elsewhere that have shaped him as a writer. He shares his views on major political events, such as the 1967 defeat after the Six-Day War, and explanations of their profound impact on his personal life and works of fiction. Abdelmeguid devotes a portion of his work to discussing the development of his views on Egypt’s second president, Gamal Abdel Nasser, over the course of his turbulent tenure in office. The book is divided into a brief introduction and four chapters. Abdelmeguid guides the reader through his literary career, moving masterfully between the factual and the meditative. He explores how each of his novels and many of his short stories was conceived. He also describes cultural, political, and social contexts in which his writing evolved and was received by literary critics and casual readers. He spends considerable time describing the creative process behind his Alexandria trilogy— No One Sleeps in Alexandria, Birds of Amber, and Clouds Over Alexandria. The first book, No One Sleeps in Alexandria, is set during World War II. Abdelmeguid visited numerous key sites in Alexandria and surrounding areas and read every newspaper he could get his hands on. The result of his devotion to research is a vibrant portrayal of Alexandria that shines throughout the epic novel. Of particular note is his successful communication of the cultural and religious diversity of the city and the impact of that on the promotion of a culture of tolerance. Beyond Writing is a rare and important addition to the modern Arabic literary map. Few Arab authors are willing to so transparently share their writing process, preferring to highlight the polished final product while concealing the hard work that brought it into existence. Readers are lucky that it is a writer as prominent, thoughtful, and engaging as Abdelmeguid is willing to draw back the curtain.
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Wer hätte das gedacht? Regenwetter, das bedeutete doch eigentlich schlechtes Wetter, »Schmuddelwetter«, Wetter, bei dem man keinen Hund vor die Tür jagte. Heute – in Zeiten der weltweiten Dürre, des Raubbaus an der Natur und des unablässig voranschreitenden Klimawandels – würde man sich an manchen Tagen mehr Regen wünschen, am besten gleich einen Regenmacher! Das kleine Lesebuch versammelt Gedichte und Geschichten vom Regen, als er noch alltäglich zu sein schien. Mascha Kaléko berichtet von einem Wiedersehen mit einer Jugendliebe bei nasser Witterung, Walter Kempowski erinnert sich an einen verregneten Urlaub im Harz. Der erzählerische Regenbogen spannt sich von der biblischen Sintflut bis zum Fußbad im Cabrio. Und die Illustratorin Gerda Raidt hat den literarischen Landregen zusätzlich ins Bild gesetzt.
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Die sechziger Jahre haben begonnen und mit ihnen das Zeitalter des Wassermanns. Adolf Eichmann wird in Jerusalem zum Tode verurteilt. Konrad Adenauer sagt Militärhilfe für Israel zu. Gleichzeitig jedoch zieht es deutsche Flugzeugkonstrukteure, Triebwerksbauer und Raketentechniker in großer Zahl nach Ägypten. Rita Hellberg, Tochter eines Ingenieurs, will ihre Eltern in Kairo eigentlich nur besuchen. Doch der Vater entscheidet: Die Familie gehört zusammen. Ägyptens Präsident Nasser träumt von einer afrikanischen Rüstungsindustrie, und so baut der Vater einen Jagdbomber. Während ihre Mutter sich dem Leben in Kairo verweigert, erkennt Rita bald, dass es für sie keinen besseren Ort geben kann, um ihre eigene Zukunft zu betreten. Sie lässt sich mitreißen in eine faszinierende Welt im Umbruch. Erst mit der Zeit wird ihr klar, dass sie mitten in einem Konflikt gelandet ist, in dem um historische und zukünftige, um weltpolitische und regionale Interessen mit allen Mitteln gekämpft wird. Jeder beobachtet jeden, Bomben explodieren, Menschen sterben. Rita Hellberg muss sich entscheiden, wo sie steht.
