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      • Nashre-Cheshmeh Publishing House

        Nashre-Cheshmeh is a family business with more than 100 employees. It is one of the most active private publishing houses of the country with more than 1500 books, an annual number of 130 new ones, and six bookstores. The house has been working for more than 35 years, publishing the works of the most significant Iranian writers, poets, and translators, and the young generation of the best Iranian literary figures of the country. Many of these writers have novels, short stories, or poems published, or going to be published, in the European countries, the US, and Asia. We have always supported Iran’s joining the Berne Convention, thus tried to acquire the Persian translation rights for the titles we publish, such as the books by Orhan Pamuk, Steve Toltz, Patrick Modiano, Javier Marias, Rolf Dobelli, Alain Badiou, Klaus Modick, Ben Clanton, Siri Kolu.

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      • Iranban

        Iranban is a multi‑award‑winning, independent children’s book publishing company based in Teheran, Iran, with more than 500 titles published.

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        Biography & True Stories
        January 2014

        Beyond Writing

        by Ibrahim Abdelmeguid

        One of Egypt’s leading literary voices offers a first-hand look at political, social, cultural events of the last 40 years and how they influenced his writing.   Ibrahim Abdelmeguid, called “the quintessential writer about Alexandria” by The National newspaper, looks back over his decades-long writing career this book, which what he calls a “literary autobiography.” In it, he reflects on the social, political, and cultural influences in Egypt and elsewhere that have shaped him as a writer.   He shares his views on major political events, such as the 1967 defeat after the Six-Day War, and explanations of their profound impact on his personal life and works of fiction. Abdelmeguid devotes a portion of his work to discussing the development of his views on Egypt’s second president, Gamal Abdel Nasser, over the course of his turbulent tenure in office.   The book is divided into a brief introduction and four chapters. Abdelmeguid guides the reader through his literary career, moving masterfully between the factual and the meditative. He explores how each of his novels and many of his short stories was conceived. He also describes cultural, political, and social contexts in which his writing evolved and was received by literary critics and casual readers.   He spends considerable time describing the creative process behind his Alexandria trilogy— No One Sleeps in Alexandria, Birds of Amber, and Clouds Over Alexandria. The first book, No One Sleeps in Alexandria, is set during World War II. Abdelmeguid visited numerous key sites in Alexandria and surrounding areas and read every newspaper he could get his hands on. The result of his devotion to research is a vibrant portrayal of Alexandria that shines throughout the epic novel. Of particular note is his successful communication of the cultural and religious diversity of the city and the impact of that on the promotion of a culture of tolerance.   Beyond Writing is a rare and important addition to the modern Arabic literary map. Few Arab authors are willing to so transparently share their writing process, preferring to highlight the polished final product while concealing the hard work that brought it into existence. Readers are lucky that it is a writer as prominent, thoughtful, and engaging as Abdelmeguid is willing to draw back the curtain.

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        Children's & YA
        January 2015

        Hatless

        by Lateefa Buti / Illustrated by Doha Al Khteeb

        Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity.   The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless.   Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them.   So Hatless removes her hat.    As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats.   Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air.   By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens.     Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.

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        Children's & YA

        The Dinoraf

        by Hessa Al Muhairi

        An egg has hatched, and what comes out of it? A chicken? No. A turtle? No. It’s a dinosaur. But where is his family?  The little dinosaur searches the animal kingdom for someone who looks like him and settles on the giraffe. In this picture book by educator and author Hessa Al Muhairi, with illustrations by Sura Ghazwan, a dinosaur sets out in search of animals like him. He finds plenty of animals, but none that look the same...until he meets the giraffe. This story explores identity and belonging and teaches children about accepting differences in carefully crafted language.

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        Fiction
        2020

        Over the Jumhuriya Bridge

        by Shahad Al Rawi

        This novel, a bestseller in Baghdad, starts with the first two American tanks that crossed over the Jumhuriya Bridge into the heart of Baghdad in 2003, as the narrator watches events unfold from her grandfather’s house at the riverfront. That’s when her emigration journey begins, setting her on a path to experience both love and death away from her country. After her mother passes away, her father resorts to quantum physics in an attempt to interpret the meaning of existence, while the nameless protagonist discovers the novels of Virginia Woolf, Charles Dickens, and Francoise Sagan. ///The author depicts how different generations of the same family live different worlds, separated by experiences and time despite occupying the same physical spaces. The Jumhuriya Bridge threads symbolism throughout the novel—ushering in the beginning of the military fall of the city and later being the setting of sporadic events, from innocent flirting, to gulls, down to the shocking event that pushes the story up to its climax.

