RANOK is the leading publishing house of Ukraine dealing with educational and children's literature. It also covers adult fiction and non-fiction/business sectors. RANOK has been working on the international market for over 20 years and has a long history of successful cooperation with many publishers around the world.
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At Penguin Random House UK, we champion the world's most brilliant voices, bringing them to life in compelling and dynamic ways for audiences everywhere. Our books shape the broader cultural life of our society and accompany people of all ages on their journey of discovery of the greatest stories, the smartest thinking and the best ideas. Penguin Random House UK Group Rights represents Foreign and Domestic Rights across the company’s seven divisions. One team represents Ebury, Cornerstone, Penguin General and Penguin Press, another represents Transworld, Michael Joseph and Vintage, and the third represents illustrated titles across the seven divisions. For more information and our catalogue, please visit our webpage.
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Aus dem amerikanischen Englisch von Silvia Kinkel
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This volume is a photographic facsimile from the copy of the play by George Wapull in the Harry Ransom Centre.It was originally printed in 1576 by Hugh Jackson, and is one of only five extant copies. The introduction discusses the place of this play in Jackson's output, including two other interludes printed by him shortly afterwards. Besides compositorial practice and some irregularities, it addresses the identity of the author, historical detail about the surviving copies, and the editorial contribution of John Payne Collier. The text is rich in stage directions and aspects of performance are discussed including the doubling scheme for four players and the active role of the Vice. The play was written at a time when interludes designed for small acting troupes were popular and exhibited remarkable theatrical expertise. The intellectual context is considered, and in particular the place of this play among the considerable number of surviving interludes from London which focus upon wealth and its abuses and other matters of economic importance at the time.
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The book contains a thorough analysis of the preaching heritage of Metropolitan Andrey Sheptytsky from the point of view of its compliance (or non-compliance) with the methodological principle, which is now called "positive-sum" or "win-win". The Metropolitan derived the genesis of this way of thinking from theology, and the author finds examples of its application by the Metropolitan himself in the messages of Andrei Sheptytsky in the field of economic relations, national relations, state building, inter-confessional and inter-religious relations. The author supplemented this scientific research with his own vision of what role the positive-sum principle and the formula of Metropolitan Andrey can play in the near future of Ukraine and the world.
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Freya and the Fearless - Plundering is a Skill! (Vol. 2) All Vikings are fearless? Not quite ... They call themselves "The Fearless" and they want to rob, plunder and pillage for all they're worth. The only problem is that the sight of a little girl makes them wet their pants. Freya has had enough of plundering Vikings and gives Heinar's people a good scare.What happens in Vol. 2:The sea is getting narrower and narrower, with land in sight to the right and left. So this must be England. Finally, our brave Vikings can once again plunder, rob and pillage to their heart's content. Heinar and his men sail leisurely up the Thames, until something blocks their way: Unfortunately, the British king's architects built the new bridge much too low. Now no ship can get out or back in and the English have to do without their beloved hot drink: tea. Freya and the Fearless turn Tower Bridge into a suspension drawbridge, bring back tea to the British, and casually invent the bearskin cap along the way.• A little girl shows the despondent Vikings what a real guy is• Funny sidekicks: The Odin family is watching from heaven• Innovative 90:10 text-image ratio, illustrated in b/w• For fans of ‘Vicky the Viking’ and ‘Asterix & Obelix’.• To be continued with Vol. 3 and 4
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Freya and the Fearless (Vol. 1) - Off to Battle! They call themselves "The Fearless" and they want to rob, plunder and pillage for all they're worth. The only problem is that the sight of a little girl makes them wet their pants. Freya has had enough of plundering Vikings and gives Heinar's people a good scare. • A little girl shows the despondent Vikings what a real guy is • Funny sidekicks: The Odin family is watching from heaven • Innovative 90:10 text-image ratio, illustrated in b/w • For fans of ‘Vicky the Viking’ and ‘Asterix & Obelix’. • Volumes 2 and 3 coming in 2022 and 2023 Viking chief Heinar Hookepee leads a small troop of daring men into a new adventure. While it is being widely discussed who exactly should lead the attack, a little girl stands up to them - our heroine Freya. She's fed up with Vikings attacking her village all the time and angrily scolds Hookepee and his men - who are nowhere near as fearless and brave as they always pretend to be. Something has to change: The men have to learn to become real Vikings. And who better to teach them than the fearless Freya? So Freya lands on the Viking ship and, with a lot of wit and clever methods, tries to teach our sissy Vikings everything they are missing.
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Für die einen war er ein politischer Rebell, für die anderen der Messias und Gottes Sohn: Jesus von Nazaret. Seine Lehre und sein Leben sind nicht voneinander zu trennen. Alois Prinz zeichnet anschaulich das dramatische Leben dieses Mannes nach, der in einer politisch brisanten Zeit die Botschaft von Mitmenschlichkeit und göttlicher Liebe verbreitete und diese auch selbst lebte. Wir erfahren, unter welchen Lebensumständen Jesus aufwuchs, was ihn prägte, wie er handelte und was ihm wichtig war. Ein Leben, das seit über 2000 Jahren Orientierung ist für alle auf der Suche nach innerer Freiheit und Mitmenschlichkeit und das auch in der heutigen Zeit Wegweiser sein kann.
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What does money really stand for? How can the abstractions of high finance be made visible? Show me the money documents how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States. It tells the story of how artists have grappled with the increasingly intangible and self-referential nature of money, from the South Sea Bubble to our current crisis. Show me the money sets out the history and politics of representations of finance through five essays by academic experts and curators, and is interspersed with provocative think pieces by notable public commentators on finance and art. The book, and the exhibition on which it is based, explore a wide range of images, from satirical eighteenth-century prints by William Hogarth and James Gillray to works by celebrated contemporary artists such as Andreas Gursky and Molly Crabapple. It also charts the development of an array of financial visualisations, including stock tickers and charts, newspaper illustrations, bank adverts and electronic trading systems.
