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Al Masriah Al Lubnaniah
Al-Masriah Al-Lubnaniahwas established to create and maintain a high status in the publishing field and the Arab world,andalways has the aim of producing quality books in its content and shape.
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The ArtsJanuary 2019Negotiating the auteur
Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux
by Julia Dobson
This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts.
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1986Was hat man dir, du armes Kind getan?
Sigmund Freuds Unterdrückung der Verführungstheorie
by Masson, Jeffrey M
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March 1990Die Welt und die Hose
by Samuel Beckett, Erika Tophoven-Schöningh
Die Brüder Geer und Bram van Velde gehörten zu Becketts Malerfreunden, zu denen auch Tal Coat, Andre Masson und Henri Hayden zählten. Der Text »Die Malerei der van Veldes oder Die Welt und die Hose« spielt auf eine alte Weisheit an: DER KUNDE: Gott hat die Welt in sechs Tagen erschaffen, und Sie schaffen es nicht, mir in sechs Monaten eine Hose zu machen. DER SCHNEIDER: Aber, mein Herr, sehen Sie sich doch die Welt an, und sehen Sie da Ihre Hose! Beckett und Bram van Velde waren von der Lebensauffassung, dem Charakter und der gesellschaftlichen Position her gesehen Geistesverwandte. Bram van Velde schrieb: »Diese Freundschaft mit Beckett ist das wichtigste Ereignis in meinem Leben. Er hatte Augen für meine Arbeitsweise. Und was er in Worten ausdrücken konnte, das tat ich mit meinem Bildern.«
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1991Die Levi-Strauss-Saga
Die märchenhafte Geschichte des Mannes, der die Jeans erfand
by Masson, Irmalotte; Wiese, Ursula von
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The ArtsJuly 2012Negotiating the auteur
Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux
by Julia Dobson, Diana Holmes, Robert Ingram
This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts. ;
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The ArtsDecember 2013Simulating the marvellous
Psychology - surrealism - postmodernism
by David Lomas
Simulating the marvellous presents important new research on Surrealism and the culture from which it arose. Offering fresh interpretations of Surrealist art and literature based around the theme of simulation, the book shows, in the late nineteenth and early twentieth centuries, that the notion of simulation arose in a number of discrete contexts, in relation to hysteria and war neuroses; more broadly it shadows the emergence of our concept of 'the unconscious'. Acknowledging simulation's relevance to Surrealism, this book argues, radically alters our understanding of the Surrealists' project and the terms in which one gauges its success or failure. It leads one to question the naïve assumption that automatic writing or drawing represent an authentic outpouring of the unconscious and gives renewed significance to a figure such as Salvador Dalí who embraced simulation and made it the basis of his art and aesthetic. Resonances are also explored with postmodern theory and art practice, around the themes of simulation and the simulacrum.It also points to one of the ways in which Surrealism chimes with a core preoccupation of contemporary art and theory. Written accessibly, and ranging across many of the core ideas of Surrealism, David Lomas balances coverage of both Surrealist art and literature, looking at such figures as Dalì, Eluard, Masson, Desnos, Brouillet, Picasso, Tanning and Janet, as well as Glenn Brown, Douglas Gordon and Sarah Lucas. The book will interest not only art historians and theorists, but also students and those with a general interest in Surrealism. ;
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1984
Was hat man dir, du armes Kind, getan?
Sigmund Freuds Unterdrückung der Verführungstheorie
by Masson, Jeffrey M / Übersetzt von Brumm, Barbara
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September 2022Steve Jobs
Little People, Big Dreams. Deutsche Ausgabe | Kinderbuch ab 4 Jahre
by María Isabel Sánchez Vegara, Aura Lewis, Silke Kleemann
Eines Tages kehrte der junge Steve von einem Summer-Camp für neugierige Kids nach Hause zurück. Er hatte da eine riesengroße, geheimnisvolle Maschine gesehen: den ersten Computer. Wenige Jahre später gründete er mit seinem Freund eine Firma, die Garage von Steves Familie wurde zum Headquarter. Dort entstand der erste Apple. Heute blinkt das Äpfelchen überall auf der Welt. Einige Geräte sind so klein, dass man sie sogar in die Jackentasche stecken kann. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Philosophin, Forscherin oder Sportler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
