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      • The Wild Kingdoms

        by Ibukun Olatunji

        The Wild Kingdoms is the World of the Òrìṣà, existing on the borders of the past and the present. In the present, something is missing - a faded majesty. Speech in the courts of The Wild Kingdoms is poetic and verse is used together with riddles, proverbs and songs. Following a civil war in heaven, a family of divine spirits, the Òrìṣà become refugees. They have immense power and can travel in time, but are trapped in present day New London. In New London – the earth in which the Òrìṣà are trapped. Speech is prose. Songs are heard though not used by characters so often. Proverbs are used infrequently. Verse is not heard except as part of song or performance. As they struggle to adapt they risk losing everything.  The story begins with Ọ̀ṣọ́ọ̀sì, The Spirit of the Hunter, who in the present, is a police officer. Ọ̀ṣọ́ọ̀sì is leading a case in New London centered around the dead body of a boy washed up in the Thames.

      • Strange Cases

        by Ibukun Olatunji & Remi Olatunji

        Elliot and his partner Tumba work for an agency that investigates and assesses strange cases. The cases relate to divine spirits called Òrìṣà. After each field trip, their short term memories are wiped. When they no longer recognise their reflections  they have to ask - who are they really? StrAnge Cases never lets its protagonists get to the world of the Òrìṣà. They are on the periphery and only see manifestations and the after effects of the Òrìṣà’s incursions  as reported by eye witnesses. Elliot and Tumbra never see anything directly that can prove the biggest conspiracy of them all -  that New London is the batttle ground for a divine civil war. Elliot and Tumbra’s mission is to track every one of the Òrìṣà. At the end of each field trip, their memories are wiped. While this is standard operating procedure in the Agency, it eventually leaves Elliot and Tumbra losing more than memories. Getting too close to Òrìṣà leads to truths neither of them are  prepared for.

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