Barrling Intl. Literary Agency
A literary agency representing hand-picked authors specializing in personal development and global health.
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Otter-Barry Books Ltd.
Otter-Barry Books is an exciting publisher of culturally diverse and inclusive high quality illustrated books for children. Our list includes great read-aloud picture books, non-fiction titles, poetry and graphic novels with fantastic art by some of the top authors and illustrators working today, including Steve Antony, Barroux, Jackie Morris, Joseph Coelho, Yu Rong, Roger McGough, Petr Horacek, Elizabeth Laird and Mehrdokht Amini.
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Business, Economics & LawDecember 2017The evolving role of national parliaments in the European Union
by Gavin Barrett
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October 1991Sonette aus dem Portugiesischen
by Elizabeth Barrett-Browning
Elizabeth Barrett wurde am 6. März 1806 in Durham / England geboren. Sie genoß eine privilegierte Kindheit und war äußerst belesen, v.a. in antiker Literatur. Im Alter von zwölf Jahren verfaßte sie ihr erstes episches Gedicht. 1826 wurde ihr erstes Werk – anonym – veröffentlicht, An Essay on Mind and Other Poems. 1844 lernte sie den um sechs Jahre jüngeren Dichter Robert Browning kennen, den sie gegen den Willen ihres Vaters heiratete. 1846 floh das Paar nach Italien und lebte von da an in Florenz. 1850 wurde Sonnets from the Portuguese veröffentlicht, eine der bekanntesten Sammlungen von Liebesgedichten in englischer Sprache. In ihren späteren Werken verarbeitete sie auch politische und soziale Themen, wie beispielsweise die männliche Dominanz über Frauen in ihrem Versepos Aurora Leigh (1857). Elizabeth Barrett Browning starb am 29. Juni 1861 in Florenz.
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Humanities & Social SciencesFebruary 2025An unorthodox history
British Jews since 1945
by Gavin Schaffer
A bold, new history of British Jewish life since the Second World War. Historian Gavin Schaffer wrestles Jewish history away from the question of what others have thought about Jews, focusing instead on the experiences of Jewish people themselves. Exploring the complexities of inclusion and exclusion, he shines a light on groups that have been marginalised within Jewish history and culture, such as queer Jews, Jews married to non-Jews, Israel-critical Jews and even Messianic Jews, while offering a fresh look at Jewish activism, Jewish religiosity and Zionism. Weaving these stories together, Schaffer argues that there are good reasons to consider Jewish Britons as a unitary whole, even as debates rage about who is entitled to call themselves a Jew. Challenging the idea that British Jewish life is in terminal decline. An unorthodox history demonstrates that Jewish Britain is thriving and that Jewishness is deeply embedded in the country's history and culture.
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February 2006Liebesgedichte
by Elizabeth Barrett-Browning, Felicitas Lovenberg, Felicitas Lovenberg
Die Sehnsucht und das endliche Glück, einen Seelenverwandten gefunden zu haben, hat in den Liebesgedichten Elizabeth Barrett-Brownings seinen schönsten Ausdruck gefunden. Sie wurden von Rainer Maria Rilke ins Deutsche übertragen. Für die vorliegende Ausgabe hat Felicitas von Lovenberg ein Nachwort verfaßt.
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December 1985Die Schwestern Brontë
Leben und Werk in Texten und Bildern
by Christel Schütz, Elsemarie Maletzke, Elsemarie Maletzke
Elsemarie Maletzke wurde 1947 in Oberhessen geboren und wuchs in Bad Kreuznach auf. 1968 begann sie in der Redaktion der Satire-Zeitschrift Pardon zu arbeiten. 1974 ging sie als Deutschlehrerin nach Irland. Zurück in Deutschland war sie Redakteurin bei Titanic und beim Pflasterstrand. Anfang der 80er Jahre erschienen Reiseführer und Anthologien über Irland und Dublin. Es folgten ihre großen Biographien über die Brontës, George Eliot, Jane Austen, Elizabeth Bowen, Elizabeth Barrett und Robert Browning. 2013 erschien ihr Gartenkrimi Giftiges Grün. Elsemarie Maletzke lebt und arbeitet als Autorin, Herausgeberin und freie Journalistin mit den Schwerpunkten Reisen und Garten in Frankfurt am Main. Elsemarie Maletzke wurde 1947 in Oberhessen geboren und wuchs in Bad Kreuznach auf. 1968 begann sie in der Redaktion der Satire-Zeitschrift Pardon zu arbeiten. 1974 ging sie als Deutschlehrerin nach Irland. Zurück in Deutschland war sie Redakteurin bei Titanic und beim Pflasterstrand. Anfang der 80er Jahre erschienen Reiseführer und Anthologien über Irland und Dublin. Es folgten ihre großen Biographien über die Brontës, George Eliot, Jane Austen, Elizabeth Bowen, Elizabeth Barrett und Robert Browning. 2013 erschien ihr Gartenkrimi Giftiges Grün. Elsemarie Maletzke lebt und arbeitet als Autorin, Herausgeberin und freie Journalistin mit den Schwerpunkten Reisen und Garten in Frankfurt am Main.
