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      • Verlag Jungbrunnen

        Verlag Jungbrunnen was founded in 1923. Background was the intention to supply children who otherwise didn’t have access to books with high quality literature. Even though almost 100 years have gone by since then, the aim is still the same: Jungbrunnen produces quality picture books and novels for children and young adults from 2 to 14. Literary style and language, fantasy and craftsmanship in illustrations, universal topics which touch the souls of young people – all those elements unite to extraordinary books, which are entertaining and demanding at the same time. Young people can feel at home in them and have a chance to deal with existential questions in a protected space.

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      • Tango Sin Fin

        “Método de Tango” is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires. This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies. Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. So far, the collection has only been published in Argentina and worldwide rights belong to Tango Sin Fin.

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      • Trusted Partner
      • Trusted Partner
        September 1994

        Die geheime Geschichte des Fürsten von Musashi

        Roman. Aus dem Japanischen übertragen von Josef Bohaczek. Mit einem Nachwort von Irmela Hijiya-Kirschnereit

        by Jun'ichirō Tanizaki, Josef Bohaczek, Irmela Hijiya-Kirschnereit

      • Fiction

        Days at the Morisaki Bookshop

        by Satoshi Yagisawa

        25-year-old Takako has lived a relatively easy life. Born and raised on the southern island of Kyushu, she went to a good university and got a graduate job at a company in Tokyo where she met her charming boyfriend, Kashikoi. However, when Kashikoi casually announces that he’s been cheating on her and is planning to marry somebody else, Takako’s life is suddenly in freefall. She loses her job and with it all of her friends and acquaintances. She ends up in a deep depression but just as her despair seems to have reached a new low, she receives a call from her distant uncle.         Her uncle, who she refers to as Ojisan, is in his forties and has always lived something of an unconventional life, especially since his wife Momoko left him out of the blue five years ago. He runs a second-hand bookshop in Jimbocho, Tokyo’s famous book district which is home to hundreds of used bookshops, publishing houses and literary societies. Takako used to turn her nose up at Ojisan’s way of life but when he offers her the tiny room above the bookshop rent-free in exchange for helping out at the store, she reluctantly agrees. In the months that follow, Takako surprises herself by discovering a passion for Japanese literature from the “Modern” period (1868–1945), partly thanks to recommendations from Ojisan and the bookshop’s loyal customers. She becomes a regular at a local coffee shop where she befriends a graduate student who is waitressing there part-time, and she also meets a young editor from a nearby publishing house who’s going through his own messy breakup.         Just as Takako is learning how to enjoy life again, Kashikoi gets back in touch which unearths all the negative emotions associated with their relationship. Ojisan notices the decline in Takako’s mood and when she finally tells him the whole story he is horrified at Kashikoi’s behaviour. Ojisan convinces Takako to take a cab to Kashikoi’s apartment at 11pm. They confront him and this gives Takako the closure she needs. Takako is infinitely grateful to Ojisan and her life starts to come back together again: she’s offered a job at a design company and she finds a new apartment.         A year and a half later, Takako has the chance to return the favour and help Ojisan get closure on the mystery that has plagued him for the last five years: why his loving wife Momoko suddenly left him. When Momoko reappears and refuses to explain her absence, Takako senses that Momoko might not be comfortable sharing her reasoning with Ojisan but that she may open up to Takako. Momoko moves into the room above the bookshop and Takako visits often. They form a bond and go on a two-day trip to the Okutama Mountains in far western Tokyo. There, Momoko confesses that she left because Ojisan got so wrapped up in the bookshop that he was oblivious to the emotional turmoil she went through after the birth of their stillborn child. She always wanted children but had to have a hysterectomy. For her, it is all tied up in the guilt surrounding an abortion she had in her twenties.         Takako tells Ojisan. He runs after Momoko, who is leaving again. She says she’ll return one day but he needs to get his own feelings in order before she comes back. When Momoko returns a year later, she and Ojisan enthusiastically embark on the next chapter of running the Morisaki Bookshop together, and Takako has begun to date the editor she met at the coffee shop.

      • Travel & Transport

        On Ise’s Ship

        A Literary Journey across Japan

        by Suso Mourelo

        Suso Mourelo travels throughout Japan. He visits big cities and quiet rural enclaves, with the goal of discovering the places where the novels of his favorite authors took place. We roam the Tokyo of the accursed writer, Osamu Dazai or the small island of Kamishima that served as an inspiration for Yukio Mishima; the Kyoto of Junichirô Tanizaki’s fetish stories or the mountain refuge in which Yasunari Kawabata set Snow Country. With this literary universe as a point of reference, the author wanders across the country, whilst engaging its people, living in the intimacy of their homes, and while he probes the circumstances of a society that is experiencing an amazing mutation. Mourelo creates a story that, in the manner of a long haiku, guides us through the literary memory by the sheer force of sensations and present-day images.

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