Lake Press is one of Australia's largest independent publishers of books for children. We specialise in high quality illustration and authorship, with books from babies through to teens. Our categories include board books, activity books, picture storybooks, activity kits and non-fiction. We have partners throughout the world, and our books are regularly published in up to 32 languages.
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This book provides a careful and systematic analysis of Anthony Ascham's career and writings for the first time in English. During the crucial period between the Second Civil War and the establishment of the English Republic, when he served as official pamphleteer of the Parliament and the republican government, Ascham put forward a complex argument in support of Parliament's claims for obedience which drew on the political thought of Grotius, Hobbes, Selden, Filmer and Machiavelli. He combined ideas taken from these authors and turned them into a powerful instrument of propaganda to be deployed in the service of the political agenda of his Independent patrons in Parliament. This investigation of Ascham's works brings together an intellectual analysis of his political thought and an exploration of the interaction between politics, propaganda and political ideas.
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The first full-scale study of the rule of Cromwell's major-generals over England and Wales during 1655 and 1656. This is a period which had a dramatic impact upon contemporaries and has remained a powerful symbol of military rule down to the present day. Contains chapters on the three most important aspects of the major-generals' work: the collection of the decimation tax; the attempt to improve the security of the regime; and the struggle to build the 'Godly Nation'. Concludes with an investigation of the 1656 election and the major-generals subsequent unexpected fall from power. Fills a major gap in the historiography of Cromwellian England. ;
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This book is based on a story. Its main protagonists are a London clergyman, Stephen Denison, and a lay sectmaster and prophet, John Etherington. The dispute between the two men blew up in the mid-1620s, but its reverberations can be traced back to the 1590s and continued to 1640. Through Denison the book analyses the tensions and contradictions within the 'religion of protestants' that dominated great swathes of the early Stuart church. Through Etherington, it eavesdrops on a London puritan underground that has remained largely hidden from view and which, while it was related to, indeed, parasitic upon, was not coterminous with, the order and orthodoxy-centred puritanism of Stephen Denison. By placing the Denison/Etherington dispute in its multiple contexts, the book becomes a study of puritan theology and intra-puritan theological dispute; of lay clerical relations and of the politics of the parish; and thus of the social history of parish and puritan religion in London. ;
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John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
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The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.
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Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.
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Now back in print, this comprehensive collection of essays by Simon Adams brings to life the most enigmatic of Elizabethans--Robert Dudley, Earl of Leicester. Adams, famous for the unique depth and breadth of his research, has gathered here his most important essays looking at the Elizabethan Court, and the adventures and legacy of the Earl. Together with his edition of Leicester's accounts and his reconstruction of Leicester's papers, Adams has published much upon on Leicester's influence and activities. His work has reshaped our knowledge of Elizabeth and her Court, Parliament, and such subjects of recent debate as the power of the nobility and the noble affinity, the politics of faction and the role of patronage. Sixteen essays are found in this collection, organized into three groups: the Court, Leicester and his affinity, and Leicester and the regions. This volume will be essential reading for academics and students interested in the Elizabethan Court and in early modern British politics more generally. ;
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This book examines the varied and fascinating ways that Westminster - traditionally home to the royal court, the fashionable West End and parliament - became the seat of the successive, non-monarchical regimes of the 1640s and 1650s. It first explores the town as the venue that helped to shape the breakdown of relations between the king and parliament in 1640-42. Subsequent chapters explore the role Westminster performed as both the ceremonial and administrative heart of shifting regimes, the hitherto unnoticed militarisation of local society through the 1640s and 1650s, and the fluctuating fortunes of the fashionable society of the West End in this revolutionary context. Analyses of religious life and patterns of local political allegiance and government unveil a complex and dynamic picture, in which the area not only witnessed major political and cultural change in these turbulent decades, but also the persistence of conservatism on the very doorstep of government.
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For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
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