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Humanities & Social SciencesFebruary 2024‘Survival Capitalism’ and the Big Bang
Culture, contingency and capital in the making of the 1980s financial revolution
by Emma Barrett
This book about the Thatcher government and the City of London tells the compelling human story of the people and processes that made Britain's 1980s financial revolution. Fusing insider testimony with new archival discoveries, it examines high stakes and networked solutions, and uncovers new objectives that drove reforms. In so doing it demystifies a major shift in capitalism. This has implications for our understandings of government and capitalism, from the way we think about the origins of subsequent financial crises to today's growing inequalities. Survival Capitalism offers new insights into the last major restructuring of the City, disrupts myths surrounding the logics of the market, and pays attention to people and processes at a time when the City of London again faces major change as Britain seeks to find its place outside the European Union in the wake of Brexit.
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Humanities & Social SciencesOctober 2014Transatlantic defiance
The militant Irish republican movement in America, 1923–45
by Gavin Wilk
This book examines the militant Irish republican movement in the United States from the final months of the Irish Civil War through to the Second World War. The narrative carefully and creatively intertwines the personalities, events and policies that shaped the activism during this period and shows the evolution of its inherently transnational nature. Through a bottom-up historical analysis that incorporates an examination of more than eighty archival collections in the US, Ireland and Britain, the book presents for the first time an account of the anti-Treaty IRA veterans who arrived in the US after the Irish Civil War. Upon their settlement in Irish-American communities, these republicans directly influenced and guided the US-based militant republican organisation, Clan na Gael, transformed the overall dynamics of militant Irish republicanism in America and provided leadership and co-ordination for an IRA bombing campaign. With the inclusion of these veterans' stories, the book provides a fresh interpretation of the inter-war movement in America that shows it to be far from as stagnant, wayward and detached from Irish affairs as has previously been claimed. ;
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Literature & Literary StudiesApril 2022The narrative grotesque in medieval Scottish poetry
by Caitlin Flynn
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Humanities & Social SciencesMarch 1977The Leibniz-Clarke Correspondence
With extracts from Newton's 'Principia' and 'Optiks'
by Robert Gavin Alexander
n 1715 Leibniz wrote to his friend the Princess of Wales to warn her of the dangers Newton's philosophy posed for natural religion. Seizing this chance of initiating an exchange between the two greatest minds in Europe, the princess showed his letter to the eminent Newtonian scientist and natural theologian, Samuel Clarke. From his reply developed an exchange of papers which was published in 1717. The correspondence was immediately seen as a crucial discussion of the significance of the new science, and it became one of the most widely read philosophical works of its time.In this edition, an introduction outlines the historical background, and there is a valuable survey of the subsequent discussions of the problem of space and time in the philosophy of science. Significant references to the controversy in Leibniz's other correspondence have also been collected, and the relevant passages from Newton's Principia and Opticks are appended. In 1715 Leibniz wrote to his friend the Princess of Wales to warn her of the dangers Newton's philosophy posed for natural religion. Seizing this chance of initiating an exchange between two of the greatest minds in Europe, the princess showed his letter to the eminent Newtonian scientist and natural theologian, Samuel Clarke. From his reply developed an exchange of papers which was published in 1717. The correspondence was immediately seen as a crucial discussion of the significance of the new science, and it became one of the most widely read philosophical works of its time. Kant developed his theory of space and time from the problems at issue, and the post-Newtonian physics of the twentieth century has brought a revival of interest in Leibniz's objections: some of the problems are still not finally resolved. In this edition an introduction outlines the historical background, and there is a valuable survey of the subsequent discussions of the problem of space and time in the philosophy of science. Significant references to the controversy in Leibniz's other correspondence have also been collected, and the relevant passages from Newton's "Principia" and "Opticks" are appended. ;
