Manshurat Al Jamal was founded in 1983 by Khalid Al Maaly in Cologne ,in 2008 based in Beirut and a further branch in Bagdad .The program focus on :- Classic ,Modern Arab literature- Fiction short stories poems - Philosophy- Sociology Manshurat Al-Jamal is the publisher of a lot of authors: G.Grass O. Pamuk J. Habermas Robert Musil H.Qureishi G. Sinoue P. Celan W. Gombrowicz J. Derrida M. Horkheimer T. Adorno A. Kristof
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The Piergiorgio Nicolazzini Literary Agency (PNLA), established in 2000, represents writers in Italy and worldwide, either direct or through co-agents in several territories.PNLA negotiates film and TV rights with major Italian and international production companies. PNLA represents foreign publishers, agents and writers from the United States, the United Kingdom, Australia, Canada, from Europe, South America and the Asian countries (China, Korea, Japan).
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Although soybean is a major global crop with significant disease losses, application of control is limited, often because of incomplete understanding of disease extent of disease and feasibility and benefits of control. This book demonstrates economic analysis can assist better management strategies. Following an overview of global soybean diseases and their economic significance. evidence on disease incidence and severity and management techniques are discussed. Farm-level decision-making on economic payoffs of alternative disease practices is discussed, with focus on new technologies. Empirical case studies on soybean seedling disease and soybean root rots are detailed. A global economic model is considered.
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John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
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PAISAJES DE ISRAEL por Moshé Kaufman Estos treinta y tres dibujos de Moshé Kaufman, escogidos entre cientos de dibujos, son el resultado de sus viajes artísticos a los panoramas históricos y pintorescos de Tierra Santa. Dichos diseños reflejan la admiración del artista por los espléndidos paisajes que pudo apreciar en sus recorridos por las diversas regiones del país. Los años formativos de Kaufman transcurrieron en Jerusalén, donde absorbió por primera vez los panoramas urbanos de la ciudad santa. Como joven arquitecto en Haifa, disfrutó de numerosas visitas a las montañas del Carmel y de la Galilea. Posteriormente, al estar involucrado en la planificación de la ciudad de Eilat, tuvo la oportunidad de entrar en estrecho contacto con los panoramas del desierto montañoso en el Néguev y en el valle de Aravá. Moshé Kaufman es pintor y arquitecto jubilado. Sus paisajes, en blanco y negro y también en color, se exhibieron en diversas exposiciones individuales de gran éxito, en Israel, en Florida y en Nueva York. «...Moshé Kaufman, sólo con pluma y tinta sobre papel, pinta las sencillas escenas del país y la intensidad con que son percibidas y las hace surgir de la hoja como si lo hicieran de una página del Antiguo Testamento. El sencillo árbol desértico espinoso, con unos pocos arbustos y una colina detrás de ellos es un material que, en las manos de Moshé Kaufman, se convierte en algo mágico». Bruno Pulmer Poroner "ARTSPEAK" Nueva York «...Kaufman no copia la naturaleza en un estilo realista, sino más bien adopta la connotación impresionista, con un toque personal. Sus dibujos consisten en una mezcla de misticismo e imaginación con realismo. Sus paisajes expresivos revelan la fuerza oculta en el artista, así como la verdad interna que lo caracteriza». "WORLD OF ART" Tel Aviv
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Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
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These thirty three drawings by Moshe Kaufman, selected from hundreds of drawings, are the fruition of his sketching trips to the historic and picturesque landscapes of the Holy Land. They reflect the artist’s admiration of the majestic sceneries he has witnessed while touring the various regions of the country. Kaufman's formative years were spent in Jerusalem, where the urban landscapes of the holy city were first absorbed. As a young architecture student in Haifa, he enjoyed many trips to the mountains of the Carmel and the Galilee. In later years, being involved in the planning of the town of Eilat, he had the opportunity to be in close contact with the mountainous desert views of the Negev and the Arava. Moshe Kaufman is a painter and retired architect. His landscapes, in black and white, as well as in color, were exhibited in several successful one-man shows in Israel, Florida, and New York. “...Moshe Kaufman, with only pen and ink on paper, he paints the simple country scenes, and the intensity with which they are felt, make them rise off the page as from the page of the Old Testament. The simple jagged desert tree, with a few bushes and a hill behind them is the stuff with which Moshe Kaufman can make magic.” Bruno Pulmer Poroner “ARTSPEAK” New York “...Kaufman does not copy nature in a realistic style. He rather adopts the impressionist tinge with a personal touch. His drawings consist of mysticism and imagination combined with realism. His expressive landscapes reveal a concealed force of the artist, as well as his inner truth that characterizes him.” “WORLD OF ART” Tel Aviv
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In den Erinnerungen von Freunden und Bekannten an Begegnungen mit dem Dichter entsteht ein Bild von der Persönlichkeit Huchels. Zugleich wird ein Stück jüngster deutscher Literaturgeschichte rekonstruiert.
