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      • Kerstin Schulze

        Ein angesehener Privatbankier wird erpresst. In einem Luxushotel wird ein Escort-Girl brutal ermordet und die Vereinten Nationen sind Ziel eines Anschlagplans islamistischer Terrorristen.    In dem ersten Teil der Thriller-Trilogie »Geneva Girl – Todesursache unbekannt« geht es um Schwarzgeld, Mord und Terrorgefahr in einer der teuersten Städte der Welt: Genf. Im Mittelpunkt des Buches steht eine deutsche Praktikantin bei den Vereinten Nationen, die an Angststörungen und Klaustrophobie leidet, und zwischen die Fronten von Geheimdienst und Diplomatie gerät. Es handelt sich um eine brisante Mischung aus Psycho- und Politthriller. Die Idee zu dem Roman lieferte der nie aufgeklärte Tod des ehemaligen Ministerpräsidenten von Schleswig-Holstein Uwe Barschel im Genfer Hotel Beau-Rivage.

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        Literature & Literary Studies
        June 2021

        Sara Paretsky

        Detective fiction as trauma literature

        by Cynthia Hamilton

        Sara Paretsky is known for her influential V.I. Warshawski series, which transformed the masculine hard-boiled detective formula into a vehicle for feminist values. But Paretsky does more than this. Her novels also illustrate the extent to which detective fiction acts as a literature of trauma, allowing Paretsky to address the politics of agency in ways that go beyond the personal, for trauma always has a social and a political dimension. Paretsky's work also exploits the way detective fiction mirrors the writing of history. Here, Paretsky uses the form to expose the partiality of historical accounts - whether they be personal, institutional, or national - that authorise 'forgetting' of a particularly insidious kind. Significantly, all these issues are explored within the framework of the traditional hard-boiled detective novel. As a result, Paretsky's achievement forces us to acknowledge the deeply subversive potential of detective fiction.

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        Business, Economics & Law
        September 2019

        Winter Tourism

        Trends and Challenges

        by Ulrike Pröbstl-Haider, Harold Richins, Stefan Türk

        Winter tourism has seen increased levels of investment in recent times as new ski destinations develop and traditional skiing destinations merge to reduce economic risks by means of spatial distribution. Increasingly environmental issues in many established ski resorts, including certifications and adaptions of the management regime, and new mobility concepts to reduce CO2 emissions caused by the travel behavior of the winter tourists, are growing areas of consideration. This includes the importance of scenic beauty, nature and sustainable development as well as snow reliability and avalanche safety. Finally skiers themselves and their preferences (destination choice), need to be considered as part of demographic change and changing leisure time habits, in particular considering the Chinese market and its impact in the future. The book will explore these trends and discuss the different approaches and adaption strategies that are employed in the European Alpine region, North America, and Eastern Europe.

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        January 1998

        Der heilige Hunger

        Die Geschichte einer Magersüchtigen

        by Grant, Stephanie / Übersetzt von Scheidt, Elke vom

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        Children's & YA
        January 2021

        Charming Stories. Winter

        by Zoi Linska (Author), Lena Lion (Illustrator)

        "Winter” is the first of the four-season series Charming Stories about the adventures of Alice and her charming friends Fairy La La and Martha the Cat, this time with Snowflake and Snowy. Like a golden thread, faith in the fulfilment of desires, the power of team spirit,  and the value of friends’ support run through these light and kind stories. The author Zoi Linska, with the illustrator Lena Lion, invite you to a journey into their world of fantasy and kind magic.   From 3 to 8 years, 8568 words Rightsholders: author@zoilin.com

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        Children's & YA
        January 2015

        Hatless

        by Lateefa Buti / Illustrated by Doha Al Khteeb

        Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity.   The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless.   Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them.   So Hatless removes her hat.    As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats.   Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air.   By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens.     Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.

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        October 2017

        Der Mantel des Schweigens

        Ein historischer Kriminalroman

        by Grant, Tracy / Übersetzt von Bartels, Anne

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        January 1999

        Was wisst ihr schon vom Erwachsenwerden

        Das Elternhandbuch für die Teenagerzeit

        by Grant, Wendy

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        May 2001

        Was wisst ihr schon vom Erwachsenwerden!

        Das Elternhandbuch für die Teenagerzeit

        by Grant, Wendy

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        Children's & YA
        January 2011

        The Boy Who Saw the Color of Air

        by Abdo Wazen

        In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group.   Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited.   So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write.   Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind.   At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large.   The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut.   Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.

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