We are a Spanish graphic novel publisher, specialized in comic books for adults, young readers and children. Our publications are mostly one shot and we work with all literary genres. Click here to discover our graphic novel catalogue, as well as those of the comic publishers and authors that we also represent. https://www.grafitoeditorial.com/foreign-rights/
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Genetics has transformed plant pathology on two occasions: first when Mendelian genetics enabled the discovery that disease resistance was a heritable trait in plants, and secondly when Flor proposed the “gene-for-gene” hypothesis to explain his observations of plant-parasite interactions, based on his work on flax rust in North Dakota starting in the 1930s. Our knowledge of the genetics of disease resistance and host-pathogen coevolution is now entering a new phase as a result of the cloning of the first resistance genes. This book provides a broad review of recent developments in this important and expanding subject. Both agricultural and natural host-pathogen situations are addressed. While most of the book focuses on plant pathology, in the usual sense of the term embracing fungal, bacterial and viral pathogens, there is also consideration of parasitic plants and a chapter demonstrating lessons to be learnt from the mammalian immune system. Three overall themes are addressed: genetic analyses and utilization of resistance; population genetics; and cell biology and molecular genetics. Chapters are based on papers presented at the British Society for Plant Pathology Presidential meeting held in December 1995, but all have been revised and updated to mid-1996. Written by leading authorities from North America, Europe and Australia, the book represents an essential update for workers in plant genetics, breeding, biotechnology and pathology.
This collection tells the story of Thomas Becket's turbulent life, violent death and extraordinary posthumous acclaim in the words of his contemporaries. The only modern collection from the twelfth-century Lives of Thomas Becket in English and features all his major biographers, including many previously untranslated extracts. Providing both a valuable glimpse of the late twelfth-century world, and an insight into the minds of those who witnessed the events. By using contemporary sources, this book is the most accessible way to study this central episode in medieval history. Thomas Becket features prominently in most medieval core courses. This book allows the subject to be taught as never before, and is highly suitable as a set text.
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As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Thomas Nashe have elicited, and continue to provoke, a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. Collectively, the essays in this book illustrate how Nashe excelled at textual performance but his personae became a contested site as readers actively participated and engaged in the reception of Nashe's public image and his works.
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Cambeva's workshop is the first of four books of the collection "Presente de Vô" in partnership with Grupo Ponto de Partida. The book is a mixture of colours and elements that highlight the memory of the world, in which seekers of memories have the mission of bringing light and life to objects found in the travels of two characters: Zalém and Calunga. Cambeva is a restorer who, when the world lost its embrace, tried to reinvent it; he is the grandfather who mends dreams, forgotten things and lost emotions, to whom the seekers ask for help to fix something. In a magical universe, full of children, grandchildren, stories and memories of his lineage of restorers, when faced with this request for restoration, he makes room to bring back an emblematic figure who can no longer sing. A story about memories, care and affection...
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Haroldo, a minho, who as he relates to other animals in the garden brings to light issues such as friendship and respect, mixing a harmonic field with an inside-out view of the garden of a house inhabited by some strange animals, among them the (human) balance-beast.
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30 Jahre alt, ohne Resonanz auf seine bis dahin veröffentlichten drei Gedichtbände, vom eigenen überragenden schriftstellerischen Können allerdings überzeugt, schreibt Thomas Bernhard im Oktober 1961 an Siegfried Unseld: "Vor ein paar Tagen habe ich an Ihren Verlag ein Prosamanuskript geschickt. Ich kenne Sie nicht, nur ein paar Leute, die Sie kennen. Aber ich gehe den Alleingang." Obwohl der Suhrkamp Verlag das Manuskript ablehnte, gingen der Alleingänger und der Verleger seit dem Erscheinen von Bernhards erstem Roman "Frost" 1963 gemeinsam den Weg, der den Autor in die Weltliteratur führte. In den etwa 500 Briefen zwischen beiden entwickelt sich ein einzigartiges Zwei-Personen-Schauspiel: Mal ist es eine Tragödie, wenn etwa Bernhard die aus seinen Werken bekannten Schimpftiraden auf den Verleger losläßt, der seinerseits auf die Überzeugungskraft des Arguments setzt. Dann gibt Bernhard ein Kammerspiel mit Unseld als Held – 1973 schreibt er ihm: "mit grösster Aufmerksamkeit, mit allen Möglichkeiten, gehe ich gern mit Ihnen." 1984 agieren beide, bei der Beschlagnahme von "Holzfällen", als Kämpfer für die Literatur in einem von Dritten inszenierten Schurkenstück. Es dominiert das Beziehungsdrama: Der Autor stellt die für sein Werk und seine Person unabdingbaren Forderungen. Der Verleger seinerseits weiß, daß gerade bei Bernhard rücksichtslose Selbstbezogenheit notwendige Voraussetzung der Produktivität ist. Solch einen dramatischen Briefwechsel zwischen Autor und Verleger, in dem bei jeder Zeile alles auf dem Spiel steht, kennt das Publikum bislang nicht.
