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Al Gore grew up in two worlds: in Washington, D.C., where his father was a U.S. senator, and on a Tennessee farm. As an adult, Gore followed his father into politics, serving as a senator, then as vice president of the United States, and finally as the Democratic contender in a 2000 presidential bid. All the while, he made technology and the environment his primary causes. Since leaving politics, Gore has embraced technology to educate the world on the dangers of global warming, and helped shape a new way of thinking that benefits both the environment and the people who depend on it. Producer of the documentary An Inconvenient Truth, Gore was awarded a Nobel Peace Prize for his work exploring global warming. Al Gore, Updated Edition follows the career trajectory of this political player turned environmental champion.
In einem Artikel, in dem sich Autoren der Frankfurter Allgemeinen Sonntagszeitung mit Philosophen-Videos auf Youtube befaßten, hieß es, dort könne »man Denker in Aktion sehen und beobachten, wie die Körpersprache, von der in den Texten keine Spur zu finden ist, das Wort übernimmt«. Wenn es einen Gegenwartsphilosophen gibt, bei dem Körpersprache und Denkstil tatsächlich zur Deckung zu kommen scheinen, so ist das Slavoj Žižek, der philosophische »Sprengmeister« aus Ljubljana. Diesen »nervösen Intellektuellen« (die tageszeitung) haben Susan Chales de Beaulieu und Jean-Baptiste Farkas in ihrem, von arte koproduzierten Filmporträt buchstäblich festgehalten. Sie lassen Žižek nicht nur Kernelemente seiner Theorie erläutern, sie entlocken ihm auch aufschlußreiche Erklärungen zu seinem quecksilbrigen Schreibstil und läden ihn zu einer über Monitore hergestellten Begegnung mit seinen langjährigen Weggefährten Alain Badiou und Jacques Rancière. Als Extras sind weitere Interviews mit Žižek, Restaurantgespräche sowie diverse Auszüge einer seiner legendären Vorträge zu sehen.
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»Nicht aus Lust am Provozieren sind Sade, Fourier und Loyola in ein und demselben Buch zusammengestellt worden, sondern weil alle drei Klassifikatoren, Sprachbegründer waren: der verfemte Schriftsteller begründete eine Sprache des erotischen Vergnügens, der utopische Philosoph eine Sprache des sozialen Glücks und der heilige Jesuit eine Sprache der Anrufung Gottes. Zeichen erfinden und nicht, wie wir es alle tun, nur konsumieren heißt paradoxerweise in den Bereich jenes Nachhinein des Sinns einzutreten, der das signifiant darstellt, kurz, eine Schreibweise praktizieren. Daher beschäftigt sich dieses Buch auch nicht mit dem Inhalt der Schriften dieser drei Autoren (…), sondern es behandelt Sade, Fourier und Loyola als Formulierer, Erfinder von Schreibweisen, Textoperateure.« Roland Barthes
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Neither use nor ornament is a book about personal productivity, told from the perspective of its obstacles: clutter and procrastination. It offers a challenge to the self-help promise of a clutter-free life, lived in a permanent state of efficiency and flow. The book reveals how contemporary projections of the good, productive life rely on images of failure. Riffing on the aphorism 'less is more' - a dominant refrain in present day productivity advice - it tells stories about streamlining, efficiency and tidiness over a time period of around 100 years. By focusing on the shadows of productivity advice, Neither use nor ornament seeks to unravel the moral narratives that hold individuals to account for their inefficiencies and muddles.
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In this novel about being seen and what is not seen, the previously hidden is revealed when the unexpected happens. In the unusually wet winter of 2010, two teenage girls set off to a party on a farm across a river, and disappear without a trace.
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What is the history of 'everyday health' in the postwar world, and where might we find it? This volume moves away from top-down histories of health and medicine that focus on states, medical professionals, and other experts. Instead, it centres the day-to-day lives of people in diverse contexts from 1950 to the present. Chapters explore how gender, class, 'race', sexuality, disability, and age mediated experiences of health and wellbeing in historical context. The volume foregrounds methodologies for writing bottom-up histories of health, subjectivity, and embodiment, offering insights applicable to scholars of times and places beyond those represented in the case studies presented here. Drawing together cutting-edge scholarship, the volume establishes and critically interrogates 'everyday health' as a crucial concept that will shape future histories of health and medicine.
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This book is the second part of an important experimental trilogy in text archaeology of all the various ideas about the 1664 and later versions. Tartuffe ou L'Imposteur, (Tartuffe or the Hypocrite), is Molière's most famous play and was first performed at Versailles in 1664. It attacked religious hypocrisy and as a result caused much scandal and was then banned. Tartuffe means 'hypocrite' especially one who shows affected religious piety and exaggeratedly feigns virtue. Revised versions of Tartuffe were performed at various times between 1667 and 1669. McBride provides a reconstruction of the 1667 version in this book. McBride's work is meticulous and nuanced and he provides a scholarly reconstruction of one of Molière's masterpieces. ;
