Founded in 2012 by Emily Chuang. Emily Publishing mainly publishes translated fiction, non-fiction and children's picture books and starts to represent selected books from Taiwan and Japan to all over the world since 2019.
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Red Hen Press seeks to discover and publish works of literary excellence, support diversity in a creative industry, promote literacy in our local schools, and serve as a hub for literary events and enrichment. We are a community of readers and writers who are actively engaged in the essential human practice known as literature.
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Aus dem amerikanischen Englisch von Katharina Naumann
Aus dem amerikanischen Englisch von Katharina Naumann
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Aus dem amerikanischen Englisch von Katharina Naumann
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Russia and the other republics of the former USSR are now more accessible than at any other time in history. In the future, the forest resource of Russia, easily the greatest of any country in the world, will become even more globally important both environmentally and commercially.This new dictionary incorporates an updated and enlarged version of the first Russian-English edition, published in 1966, plus an entirely new English-Russian section of similar size. It contains many new terms, species names, acronyms and abbreviations to account for the great changes which have taken place in Russian forestry in terms of mechanization, woodworking technology, forest management and economics, environmental pollution and conservation. A list of the botanical names of trees and shrubs, with their Russian and English equivalents has also been included.The book has been compiled by Dr William Linnard, former Assistant Director of the Commonwealth Forestry Bureau, with over forty years’ experience of abstracting and translating forestry literature and David Darrah-Morgan, M.A. (Translation), a full-time translator, specializing in forestry and related fields.
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This book investigates the pronounced enthusiasm that many traditions display for codes of ethics characterised by a multitude of rules. Recent anthropological interest in ethics and historical explorations of 'self-fashioning' have led to extensive study of the virtuous self, but existing scholarship tends to pass over the kind of morality that involves legalistic reasoning. Rules and ethics corrects that omission by demonstrating the importance of rules in everyday moral life in a variety of contexts. In a nutshell, it argues that legalistic moral rules are not necessarily an obstruction to a rounded ethical self, but can be an integral part of it. An extended introduction first sets out the theoretical basis for studies of ethical systems that are characterised by detailed rules. This is followed by a series of empirical studies of rule-oriented moral traditions in a comparative perspective.
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This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.
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Goooooool! brüllen brasilianische Fans, wenn ihre Mannschaft ein Tor erzielt, und Goooooool! heißt auch die Sammlung von Fußballchroniken, mit denen Nelson Rodrigues in den 1950er bis 1970er Jahren in Brasiliens Tageszeitungen für Aufsehen sorgte. Rhythmus, Esprit, Anarchie - all das, was die nördliche Hemisphäre am Sambafußball so liebt, findet sich in diesen temporeichen Kabinettstückchen auf unterhaltsamste Weise wieder. Rodrigues mischt Fakten mit Fiktion, Spielerisches mit Nationalem; es geht um Zahnlücken, Analphabetismus, krumme Beine und das "gesunde Volksempfinden". Auch wer sich nicht im mindesten für Abseitsregeln interessiert, kann sich mit Goooooool! bestens amüsieren - nicht umsonst gilt Rodrigues als Brasiliens bedeutendster Dramatiker.
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