Somos una congregación de mujeres consagradas a Dios de la Iglesia Católica, para la evangelización con los medios de comunicación social.Sobre las huellas de Pablo, y con su mismo espíritu dedicamos todas nuestras fuerzas para VIVIR y COMUNICAR a Jesucristo en el areópago de la comunicación.
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In the 1930s and 1940s - amid the crises of totalitarianism, war and a perceived cultural collapse in the democratic West - a high-profile group of mostly Christian intellectuals met to map out 'middle ways' through the 'age of extremes'. Led by the missionary and ecumenist Joseph H. Oldham, the group included prominent writers, thinkers and activists such as T. S. Eliot, John Middleton Murry, Karl Mannheim, John Baillie, Alec Vidler, H. A. Hodges, Christopher Dawson, Kathleen Bliss and Michael Polanyi. The 'Oldham group' saw faith as a uniquely powerful resource for social and cultural renewal, and it represents a fascinating case study of efforts to renew freedom in a dramatic confrontation with totalitarianism. The group's story will appeal to those interested in the cultural history of the Second World War and the issue of applying faith to the 'modern' social order.
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Mistress of everything examines how indigenous people across Britain's settler colonies engaged with Queen Victoria in their lives and predicaments, incorporated her into their political repertoires, and implicated her as they sought redress for the effects of imperial expansion during her long reign. It draws together empirically rich studies from Canada, Australia, New Zealand and Southern Africa, to provide scope for comparative and transnational analysis. The book includes chapters on a Maori visit to Queen Victoria in 1863, meetings between African leaders and the Queen's son Prince Alfred in 1860, gift-giving in the Queen's name on colonial frontiers in Canada and Australia, and Maori women's references to Queen Victoria in support of their own chiefly status and rights. The collection offers an innovative approach to interpreting and including indigenous perspectives within broader histories of British imperialism and settler colonialism. ;
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The heart of this book is its fully annotated, critical editions of the surviving work of Richard Edwards, one of the most influential poets and dramatists writing in England before Shakespeare. Ros King's extensive introduction, identifying the holes in the documentary evidence that might accommodate this important but now little known writer, rewrites the history of pre-Shakespearean drama, illustrates new approaches to sixteenth-century prosody and to the modernisation of dramatic poetry, and re-evaluates the public role of theatre and poetry during a particularly turbulent period in English history. While it will be essential reading for specialist scholars, it will also be of much wider interest. The introduction is highly accessible which makes it an appropriate text-book for students in a field where few textbooks are available. It will appeal to the current appetite among the reading public for biography, while the play, poems and songs are themselves very appealing. ;
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Richard Brome was the leading comic playwright of 1630s London. Starting his career as a manservant to Ben Jonson, he wrote a string of highly successful comedies which were influential in British theatre long after Brome's own playwriting career was cut short by the closure of the theatres in 1642. This book offers the first full-length chronological account of Brome's life and works, drawing on a wide range of recently rediscovered manuscript sources. It traces the early hostility to Brome from those who wrote him off as a mere servant; his continuing struggles with plague closures, contract disputes and theatrical takeover bids; and his literary relationships with Jonson, Shakespeare and others. Each of the surviving plays is discussed in relation to its social and political context, and its sense of place. A final chapter reviews Brome's enduring stageworthiness into the eighteenth and nineteenth centuries, and the most recent Brome revivals. ;
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John Lyly's Euphues: The Anatomy of Wit and Euphues and his England, created a literary sensation in their own age, and had a profound influence on Elizabethan prose. This modern-spelling edition of the two works, the first for nearly a century, is designed to allow the twenty-first century reader access to this culturally significant text and to explore the fascination that it exerted. Attuned to the needs of both students and specialists, the text is edited from the earliest complete witnesses, is richly annotated, and facilitates an understanding of Lyly's narrative technique by distinguishing typographically between narrative levels. The introduction explores the relationship between the dramatic and non-dramatic work, locating Lyly's highly influential plays in a wider context and Euphues' Latin poem in praise of Elizabeth I, translated for the first time, is discussed in an Appendix. A work of primary importance for students of Renaissance prose, this edition complements the on-going publication of Lyly's dramatic works in The Revels Plays. ;
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This book, the world's first biography of Paul Watzlawick, written by his great-niece, describes the life of this philosopher, therapist, and best-selling author. Paul Watzlawick had a talent for languages and he led an adventurous life, from his childhood in Villach to studying in Venice after the war, to analyst training under C. G. Jung in Zurich, an attempt at establishing himself in India and then in El Salvador as a therapist, and finally to the Mental Research Institute (MRI) in the United States, headed by Don D. Jackson, a venerable scientist. This marked the beginning of the second half of his life, his amazing career as a communication researcher, a pioneer of systemic therapy, a radical constructivist, and a great thinker regarding the divisions between East and West. With many letters, lectures, interviews, and statements from contemporary witnesses and family members, this book makes Paul Watzlawick accessible as a human being and as a spiritually inspired, leading 20th century thinker. It includes a variety of unpublished material from Watzlawick, and introduces a comprehensive and exciting picture of the scientist and cosmopolitan person, Paul Watzlawick. Target Group: For people interest in Paul Watzlawick, communication sciences, systemic therapy, and constructivism.
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This volume brings together three little-known plays that convey vividly the fascination in early seventeenth-century England with travel and exploration.. Three dramas of wandering and adventure which explore the great diversity of responses in the period to the lures of tourism and colonial expansion and to challenges posed by the encounter with exotic places and peoples.. Intellectually distinguished edition now available in paperback for the first time.. This collection presents modernised texts with an extensive commentary and a full introduction to set the plays in their historical and cultural context. ;
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Kyd is arguably Shakespeare's most important tragic predecessor. Brilliantly fusing the drama of the academic and popular traditions, Thomas Kyd's plays are of central importance for understanding how the drama of Shakespeare and his contemporaries came about. Called 'an extraordinary dramatic . genius' by T.S. Eliot, Thomas Kyd invented the revenge tragedy genre that culminated in Shakespeare's Hamlet some twelve years later. In this study, The Spanish Tragedy - the most popular of all plays on the English Renaissance stage - receives the extensive scholarly and critical treatment it deserves, including a full reception and modern stage history. Yet as Erne shows, Thomas Kyd is much more than the author of a single masterpiece. Don Horatio (partly extant in The First Part of Hieronimo), the lost early Hamlet, Soliman and Perseda, and Cornelia all belong to what emerges in this work as a coherent dramatic oeuvre. This groundbreaking study is now in paperback. ;
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Lunney explores Marlowe's engagement with the traditions of the popular stage in the 1580s and early 1590s and offers a new approach to his major plays in terms of staging and audience response, as well as providing a new account of English drama in these important but largely neglected years. ;
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