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        Fiction
        2022

        Where to, O Poem

        by Ali Jaafar Al Allaq

        This autobiographical work centers on literary creativity. Poet Ali Jaafar Alallaq recollects his academic and professional experiences, as well as their diverse ventures into poetic, literary, critical, and academic writing earlier in his life. The book covers the poet’s upbringing in a humble, impoverished village, his family’s subsequent move to Baghdad in the early 1950s, and his journey up until the present day. ///The biography details a plethora of human, cultural, and poetic events that impacted Alallaq’s perspective on events he witnessed, interacted with, or was involved in. These events range in intensity and scope, spanning from his childhood years in the countryside to navigating significant societal changes in Baghdad, and from his early explorations in writing and literary journalism to pursuing doctoral studies in the United Kingdom. He reflects on enduring two destructive wars that displaced Iraq’s people, leading to a life of exile and reliance on divine providence under the night sky. ///Beginning in 1991, Alallaq began a long period abroad that included six years of teaching at Sanaa University, followed by ten years of work at the United Arab Emirates University from 1997 to 2015. He produced a remarkable body of poetry and critical works during his tenure as a university instructor and his active involvement in cultural and poetic affairs in Sanaa and later in the UAE, which continues to this day. ///In this book, Alallaq takes on several roles, including narrator, contemplator, restorer, and descriptor, and expresses himself using elevated literary language. As a result, the work serves as an aesthetic testament to the purity of language as well as a cohesive account of the ups and downs of daily life. Despite living and working in a prosperous and stable environment for many years, he remains emotionally and imaginatively connected to the events and struggles affecting his country and the Arab world. He continues to document his aesthetic and patriotic testimony of current happenings, as clearly evidenced in his present autobiography.

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        Humanities & Social Sciences
        January 2022

        Israelpolitik

        by Lorena De Vita, J. Simon Rofe, Giles Scott-Smith

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        Children's & YA
        January 2011

        The Boy Who Saw the Color of Air

        by Abdo Wazen

        In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group.   Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited.   So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write.   Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind.   At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large.   The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut.   Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.

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        January 2013

        The Madmen of Bethlehem

        by Osama Alaysa

        Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people.   This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations.   Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written).   The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places.   The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form.   The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes.   The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.

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        February 2021

        Die Experten

        Thriller

        by Merle Kröger

        Die sechziger Jahre haben begonnen und mit ihnen das Zeitalter des Wassermanns. Adolf Eichmann wird in Jerusalem zum Tode verurteilt. Konrad Adenauer sagt Militärhilfe für Israel zu. Gleichzeitig jedoch zieht es deutsche Flugzeugkonstrukteure, Triebwerksbauer und Raketentechniker in großer Zahl nach Ägypten. Rita Hellberg, Tochter eines Ingenieurs, will ihre Eltern in Kairo eigentlich nur besuchen. Doch der Vater entscheidet: Die Familie gehört zusammen. Ägyptens Präsident Nasser träumt von einer afrikanischen Rüstungsindustrie, und so baut der Vater einen Jagdbomber. Während ihre Mutter sich dem Leben in Kairo verweigert, erkennt Rita bald, dass es für sie keinen besseren Ort geben kann, um ihre eigene Zukunft zu betreten. Sie lässt sich mitreißen in eine faszinierende Welt im Umbruch. Erst mit der Zeit wird ihr klar, dass sie mitten in einem Konflikt gelandet ist, in dem um historische und zukünftige, um weltpolitische und regionale Interessen mit allen Mitteln gekämpft wird. Jeder beobachtet jeden, Bomben explodieren, Menschen sterben. Rita Hellberg muss sich entscheiden, wo sie steht.

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        January 1993

        Metallgefäße im Iraq I

        (Von den Anfängen bis in die Akkad-Zeit). Mit naturwissenschaftlichen Beiträgen von Emmerich Pászthory und Ernst Pernicka

        by Müller-Karpe, Michael / Beiträge von Pászthory, Emmerich; Beiträge von Pernicka, Ernst

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        MICHEL EZRA SAFRA & SONS

        by Amnon Shamosh

        Michel Ezra Safra & Sons is a family saga by a well-known Israeli writer, Amnon Shamosh. The story is semibiographical and takes place partly in Aleppo, Syria, the birthplace of the author. The book describes the life, struggles, and dispersion of a well-to-do Syrian Jewish family during the course of three generations, beginning in the mid-1930’s. The story of the Ezra Safra family is the tale of a Middle Eastern Jewish society and its basic traditional values, which are constantly challenged by other norms, both circumstantial and universal. Shaken by local and global upheavals, the family, headed by Michel and his pretty wife Linda, is driven from their hometown of Aleppo during riots in the aftermath of the United Nations resolution in late 1947 on the establishment of a Jewish state in Palestine. Michel, a practical figure, continues to rule his worldwide business empire. His grip on his children seems to loosen, however, though he still enjoys their respect and love. Rachmo, the eldest son and heir apparent, runs the Paris branch of the family business, but his conduct as a family man does not live up to his parents’ standards. Albert, his younger brother, abhors business and shuns the course he is expected to take. He finds an outlet in Zionist underground activity, including “smuggling” Jews into Palestine. Five other Safra sons and daughters emigrate to Europe, America, and Israel. What concerns Michel most, disturbing and haunting him, is not the state of his financial empire, but a grave “sin” that he has committed. When the old synagogue of Aleppo was set on fire, Michel rescued the “Aram Zova” Torah scroll and managed to keep it from burning. He removed a piece from this priceless, sacred scroll and secreted it in a safe in Nice, France. Although this treasure is protected, Michel construes the tragedies that befall the family as divine punishment. Throughout the novel, the reader follows Michel on his worldwide travels, settling family and business affairs, burdened by poor health and by his conscience. The life of his son Albert, now an influential member of a collective settlement in Israel, is completely alien to him. The saga of the Ezra Safra family draws to a finale when Michel dies heartbroken a few days after his grandson is killed during the 1967 Six-Day War. Later, Rachmo, who was made party to his father’s secret, dies of a heart attack upon learning that the scroll in Nice has been stolen. Linda agrees to join her children in Israel, but refuses to live with them. She chooses to live a solitary life, surrounded by photos and memories of the past. Michel Ezra Safra and Sons was made into a highly successful mini-series for  the Israeli television.   French and Spanish translations of the entire novel are available! 348 pages, 14.5X21 cm