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30 Jahre alt, ohne Resonanz auf seine bis dahin veröffentlichten drei Gedichtbände, vom eigenen überragenden schriftstellerischen Können allerdings überzeugt, schreibt Thomas Bernhard im Oktober 1961 an Siegfried Unseld: "Vor ein paar Tagen habe ich an Ihren Verlag ein Prosamanuskript geschickt. Ich kenne Sie nicht, nur ein paar Leute, die Sie kennen. Aber ich gehe den Alleingang." Obwohl der Suhrkamp Verlag das Manuskript ablehnte, gingen der Alleingänger und der Verleger seit dem Erscheinen von Bernhards erstem Roman "Frost" 1963 gemeinsam den Weg, der den Autor in die Weltliteratur führte. In den etwa 500 Briefen zwischen beiden entwickelt sich ein einzigartiges Zwei-Personen-Schauspiel: Mal ist es eine Tragödie, wenn etwa Bernhard die aus seinen Werken bekannten Schimpftiraden auf den Verleger losläßt, der seinerseits auf die Überzeugungskraft des Arguments setzt. Dann gibt Bernhard ein Kammerspiel mit Unseld als Held – 1973 schreibt er ihm: "mit grösster Aufmerksamkeit, mit allen Möglichkeiten, gehe ich gern mit Ihnen." 1984 agieren beide, bei der Beschlagnahme von "Holzfällen", als Kämpfer für die Literatur in einem von Dritten inszenierten Schurkenstück. Es dominiert das Beziehungsdrama: Der Autor stellt die für sein Werk und seine Person unabdingbaren Forderungen. Der Verleger seinerseits weiß, daß gerade bei Bernhard rücksichtslose Selbstbezogenheit notwendige Voraussetzung der Produktivität ist. Solch einen dramatischen Briefwechsel zwischen Autor und Verleger, in dem bei jeder Zeile alles auf dem Spiel steht, kennt das Publikum bislang nicht.
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Rund 170 historische Fotos und Ansichtskarten, die hier zum größten Teil erstmals veröffentlicht werden, entführen den Leser in das Venedig Thomas Manns. Reinhard Pabst führt auf den Spuren des Dichters durch die Lagunenstadt und zu den Originalschauplätzen der Novelle Der Tod in Venedig. Wie einst Gustav Aschenbach, der Held der Novelle, kann sich der Leser im luxuriösen »Grand Hôtel des Bains« auf dem Lido ergehen, das mondäne Badeleben genießen und sich dem »Vergnügen an den Bildern eines soignierten Strandes« hingeben, an dem sich auch Arthur Schnitzler, Peter Altenberg, Karl Kraus, Georg Trakl und viele andere tummelten.Ein einzigartiges Buch über eine vergangene, faszinierende Epoche.
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Vitamin D deficiency is a global health problem that puts the quality of life and life expectancy of more than a billion children and adults at risk worldwide. Many lifestyle diseases may be associated with vitamin D deficiency: myocardial infarction, infections, cancer, neurological diseases, stroke, type 2 diabetes, to name just a few. This 4th updated edition incorporates numerous new insights into the therapeutic effect of vitamin D, including its importance for a healthy pregnancy, prenatal imprinting, optimum sporting performance, diabetes mellitus and autoimmune diseases such as Hashimoto’s thyroiditis or multiple sclerosis. Since the metabolism and the effect of vitamin D are supported by a complex network of micronutrients – for example, magnesium, vitamin A or vitamin K – a specific chapter is devoted to this network. Here, the reader can discover how vitamin D successfully protects against diseases, improves the quality of life and optimises medication and treatment!
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The name of this book is Oikoá, which means life in the language of the Guarani Mbya people. This name was chosen because the indigenous peoples have been the guardians of life on planet Earth: it is in their territories that there are more types of trees and plants, animals, fish, birds, insects, and where the rivers and forests are best preserved.
