The Royal College of Psychiatrists
Royal College of Psychiatrists publish a wide range of books on mental health for both psychiatrists and the general public, along withtheir flagship journal the British Journal of Psychiatry.
View Rights PortalRoyal College of Psychiatrists publish a wide range of books on mental health for both psychiatrists and the general public, along withtheir flagship journal the British Journal of Psychiatry.
View Rights PortalRCNi (part of Royal College of Nursing Group) are committed to being an essential nursing resource, inspiring and informing the whole nursing team to deliver best practice and exceptional patient care.
View Rights PortalHis world is that of the Royals – full of scandals and secrets. Falling in love with him was never part of her plan. Their paths cross at the royal stud farm... Greta just wants to get away: away from her school and away from the friends who have so endlessly disappointed her. The holiday job at the royal stud farm comes at just the right time for her. She might not have any interest in horses – and even less in princes and princesses – but the royal family’s palace still makes her heart beat faster. But on the very first day she quarrels with Edward, the horse trainer. He guesses that she is hiding a secret and wants to do whatever it takes to bring it out in the open. When, shortly afterwards, Prince Tristan appears at the stud farm, Greta’s life is completely turned upside down. She notices all too late that she is in the process of falling in love – and specifically with the boy that she actually wants to stay away from. Humorous and romantic, glamorous and exciting: ‘Royal Horses’ is the perfect love story for all readers from 12 to 99 years-old. Greta and Edward‘s story continues! Volume 2, ‘Crown Dream’ will be out in autumn 2020.
mycological paper on a revision of the British Heloticeae in the Herbarium of the Royal Botanic Gardens (including some notes on related European species)
Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London. Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London.
Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London. Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London.
Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London. Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London.
Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London. Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London.
Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London. Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London.
Paparazzi, a blaze of flashlights, scandals – day by day, Greta’s life is being turned upside down. And only one person is responsible for this: Edward. Or to be more precise, Prince Tristan. Greta still feels that he has deceived her with his lies. Why didn’t he tell her who he really was? But when Edward suggests that she should come to Caverley Green in order to escape from the media circus, she can’t say no. Especially because her heart always beats faster when she sees Edward working with the horses. Or when he looks at her in that special way…But is Greta really ready to become part of his world?
The Complete Works of Yungang Grottoes is a collection of photographic materials reflecting different periods, different caves, different artistic styles and artistic characteristics of Yungang Grottoes. It contains 20 volumes, each presenting a single Yungang cave with more than 400 pictures and several professional academic papers on the cultural and artistic characteristics of caves. As a royal art project symbolizing the imperial power of Tuoba in the Northern Wei Dynasty, the Yungang Grottoes are large in scale, rich in content, exquisite in carving, and vivid in appearance. They absorb and integrate the diverse cultures of ancient nationalities, and represent the highest level of carving in the world in the 5th century. In 2001, the Yungang Grottoes were listed on the World Heritage List. The Complete Works of Yungang Grottoes displays the treasures of the Yungang Grottoes in an unprecedented scale, high-definition, and panoramic view, which is regarded as a recording and preserving archive of great values. For more than 1500 years, the statues of the Yungang Grottoes have been weathered and ruined by wind and rain. In the past, most of the photography focused on the contemporarily perfect Buddha statues, but the remaining statues, even the best-preserved ones, are disappearing year by year from people's sight. The Complete Works of Yungang Grottoes collects image data of them, makes the documentary files, and has them published to the public, in this way retaining the perfect art in changes.
Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London. Nicola Bayley, 1949 in Singapur geboren, studierte Graphik-Design am St. Martins College und Illustration am Royal College of Art in England. Ihre zarten und feinen realistischen Illustrationen wurden mit zahlreichen Preisen ausgezeichnet, unter anderem mit dem British Book Awards Best Illustrated Children’s Book of the Year. Sie lebt in London. Elisabeth Borchers wurde am 27. Februar 1926 in Homberg am Niederrhein geboren. Aufgewachsen ist sie im Elsaß. Es folgten Aufenthalte in Frankreich und in den USA. Elisabeth Borchers war Mitglied des P.E.N. Zentrums der Bundesrepublik Deutschland, der Internationalen Erich Fried Gesellschaft für Literatur und Sprache in Wien und der Académie Européenne de Póesie, Luxemburg. Sie verstarb 2013 in Frankfurt am Main.
This book is our principal source for the history of the Kingdom of Sicily in the troubled years between the death of its founder, King Roger, in February 1154 and the spring of 1169. It covers the reign of Roger's son, King William I, known to later centuries as 'the Bad', and the minority of the latter's son, William II 'the Good'. The book illustrates the revival of classical learning during the twelfth-century renaissance. It presents a vivid and compelling picture of royal tyranny, rebellion and factional dispute at court. Sicily had historically been ruled by tyrants, and that the rule of the new Norman kings could be seen, for a variety of reasons, as a revival of that classical tyranny. A more balanced view of Sicilian history of the period 1153-1169 has been provided as an appendix to the translation in the section of the contemporary world chronicle ascribed to Archbishop Romuald II of Salerno, who died in April 1181. In particular the chronicle of Romuald enables us to see how the papal schism of 1159 and the simultaneous dispute between the German Emperor Frederick Barbarossa and the north Italian cities affected the destiny of the kingdom of Sicily. In contrast to the shadowy figure of Hugo Falcandus, the putative author of the principal narrative of mid-twelfth-century Sicilian history, Romuald II, Archbishop of Salerno 1153-1181, is well-documented.
The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature.