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      • Richard Griffin (1820) Ltd t/a Tarquin

        Tarquin produces books for recreational mathematics, and for students and teachers in schools. We have a near 50 year history of enriching mathematics as well as papercraft and origami titles. Many of our 240 titles have been translated into all the major languages of the world. But as a small publisher, we understand other small publishers and can tailor rights deals appropriately and economically. We have 12 titles that are new in 2020 and where rights are available.

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      • Sue Richardson Associates Ltd (SRA Books)

        SRA Books are a team of dedicated individuals who strive to help writers and business owners to produce fantastic books that not only look good but sell well and increase business for their authors. Sue Richardson is a dynamic publishing professional who together with her associates Maria Waite (publishing assistant and proofreader), Kelly Mundt (production manager), Sarah Williams (book coach and substantive editor), Mark Hobin (creative book designer), Mark Renwick (book blogsite builder) and Chantal Cooke (ace book PR) work to ensure all aspects of publishing a book are catered for to the highest standards.

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        Literature & Literary Studies
        April 1997

        Tis Pity She's a Whore

        John Ford

        by Derek Roper

        John Ford's tragedy, first printed in 1633, is the first major English play to take as its theme a subject still rarely handled: fulfilled incest between brother and sister. It is one of the most studied and performed of all plays of the period, and has been successfully adapted for film and radio. The Revels plays edition by Derek Roper has been the standard scholarly edition since it appeared in 1975. This new edition uses the same authoritative text, but with notes designed for modern undergraduate use. The substantial introduction has been completely rewritten to take account of the studies and new approaches of the last twenty years. It presents the play as an 'interrogative text', in which subversive meanings are inscribed within an apparently orthodox narrative; as a courageous treatment of forbidden love; and as an achieved work of Baroque art. ;

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        Humanities & Social Sciences
        June 2023

        Afterlives of war

        by Michael Roper

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        January 1995

        Ödipus und der Teufel

        Die Wiederentdeckung des Menschen in der Geschichte

        by Roper, Lyndal / Englisch Sillem, Peter

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        Humanities & Social Sciences
        March 2024

        Agents of European overseas empires

        Private colonisers, 1450-1800

        by Elodie Peyrol-Kleiber, L. H. Roper, Bertrand Van Ruymbeke, Agnès Delahaye

        Agents of European overseas empires involves contributors who specialise on often overlooked aspects of imperial endeavour: 'private' European interests, companies, merchants or courtiers, who conducted their own activities both with and without the benediction of polities. The chapters adopt intra- as well as inter-imperial perspectives and transport the reader to colonial America, the West Indies, the Cape of Good Hope, Batavia, or Ceylon, through the Dutch, English, French and Spanish empires. Agents of European overseas empires offers crucial insight on how these actors acquired profits and power and, in turn, laid the platforms for European global empires.

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        Humanities & Social Sciences
        August 2010

        The secret battle

        Emotional survival in the great war

        by Michael Roper, Bertrand Taithe, Penny Summerfield, Peter Gatrell, Max Jones, Ana Carden-Coyne

        What did home mean to British soldiers and how did it help them to cope with the psychological strains of the Great War? Family relationships lie at the heart of this book. It explores the contribution letters and parcels from home played in maintaining the morale of this largely young, amateur army. And it shows how soldiers, in their turn, sought to adapt domestic habits to the trenches. Pursuing the unconscious clues within a rich collection of letters and memoirs with the help of psychoanalytical ideas, including those formulated by the veteran tank commander Wilfred Bion, this study asks fundamental questions about the psychological resources of this generation of young men. It reveals how the extremities of battle exposed the deepest emotional ties of childhood, and went on marking the post-war domestic lives of those who returned. ;

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        March 1983

        Richard Wagner

        Leben und Werk in Daten und Bildern. Herausgegeben von Dietrich Mack und Egon Voss

        by Egon Voss, Dietrich Mack

        Dietrich Mack war der erste Ehemann von Gudrun Wagner und in den 80er Jahren Pressechef der Festspiele. Mitherausgeber der Tagebücher Cosima Wagners, zeitweise Leiter des Forschungsinstituts für Musiktheater an der Universität Bayreuth, später Programmdirektor Musik und Film beim SWR. Diverse Veröffentlichungen zu Richard Wagner sind im insel taschenbuch erschienen.

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        Humanities & Social Sciences
        January 2015

        The reign of Richard II

        From minority to tyranny 1377–97

        by Alison McHardy

        The long-awaited prequel to Chronicles of the revolution covers the first twenty years (1377-97) of Richard II's reign. This richly-documented period offers exceptional opportunities and challenges to students, and the editor has selected material from a wide range of sources: well-known English chronicles, foreign chronicles and legal, administrative and financial records. These are arranged chronologically to form a coherent narrative of the reign. Clear and lively commentary and notes enable readers to make the fullest use of each document. The introduction describes the complex domestic and international situation which confronted the young king and offers guidance on the strengths and weaknesses of the reign's leading chronicles. The dramatic and diverse politics of the reign of Richard II make this the ideal special subject and an accessible, affordable, student-friendly documentary history of Richard II's reign has long been needed. This book is designed to fill that gap.

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        June 1983

        Der Fall Wagner

        Schriften-Aufzeichnungen-Briefe. Herausgegeben und mit einer Chronik sowie einem Nachwort versehen von Dieter Borchmeyer

        by Friedrich Nietzsche, Dieter Borchmeyer, Dieter Borchmeyer

        Friedrich Nietzsche wurde am 15. Oktober 1844 in Röcken bei Lützen als Sohn eines Pastors geboren. Er studierte in Bonn und Leipzig zunächst Sprachwissenschaften und evangelische Theologie, seinen Abschluß machte er jedoch nur in klassischer Philologie. 1868 lernte er Richard Wagner kennen, der sein Denken neben Schopenhauer stark beeinflußte. Einige Jahre später zerbrach die Freundschaft über Nietzsches Geringschätzung der Bayreuther Festspiele. 1869 wurde er auf eine Professur für Altphilologie nach Basel berufen, die er aus gesundheitlichen Gründen zehn Jahre später wieder aufgab. Fortan lebte er von seiner Pension und finanzierte davon viele Reisen, u.a. in die Schweiz und nach Italien, auf denen seine wichtigsten philosophischen Werke entstanden. In seinen Hauptwerken sagte Nietzsche den Tod Gottes voraus, beschrieb den Übermenschen, trat für die Umwertung aller Werte ein und prägte somit den Nihilismus. Zu seinen bekanntesten Werken zählen Also sprach Zarathustra (1883) und Ecce Homo (1908). In den 1880er Jahren nahmen seine körperlichen und seelischen Leiden zu und gipfelten 1889 in einem Zusammenbruch, von dem er sich nicht mehr erholte. Bis zu seinem Tod am 25. August 1900 in Weimar wurde er von seiner Mutter und seiner Schwester gepflegt. Dieter Borchmeyer, geboren 1941, ist Professor emeritus an der Universität Heidelberg, war Präsident der Bayerischen Akademie der Schönen Künste und lehrt im Rahmen der Stiftungsdozentur »Heidelberger Vorträge zur Kulturtheorie« weiterhin an der Universität Heidelberg. Borchmeyers Arbeitsfeld ist vor allem die deutsche Literatur vom 18. bis 20. Jahrhundert und das Musiktheater mit Monographien zu Goethe, Schiller, Mozart, Wagner und Nietzsche. Zuletzt erschien von ihm Was ist deutsch? (2017). Dieter Borchmeyer, geboren 1941, ist Professor emeritus an der Universität Heidelberg, war Präsident der Bayerischen Akademie der Schönen Künste und lehrt im Rahmen der Stiftungsdozentur »Heidelberger Vorträge zur Kulturtheorie« weiterhin an der Universität Heidelberg. Borchmeyers Arbeitsfeld ist vor allem die deutsche Literatur vom 18. bis 20. Jahrhundert und das Musiktheater mit Monographien zu Goethe, Schiller, Mozart, Wagner und Nietzsche. Zuletzt erschien von ihm Was ist deutsch? (2017).

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        Literature & Literary Studies
        October 2004

        Richard Brome

        Place and politics on the Caroline stage

        by Matthew Steggle, Paul Edmondson, Martin White

        Richard Brome was the leading comic playwright of 1630s London. Starting his career as a manservant to Ben Jonson, he wrote a string of highly successful comedies which were influential in British theatre long after Brome's own playwriting career was cut short by the closure of the theatres in 1642. This book offers the first full-length chronological account of Brome's life and works, drawing on a wide range of recently rediscovered manuscript sources. It traces the early hostility to Brome from those who wrote him off as a mere servant; his continuing struggles with plague closures, contract disputes and theatrical takeover bids; and his literary relationships with Jonson, Shakespeare and others. Each of the surviving plays is discussed in relation to its social and political context, and its sense of place. A final chapter reviews Brome's enduring stageworthiness into the eighteenth and nineteenth centuries, and the most recent Brome revivals. ;

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        The Arts
        July 2010

        Richard Lester

        by Neil Sinyard, Brian McFarlane, Neil Sinyard

        Richard Lester is of the most significant yet misunderstood directors of the post-war era. Indelibly associated with the Beatles and the 'swinging Sixties' because of his direction of A Hard Day's Night and Help and his joyous sex comedy The Knack, Lester has tended to be categorised as a modish director whose heyday passed when that decade's optimism slid into disillusionment and violence. This book offers a critical appreciation and reappraisal of his work, arguing that it had much greater depth and variety than he has been given credit for. His versatility encompasses the Brechtian anti-heroics of How I Won the War; the surreal nuclear comedy of The Bed-Sitting Room and the swashbuckling adventure of The Musketeers films. He has even, in his instinctively iconoclastic manner, cut Superman down to size. The book should win new admirers for a director with a gift of making movies whose visual wit and imaginative imagery reveal an intelligent and enquiring scepticism about heroes and society. Including comments from Lester himself and illustrations from his own private collection, the book is a must for film scholars and enthusiasts alike. ;

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        Literature & Literary Studies
        March 2005

        Early modern women's manuscript poetry

        by Jill Millman, Gillian Wright

        'Early modern women's manuscript poetry' is an anthology of texts by fourteen women poets writing between 1589 and 1706. It is the only currently available anthology of early modern women's writing which focuses exclusively on manuscript material. Authors include Mary Sidney, Lucy Hutchinson and Katherine Philips; central figures in the emerging canon of early modern women writers, but whose work appears in a fresh and very different light in the manuscript context emphasised by this anthology. The volume also includes substantial excerpts from a recently discovered verse paraphrase of Genesis, thought to be by the previously unknown seventeenth-century writer Mary Roper, as well as selections from the unjustly neglected poet, Hester Pulter. The mix of canonical and non-canonical writers makes this book ideal for use on undergraduate and early postgraduate courses, while specialists will be particularly interested in the sophisticated and varied material taken from less familiar sources. ;

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        Humanities & Social Sciences
        February 2013

        Richard Wainwright, the Liberals and Liberal Democrats

        Unfinished business

        by Frances Babbage, Matt Cole

        Richard Wainwright, the Liberals and Liberal Democrats: Unfinished Business now available in paperback, offers new research on familiar themes involving loyalties of politics, faith and locality. Richard Wainwright was a Liberal MP for seventeen years during the Party's recovery, but his life tells us about much more than this. Wainwright grew up in prosperity, but learned from voluntary work about poverty; he refused to fight in World War Two, but saw war at its cruellest; he joined the Liberal Party when most had given up on it, but gave his fortune to it; lost a by-election but caused the only Labour loss in Harold Wilson's landslide of 1966. He then played a key role in the fall of Jeremy Thorpe, the Lib-Lab Pact and the formation of the SDP-Liberal Alliance and the Liberal Democrats; he represented a unique Yorkshire constituency which reflected his pride and hope for society; and though he gave his life to the battle to be in the Commons, he refused a seat in the Lords. Richard Wainwright's story is central to the story of the Liberal Party and sheds light on the reasons for its survival and the state of its prospects. At the same time this book is a parable of politics for anyone who wants to represent an apparently lost cause, who wants to motivate people who have been neglected, and who wants to follow their convictions at the highest level. ;

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        October 1994

        Nietzsche und Wagner

        Stationen einer epochalen Begegnung

        by Jörg Salaquarda, Dieter Borchmeyer

        Dieter Borchmeyer, geboren 1941, ist Professor emeritus an der Universität Heidelberg, war Präsident der Bayerischen Akademie der Schönen Künste und lehrt im Rahmen der Stiftungsdozentur »Heidelberger Vorträge zur Kulturtheorie« weiterhin an der Universität Heidelberg. Borchmeyers Arbeitsfeld ist vor allem die deutsche Literatur vom 18. bis 20. Jahrhundert und das Musiktheater mit Monographien zu Goethe, Schiller, Mozart, Wagner und Nietzsche. Zuletzt erschien von ihm Was ist deutsch? (2017).

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        Literature & Literary Studies
        May 2009

        The works of Richard Edwards

        Politics, poetry and performance in sixteenth century England

        by Paul Edmondson, Rosalind King, Martin White

        The heart of this book is its fully annotated, critical editions of the surviving work of Richard Edwards, one of the most influential poets and dramatists writing in England before Shakespeare. Ros King's extensive introduction, identifying the holes in the documentary evidence that might accommodate this important but now little known writer, rewrites the history of pre-Shakespearean drama, illustrates new approaches to sixteenth-century prosody and to the modernisation of dramatic poetry, and re-evaluates the public role of theatre and poetry during a particularly turbulent period in English history. While it will be essential reading for specialist scholars, it will also be of much wider interest. The introduction is highly accessible which makes it an appropriate text-book for students in a field where few textbooks are available. It will appeal to the current appetite among the reading public for biography, while the play, poems and songs are themselves very appealing. ;

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        Literature & Literary Studies
        January 2004

        Theatre and religion

        Lancastrian Shakespeare

        by Richard Dutton, Alison Findlay, Richard Wilson

        This important collection of essays focuses on the place of Roman Catholicism in early modern England, bringing new perspectives to bear on whether Shakespeare himself was Catholic. In the Introduction, Richard Wilson reviews the history of the debate over Shakespeare's religion, while Arthur Marotti and Peter Milward offer current perspectives on the subject. Eamon Duffy offers a historian's view of the nature of Elizabethan Catholicism, complemented by Frank Brownlow's study of Elizabeth's most brutal enforcer of religious policy, Richard Topcliffe. Two key Catholic controversialists are addressed by Donna Hamilton (Richard Vestegan) and Jean-Christophe Mayer (Robert Parsons). Robert Miola opens up the neglected field of Jesuit drama in the period, whilst Sonia Fielitz specifically proposes a new, Jesuit source-text for Timon of Athens. Carol Enos (As You Like It), Margaret Jones-Davies (Cymbeline), Gerard Kilroy (Hamlet) and Randall Martin (Henry VI 3) read individual plays in the light of these questions, while Gary Taylor's essay fittingly investigates the possible influence of religious conflicts on the publication of the Shakespeare First Folio. Theatre and religion: Lancastrian Shakespeare as a whole represents a major intervention in this fiercely contested current debate. ;

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        The Arts
        June 2021

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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