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The Business of Plant Breeding is the result of a study on demand-led plant variety design for markets in Africa, sharing best practices from private and public sector breeding programmes worldwide that are applicable to improving tropical crops in Africa. Beginning with an overview of the principles of demand-led plant breeding, the book then discusses aspects such as understanding the demands of clients and markets in rural and urban areas, foresight in setting product profiles and breeding targets, and determining breeding strategy and stage plans. It also covers measuring success and making the business case for future investments in breeding programmes that will deliver new varieties to meet market demands. The book: - Brings together the experience of plant breeders around the world, representing universities, national plant breeding programmes, regional and international agricultural research institutes, and private seed companies, showcasing how to respond to changing market demands; - Provides educational resource materials within each chapter; - Includes templates for use as planning tools by plant breeding programs for determining priority traits that meet market demands. An important read for professionals and students of plant breeding and genetics, this book is also a useful resource for anyone interested in developing and disseminating new, market-led technologies to increase productivity and profitability in tropical agriculture. The study was sponsored by the Australian Centre for International Agricultural Research, the Crawford Fund and the Syngenta Foundation for Sustainable Agriculture, and managed by the University of Queensland.
Day after Day... The importance of natural gas in generating energy increases worldwide. This book highlights the power balance and the future of energy in the region, throughimportant points:- The date of discovery of gas and oil worldwide- The Russian gas and how it is related to Europe, and the Russian control over many political incidents like preventing, supporting, and searching for new ways.- Discovering the Egyptian gas in the Eastern Mediterranean, and the Turkish anger over the loss of influence in the region- Qatar, which has the world's largest gas field with Iran, seeks today to reconstruct Syria after financing extremists there because it is the only route of Qatari gas to the Mediterranean.All of this is presented in a simplified and easy way for non-specialists, in order for them to enjoy and benefit from it.
Nasser Iraq continues his probing into the depth of the human soul, through the character of an unknown actor, who dreams of a suitable chance for his great talent, that would take him to the stardom that he deserves.The main character in the novel, Abd ek Maenem, el Said Suddenluy disappears. Through the events, the character surrounding Abdel Moenem El Said, his wife and his daughters “ Fatma” and “Faten”, uncover the details of what happened before he disappears and what happened after this mysterious disappearance. We discover through him the details of his life since his young childhood, where his mother used to send him to bring her lovers, after his father left home to work ; then her killing by his father, when he discovered what she was doing…. Many intertwined details that left him full of complexes and influenced his behavior, but he was able to overcome them and lived a normally life until he faced ultimate chock: the loss of his young child Yehia . He decided to runaway, with no aim, but he starts a new life, with a new name, in a new place where no body knows him.Through his new personality “ El Said”, known now as “ Salama”, continues to recall his memories and interact with the events of his life, until he sees on Tv the picture of his daughter “ Faten” wounded in the events of 25th of January, Revolution. That incident bring him back to his former life, without disclosing his real identity, the. He resumes his running away and his disappearance. After a conflict with drug dealers and a mortal wound, he calls for his wife and his two daughters for a final encounter, before heading to his last-lost- combat with the “ worms of earth.” Nasser Iraq: A Journalist, an author and a Media person, who graduated from the Faculty of Arts. He published a number of novels : “Times of dust” 2006, “ Because of Love “ 2008, “ The Crown of the hoopoe “ 2012 and his novel “ The Unemployed “ which was short listed for the Arab Booker Award. He also published “ Women of Cairo, Dubai” 2014 and “ Alazbakeya”which has won the big prize of Katara award.
Nasser Iraq continues his probing into the depth of the human soul, through the character of an unknown actor, who dreams of a suitable chance for his great talent, that would take him to the stardom that he deserves.The main character in the novel, Abd ek Maenem, el Said Suddenluy disappears. Through the events, the character surrounding Abdel Moenem El Said, his wife and his daughters “ Fatma” and “Faten”, uncover the details of what happened before he disappears and what happened after this mysterious disappearance. We discover through him the details of his life since his young childhood, where his mother used to send him to bring her lovers, after his father left home to work ; then her killing by his father, when he discovered what she was doing…. Many intertwined details that left him full of complexes and influenced his behavior, but he was able to overcome them and lived a normally life until he faced ultimate chock: the loss of his young child Yehia . He decided to runaway, with no aim, but he starts a new life, with a new name, in a new place where no body knows him.Through his new personality “ El Said”, known now as “ Salama”, continues to recall his memories and interact with the events of his life, until he sees on Tv the picture of his daughter “ Faten” wounded in the events of 25th of January, Revolution. That incident bring him back to his former life, without disclosing his real identity, the. He resumes his running away and his disappearance. After a conflict with drug dealers and a mortal wound, he calls for his wife and his two daughters for a final encounter, before heading to his last-lost- combat with the “ worms of earth.” Nasser Iraq: A Journalist, an author and a Media person, who graduated from the Faculty of Arts. He published a number of novels : “Times of dust” 2006, “ Because of Love “ 2008, “ The Crown of the hoopoe “ 2012 and his novel “ The Unemployed “ which was short listed for the Arab Booker Award. He also published “ Women of Cairo, Dubai” 2014 and “ Alazbakeya”which has won the big prize of Katara award.