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        Fiction
        2022

        The End of the Desert

        by Said Khatibi

        On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.

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        On the Silk Road

        by Amnon Shamosh

        Amnon Shamosh, who made his name as an author with the well-known family saga “Michel Ezra Safra & Sons” as well as with the dozens of enthralling short stories that appeared in the collections entitled “My Sister the Bride” and “Wheels of the World,” surprises us once again with a novel that is modern, brilliant, and profound. The story revolves around age-old traditions and historical facts that complement one another, mingling in Shamosh’s imagination and impassioning the reader. In the year 1400, the great conqueror Timur Lang arrives in the Syrian city of Haleb (Aram Zoba) and from it sends ten Jewish families of silk dyers into exile, banishing them to Samarkand, capital of Timur’s empire, on the Silk Road. Timur Lang also kidnaps Jewish virgins, sequestering them in his harems. One of the virgins captures the heart of Timur’s son, a man of intellect and creation, who ruled under him. King Elias, “son of the Jewess,” who was raised in the Islamic faith, embarks on a quest to Spain in an effort to get to know and understand the Christian world as well as the Jewish one, which was flourishing in Spain at the time. Elias, seeking an identity and also a bride, finds them in Haleb, city of his maternal forefathers. His young wife came from the Dayan family, with ties to the dynasty of the House of David. The novel moves through three story lines. One is situated in the fifteenth century and centers mainly on the royal family and on the harem in Samarkand. The second occurs at the beginning of the twentieth century, in Jerusalem’s Bokharan Quarter, where immigrants from Bokhara and Haleb are crowded together, and the leaders of the new Jewish immigrant society visit the neighborhood. Story line number three concerns the last decade of the century, with the massive immigration of Soviet Jewry; the story here focuses mainly on the Bokharan immigrants. The spotlight is on Oshi Shauloff Ben-Shaul, born in the Bokharan Quarter, whose mother, of Halev origin, is a descendant of the above-mentioned House of Dayan and has roots in one of the families that were exiled from Haleb to Samarkand. This novel, excitingly erotic yet refined and restrained, has a style that is at once powerful and inspiring – as we have been led to expect from the works of Amnon Shamosh.   Born in Syria in 1929, Amnon Shamosh immigrated to Tel Aviv as a child and later became one of the founding members of Kibbutz Ma'ayan Baruch, where he resides today. A graduate of the Hebrew University in Jerusalem, author of both poetry and prose for children and adults, his work has been translated into English, Spanish, and French. Amnon Shamosh is a recipient of the Agnon Prize, named after the celebrated Israeli Nobel Laureate in Literature, the Prime Minister's Prize for Creativity, the President of Israel's Award for Literature, and numerous other literary awards. 288 pages, 14.5X21 cm

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        September 2023

        »Ein kleiner Regen macht nicht nass«

        by Paula Schmid, Gerda Raidt

        Wer hätte das gedacht? Regenwetter, das bedeutete doch eigentlich schlechtes Wetter, »Schmuddelwetter«, Wetter, bei dem man keinen Hund vor die Tür jagte. Heute – in Zeiten der weltweiten Dürre, des Raubbaus an der Natur und des unablässig voranschreitenden Klimawandels – würde man sich an manchen Tagen mehr Regen wünschen, am besten gleich einen Regenmacher! Das kleine Lesebuch versammelt Gedichte und Geschichten vom Regen, als er noch alltäglich zu sein schien. Mascha Kaléko berichtet von einem Wiedersehen mit einer Jugendliebe bei nasser Witterung, Walter Kempowski erinnert sich an einen verregneten Urlaub im Harz. Der erzählerische Regenbogen spannt sich von der biblischen Sintflut bis zum Fußbad im Cabrio. Und die Illustratorin Gerda Raidt hat den literarischen Landregen zusätzlich ins Bild gesetzt.

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        Picture books

        The Lilac Girl

        by Ibtisam Barakat (author), Sinan Hallak (illustrator)

        Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat.   The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac.   As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.

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