Codice Edizioni was founded in Turin in September 2003 with the goal of renovating Italy’s traditional non-fiction and popular science publishing; science in its many variations (physics, evolutionism, technology, natural sciences), as a key to interpreting modern society
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Famed reporter Russell Blaze is dead. It may have been an accident, but then again, it may have been murder. Russ' son Cody finds Russ's unfinished memoir for clues as to what may have happened. The opening words are: On the night of October 16, 1968, I uttered a sentence that would haunt me for the rest of my life. The sentence was, "Someone should kill that motherf***er.As Cody delves into the memoir, a window opens into a tragic past and thrusts the still-burning embers of another time's radical violence into the political reality of the present. History that once seemed far away becomes a deeply personal immersion for Cody into the storied heyday of Haight-Ashbury: drugs, sex, war protesters, right-wing militias, ground-breaking journalism-and the mysterious Gloria, who wanders into Russ' pad one day just to "crash here for a while until things calm down."Cody discovers aspects of his father's life he never knew, and slowly begins to understand the significance of those words his father spoke in 1968.Words Kill is a story of loss, violence, and racism; love, hate, and discovery. It is a story of then . . . and now.
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This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
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Investigating areas as diverse as travel literature, fiction, dialect, the stage, radio, and television, feature film, music and sport, this fascinating book assesses the attitudes and portrayal of the North of England within the national culture and how this has impacted upon attitudes to the region and its place within notions of 'Englishness'. ;
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Alone of his contemporaries, J.M.W. Turner is commonly held to have prefigured modern painting, as signalled in the existence of The Turner Prize for contemporary art. Our celebration of his achievement is very different to what Victorian critics made of his art. This book shows how Turner was reinvented to become the artist we recognise today. On Turner's death in 1851 he was already known as an adventurous, even baffling, painter. But when the Court of Chancery decreed that the contents of his studio should be given to the nation, another side of his art was revealed that effected a wholescale change in his reputation. This book acts as a guide to the reactions of art writers and curators from the 1850s to the 1960s as they attempted to come to terms with his work. It documents how Turner was interpreted and how his work was displayed in Britain, in Europe and in North America, concentrating on the ways in which his artistic identity was manipulated by art writers, by curators at the Tate and by designers of exhibitions for the British Council and other bodies. ;
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A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.
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Maybe Now (MAYBE Trilogy, Vol. 1) Gabriella, Joana and Karla share a flat. To finance their studies, they all work at a catering company. And the three not only realize their professional dreams, but also find the love of their lives. Gabrielle almost missed her plane in Brazil and now she sits next to this super rude guy. Great! She‘s flying to Munich to finally meet her biological father. Undercover, as she starts an internship in his catering company. On her first day in the kitchen, her instructor turns out to be, of all people, Anton. Her rude – or rather rudely handsome – seatmate from the plane! He not only lights a fire at the stove... Gabriella tries in vain to fight the sparks between them. Because Anton has clear rules when it comes to relationships at work. As hot as the Brazilian sun and as seductive as a perfect chocolate mousse! • Feel-good page turner for New Adults• Original plots in heartfelt narrations, leaving out familiar clichés• Girl power: 3 self-confident protagonists and their strong friendship• Stories about first steps towards independence: Career choices, fear of the future, parental pressure, exploring roots to find your place
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Maybe Never Gabriella, Joana and Karla share a flat. To finance their studies, they all work at a catering company. And the three not only realize their professional dreams, but also find the love of their lives. Since her older sister died in a fatal car accident, Joana does everything for a perfect life. She tries to follow her sister’s dream, out of guilt. In her life everything seems to be perfect: nice (but boring) boyfriend, successful biochemistry studies, a job at the catering company, affordable flat-sharing and wonderful friends. But everything changes when Kilian, the brother of her best friend Karla, shows up in Munich again. Kilian doesn’t fit into Joana‘s perfectly planned future at all. But he makes her feel what she has long supressed – the real Joana, who actually wanted to become a make-up artist. Ironically, since she has been wearing a mask herself since the death of her sister. • Feel-good page turner for New Adults• Original plots in heartfelt narrations, leaving out familiar clichés• Girl power: 3 self-confident protagonists and their strong friendship• Stories about first steps towards independence: Career choices, fear of the future, parental pressure, exploring roots to find your place
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This study examines the profound changes that twentieth-century performance has wrought on Shakespeare's complex drama of war and politics. What was accepted at the turn of the century as a patriotic celebration of a national hero has emerged in the modern theatre as a dark and troubling analysis of the causes and costs of war. The book details the theatrical innovations and political insights that have turned one of Shakespeare's most traditional-bound plays into one of his most popular and provocative. Henry V gives details analyses of several important modern productions. Beginning with a consideration of the play's political significance in Elizabethan London, the book goes on the reveal its subsequent reinvention, both as patriotic pageant and anti-war manifesto. Individual chapters consider important productions by the Royal Shakespeare Company, and other British and North American companies, as well as the landmark film versions. A compelling account of the theatrical revolution that has transformed one of Shakespeare's most challenging plays. ;