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This report reviews the energy and protein requirement systems for dairy cows currently used in Britain and presents a new approach, along with the outline of a model for its implementation. Current systems give little consideration to the responses of the animal to changes in the nutrient supply, or to interactions between dietary constituents in their effects on digestion and metabolism. Neither do they predict any effect on the partition of nutrient use between milk and body, or changes in the yields of milk fat, protein and lactose, which determine the commercial value of the milk. Therefore the systems, although not inaccurate, lack relevance to the current needs of UK milk producers. Models which embody concepts of nutrient supply and utilization are reviewed and their development as viable alternatives is considered. It is concluded that a new diet formulation system for dairy cows should aim to predict voluntary feed intake, the partition of nutrient use between milk production and tissue deposition, and the short and long-term of effects of nutrition on fat, protein and lactose yields. The physical and biological characteristics of the cow must also be recognized and incorporated into any model for response prediction. The report is also published in Nutrition Abstracts and Reviews - Series B: Livestock Feeds and Feeding. It is an authoritative review for advanced students, research workers and advisors in animal nutrition and in dairy science and technology.
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Soliman and Perseda, written c. 1588 and first published in 1592 or 1593, is a late Elizabethan romantic tragedy by Thomas Kyd, author of The Spanish Tragedy. It dramatises the triangular relationship of the Turkish emperor Soliman, his captive Perseda and her beloved Erastus, and the fortunes of the comic servant Piston and the braggart knight Basilisco, against the fictionalised backdrop of the Turkish invasion of Rhodes in the early sixteenth century. The introduction to this facsimile edition contains the fullest analysis of the text to date. It also provides an account of the play's editorial history, a detailed analysis of its original printing, and lists of all erroneous readings in the first quarto, together with significant differences between the first and second quartos. This edition provides the best access we have to an important play by one of Shakespeare's leading early contemporaries. ;
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Coexistence, harmony, respect, existence and resistance are central themes of the book Pode me chamar de Dodô, written by Daniella Michelin and illustrated by Elisa Carareto.
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Oscar (Fingal O’Flahertie Wills) Wilde wurde am 16. Oktober 1854 in Dublin als Sohn des Arztes William Wilde und der Dichterin Jane Francesca Elgee geboren. Er studierte klassische Literatur am Trinity College in Dublin und am Magdalen College in Oxford. 1879 ging er nach London, wo er sich bald durch seinen extravaganten Lebensstil und seine rhetorische Gewandtheit einen Namen machte. Nach Reisen in die USA, nach Kanada und Frankreich arbeitete Wilde zunächst für verschiedene Zeitungen als Lektor und Herausgeber. Seit 1884 mit Constance Lloyd verheiratet, schrieb und veröffentlichte er 1888 für seine eigenen Kinder die Märchensammlung The Happy Prince and Other Tales. In den folgenden Jahren entstanden weitere Erzählungen (wie The Picture of Dorian Gray, 1891) und zahlreiche Bühnenstücke (wie The Importance of Being Earnest, 1895), die außerordentliches literarisches und gesellschaftliches Aufsehen erregten. Auf dem Höhepunkt seines Erfolges stürzte ihn dann jedoch der Skandal um das langjährige Verhältnis mit Lord Alfred Douglas in den Ruin. Wilde verlor eine Verleumdungsklage gegen Douglas Vater, der ihn der Sodomie bezichtigt hatte, und wurde selbst in einem Strafprozeß wegen Unzucht zu einer zweijährigen Haftstrafe verurteilt. Nach seiner Entlassung aus dem Gefängnis in Reading floh er vor der gesellschaftlichen Ächtung unter falschem Namen nach Paris. Völlig mittellos starb er hier am 30. November 1900. Kurt Landauer (1884-1961), Präsident von Bayern München von 1913-33 und wieder ab 1947. Hedwig Lachmann, geboren 1865 in Stolp und verstorben 1918 in Krumbach, war eine deutsche Schriftstellerin und Übersetzerin.
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Mogi Franklin is a typical eighth-grader–except for the mysterious things that keep happening in his life. And the adventures they lead to as he and his sister, Jennifer, follow Mogi's unique problem-solving skills–along with dangerous clues from history and the world around them–to unearth a treasure of unexpected secrets.In The Lady in White, Mogi is working as a cowboy over the summer vacation on one of the largest ranches in New Mexico when hundreds of cattle start mysteriously dying there. Trying to understand the cause, he finds himself embroiled in the life of a boy who was kidnapped by Comanche Indians in 1871. In this seventh book of the exciting Mogi Franklin Mysteries, Mogi comes face-to-face with the ghost of the boy's mother, and must face the reality of the past to save the ranch from the enemies of the present.
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Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