This book focuses on the discourse of the official religious institution (Al Azhar) under the rule of the Muslim Brotherhood. The suthor paid due attention to both statements made by al-Mashyakha and speeches of sheikh Al Azhar in Around the time of the ouster of the MB-president Mohamed Morsi 2013, and the subsequent Rab'aa massacre. The study uncovers how the discourse of al-Azhar has concorded with that of the military and how the latter used The former to empower its own discourse, to re-shape the mass conscience, encouraging people to accept, even to support, the return of a military to power. It reveals also how Al Azhar has employed the ‘sacred’ Islamic scriptures of (Quran) to serve the military. The author had a strong focus on usage of particular expressions in context, for example when Sheikh Al Azhar used ‘victims’ versus ‘martyrs’? when he started to use the expression of ‘terrorists’ in his speech? and in what situations? With a linguistic anchor, the author sought identifying the different identities that are represented in Al Azhar discourse (national, religious and politician), and highlighted issues of dependency and autonomy in al-Azhar relation to the military.
He worked in Turkey as an ambassador for Egypt at a very delicate stage in the history of the Middle East region as a whole. Since 2010 - when he assumed his duties in Ankara - and until the end of 2013 - at the end of his duties there - he witnessed many pivotal events in the relationship between the two countries.From here comes the importance of the book, “Abdel-Rahman Salah,” the last Egyptian ambassador to Turkey, as it details a relationship between two countries that have military and political weight in the Middle East, and the similar rapprochement - to some extent - during the era of former President “Mohamed Hosni Mubarak”, It increased after 2011 AD and “Mohamed Morsi” took over the rule of the country by virtue of the political doctrine that links the ruling Justice and Development Party in Turkey and the Brotherhood in Egypt, thenTurkish estrangement and hostility to Egypt's interests after the June 30 revolution and the overthrow of the Brotherhood's rule. The pages of the book not only give you a new vision of the relationship between Egypt and Turkey under the rule of four presidents of Egypt, but they also give you accurate and documented accounts - in which Ambassador “Abdel-Rahman Salah” participated by virtue of his position - of what happened between the two countries during the past years... Away from the whims of support or opposition.
This book looks through the question of “the historical horizon of January Revolution”; namely it follows the roots and the characteristics of the main and active powers in the revolution; studying their histories before 2011 to find out the limits of their potentials and historical horizon. The book supposes that the revolution did not happen by coincidence. It has not evoluted and progressed, then retreated and defeated at random. This is understood and self-evident. But in addition to, and based on, this axiom; the four authors present what can be described as the DNA profiling of the main actors in January, the DNA profiling that reveals the genetic trait, namely defines the nature and limits of options. For example, the new capitalism that emerged in the late 1970s and participated in the governance one way or another under the umbrella of the project of power inheritance to Gamal Mubarak, whose spearhead was the Committee of Policies in the National Democratic Party – this capitalism rushed to put forth its demands and try to impose them. So, it merged in this context, due to the nature of the Egyptian political sphere, in a project of power inheritance with an authoritarian nature. This exactly what played a critical role in defining its situations and options after January. Another example is the Muslim Brothers, who waged the turbulence of the revolution carrying a long history of “liability to otherness”, namely to isolation and marginalization as “others” that can be depicted -as said in a song- “they are people and we are people”. Those isolated Brothers, as opposite to the pressing powers to isolate them, entered in a mutual trajectory of exclusion and disengagement that ended with the catastrophic results we have witnessed. That was also the case with the civil powers that introspected practices and crystalized a discourse of “wholly national” nature that included in its combination what allowed later the explosion of “statehood” that defined the period after June 2013. At all these levels and fields, the book reveals the roots of January’s victories and defeats in the history previous to 2011, not with the logic of “historical determinism” but with the logic of potentials whose limits can be understood only through the deconstruction of the context and the history.