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May 1994Handbuch für WahnsinnsFrauen
by Luise F. Pusch, Luise F. Pusch
Bachmann, Ingeborg: Hommage à Maria Callas. Fleißer, Marieluise: Ein Portät Buster Keatons. Dohm, Hedwig: Weib contra Weib. Plath, Sylvia: Papi. Lange, Helene: "Paten" der Mädchenbildung. Rich, Adrienne: Unsichtbarkeit in der Hochschule. Kaléko, Mascha: Die Leistung der Frau in der Kultur. Popp, Adelheid: Als ich von der Schule mein Übersiedlungszeugnis erhalten hatte. Glückel von Hameln: Einen Tag nach der Hochzeit. Glückel von Hameln: Ich will, meine lieben Kinder. Glückel von Hameln: Als wir nach Hamburg kamen. Bombeck, Erma: Drei klassische Mütter-Ansprachen. Baur, Margrit: Ich habe lange überlegt. Baur, Margrit: Vor dem Fenster. Keun, Imgard: Ich spiele nicht mit Männern. McCullers, Carson: Der Tod bleibt sich immer gleich. Haushofer, Marlen: Die Ratte. Gilman, Charlotte Perkins: Die gelbe Tapete. Dickinson, Emily: Die Seele wählt. Droste-Hülshoff, Annette: Das Spiegelbild. Droste-Hülshoff, Annette: Feuer. Kempner, Friederike: Kennst Du das Land. Kempner, Friederike: Vogelin-Prinzeß. Woolf, Virginia: Berufe für Frauen. Kaschnitz, Marie Luise: Nicht gesagt. Baur, Margrit: Ich halte mich an das Beschreibbare. Schwarz-Bart: Die ganze Woche über. LeFort, Gertrud_von: Hymnen an die Kirche. Dickinson, Emily: Er tappt auf deiner Seele. Hildegard von Bingen: Hymnus zu Ehren des Heiligen Geistes. Bachmann, Ingeborg: Auf das Opfer darf sich keiner berufen. Achmatowa, Anna: Im Jahr vierzig. Achmatowa, Anna: Die Dritte. Klüger, Ruth: Noch jetzt, wenn ich Güterwagen sehe. Domin, Hilde: Wen es trifft. Lasker-Schüler, Else: Der Letzte. Sachs, Nelly: Chor der Geretteten. Kolmar, Gertrud: Verwandlungen. Bachmann, Ingeborg: Innen sind deine Augen Fenster. Loos, Cécile Ines: Die Hochzeitsreise. Barrett-Browning, Elizabeth: Wie ich dich liebe? Roten, Iris_von: Der konventionelle Altersvorsprung der Männer in erotischen Beziehungen. Dickinson, Emily: Wilde Nächte. Parker, Dorothy: Der Walzer. Labé, Louise: Küß mich noch.
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The ArtsSeptember 2008Thorold Dickinson
A world of film
by Philip Horne, Peter Swaab
The films of Thorold Dickinson (1903-1984), now being rediscovered, engage with major issues including national identity, the post-colonial world, and political violence - and they also show a rare mastery of style, a thrilling eroticism, a preoccupation with the psychology of betrayal. But the director of Gaslight, The Next of Kin and The Queen of Spades was also an editor, documentarist, trade unionist, film producer (for the British Army and the UN), pioneering academic and controversialist. His adventurous and truly global involvement in film took him to Paris in the heyday of silent cinema in the 1920s, to Stalin's USSR in 1937, to the Spanish Civil War, to Africa, India, Israel and America. This book gives a lively, multi-angled account of Dickinson's works, life and times, conveying a sense of his own voice and fascinating character. It includes a richly detailed introduction, a film-by-film discussion of Dickinson with Scorsese, vivid personal memoirs of the director, a dossier of Dickinson's original writings and interviews from 1924 to 1973 (some never previously published), critical essays on all the feature films, and a ground-breaking reference section. The book draws on extensive archival research and close consultation with those who knew Dickinson well. Contributors include: Martin Scorsese, Gavin Millar, Lutz Becker, Charles Barr, Laura Marcus, Kevin Jackson, Kevin Gough-Yates, Ian Christie, Gregory Dart, Hillel Tryster, Janet Moat. ;
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