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A hundred years after the tragic 1924 British Everest expedition, this collection explores the wider social and cultural history of the mountain. Mount Everest looms large in the popular imagination. Since the deaths of mountaineers George Mallory and Andrew Irvine in 1924, histories of the mountain have overwhelmingly focused on the mythologies of western male adventure and conquest. But there are many more stories waiting to be told. Other Everests brings together new voices and perspectives on the historical and cultural significance of Everest in the modern world. The book shines a light on the overlooked role of local people and high-altitude workers, while also revealing the significant contributions women have made to climbing the mountain and writing its history. It explores the depiction of Everest in a range of media and investigates how the forces of nationalism and commercialism have shaped many different 'Everests'. After years of exploitation, Indigenous people are now reclaiming Mount Everest in the twenty-first century. Other Everests re-examines the past and present of the world's highest peak, presenting an exciting vision of what Everest might become in the future.
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ISRAELISCHE LANDSCHAFTEN von Mosche Kaufman ? Diese dreiunddreißig Zeichnungen von Moshe Kaufman, ausgewählt aus Hunderten von Zeichnungen, sind die Frucht seiner Zeichenausflüge in malerische Landschaften des Heiligen Landes. Sie reflektieren die Bewunderung des Künstlers für die majestätischen Landschaftsansichten, die er auf seinen Reisen in die verschiedenen Regionen des Landes erlebt hat. Der Künstler verbrachte seine formativen Jahre in Jerusalem, wo er zuerst die urbanen Landschaften der heiligen Stadt in sich aufnahm.Als junger Architekturstudent in Haifa erfreute er sich an zahlreichen Ausflügen in die Berge des Carmel und nach Galiläa.In späteren Jahren war er an der Planung der Stadt Eilat beteiligt und hatte Gelegenheit, in engem Kontakt mit den gebirgigen Wüstenansichten von Negev und Arava zu sein. Moshe Kaufman ist Maler und Architekt im Ruhestand.Seine Landschaften, schwarzweiß wie farbig, wurden in mehreren erfolgreichen Einzelausstellungen in Israel, Florida und New York. *... Moshe Kaufman malt mit Stift und Tusche auf Papier einfache ländliche Szenen, und mit der Intensität, mit der sie gefühlt sind, gemahnen sie häufig an Szenen des Alten Testaments.Der schlichte, knorrige Baum in der Wüste, ein paar Büsche und ein Hügel im Hintergrund – das ist der Stoff, aus dem Mosche Kaufman Magie erzeugen kann. Bruno Pulmer Poroner “ARTSPEAK” New York „... Kaufman kopiert nicht die Natur auf realistische Weise.Statt dessen übernimmt er impressionistische Schattierungen und versieht sie mit seiner persönlichen Note.Seine Zeichnungen bestehen aus Mystik und Imagination, in Verbindung mit Realismus.Seine expressiven Landschaften enthüllen eine verborgene Kraft des Künstlers und die innere Wahrheit, die ihm zu eigen ist.“ “WORLD OF ART” Tel Aviv
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PAYSAGES D’ISRAEL par Moshe Kaufman Ces trente-trois dessins par Moshe Kaufman, choisis parmi des centaines de dessins, sont le fruit des excursions entreprises par lui pour dessiner les paysages historiques et pittoresques de la Terre Sainte. Ils reflètent l'admiration de l'artiste à la vue des paysages majestueux qu'il a pu decouvrir en visitant les différentes régions du pays. Les années pendant lesquelles Kaufman s’est formé ont été passées à Jérusalem, où il a tout d’abord absorbé les paysages urbains de la ville sainte. En tant que jeune étudiant en architecture à Haïfa, il s’est livré de nombreuses randonnées dans les monts du Carmel et de la Galilée. Au cours des années suivantes, lorsqu’il participait à la planification de la ville d'Eilat, il a eu l'occasion d'être en contact étroit avec les vues du désert montagneux du Néguev et de la Arava. Moshe Kaufman est un peintre et architecte à la retraite. Ses paysages, en noir et blanc ou en couleurs, ont été exposés dans plusieurs one-man-shows en Israël, en Floride, et New York lui valant autant de succès. « ... Moshe Kaufman, seulement avec plume et encre sur papier, il peint de simples scènes de campagne et l'intensité, avec laquelle il les fait ressentir, les fait se lever de la feuille du dessin comme d’une page de l'Ancien Testament. Un simple arbre du désert, déchiqueté, avec quelques buissons, et une colline derrière eux, c’est avec cela que Moshe Kaufman est capable de réaliser de la magie. » Bruno Pulmer Poroner « ARTSPEAK » New York « ... Kaufman ne copie pas la nature dans un style réaliste. Il adopte plutôt la nuance impressionniste avec une touche personnelle. Ses dessins se composent de mysticisme et d'imagination combinés avec le réalisme. Ses paysages expressifs révèlent une force cachée de l'artiste, ainsi que la vérité intérieure qui le caractérise. » « WORLD OF ART » Tel Aviv
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This study of the British colonial administrator James Tod (1782-1835), who spent five years in north-western India (1818-22) collecting every conceivable type of material of historical or cultural interest on the Rajputs and the Gujaratis, gives special attention to his role as a mediator of knowledge about this little-known region of the British Empire in the early nineteenth century to British and European audiences. The book aims to illustrate that British officers did not spend all their time oppressing and inferiorising the indigenous peoples under their colonial authority, but also contributed to propagating cultural and scientific information about them, and that they did not react only negatively to the various types of human difference they encountered in the field.
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David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
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