Your Search Results
-
Promoted Content
October 2005Das Geheimnis des Herrenhauses
Roman
by Gaskin, Catherine / Übersetzt von Lepsius, Susanne
-
Promoted Content
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
October 2005Wo Engel zögern
Unterwegs zu einer Epistemologie des Heiligen
by Gregory Bateson, Mary Catherine Bateson, Hans-Ulrich Möhring
Nach Geist und Natur. Eine notwendige Einheit hat Gregory Bateson an dem vorliegenden Buch gearbeitet, das er zu Lebzeiten aber nicht mehr zum Abschluß bringen konnte und das von seiner Tochter Mary Catherine fertiggestellt wurde.Ausgehend von dem, was wir über die biologische Welt wissen, sowie davon, was wir über das »Erkennen« zu begreifen vermögen, möchte Bateson erklären, was unter »dem Heiligen« zu verstehen sein könnte. Neben dem »Heiligen« spielen zwei weitere »integrative Erfahrungsdimensionen« eine wichtige Rolle: die des »ästhetischen« und die des »Bewußtseins«. Es ist diese Konstellation von Problemen, der man sich, so Bateson, widmen muß, wenn man zu einer Theorie des Handelns in der lebendigen Welt gelangen will – zu einer kybernetischen Ethik.
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
January 1989Alles andere ist Torheit
Ein Frauenschicksal zwischen Karriere und Liebe. Roman
by Gaskin, Catherine
-
Trusted Partner
-
Trusted Partner
The ArtsJune 2021The new pornographies
Explicit sex in recent French fiction and film
by Victoria Best, Martin Crowley
The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
-
Trusted Partner
The ArtsJanuary 2019The new pornographies
Explicit sex in recent French fiction and film
by Victoria Best, Martin Crowley
The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
-
Trusted Partner
Literature & Literary StudiesApril 2023Charles Dickens and Georgina Hogarth
A curious and enduring relationship
by Christine Skelton
Charles Dickens called his sister-in-law Georgina Hogarth his 'best and truest friend'. Georgina saw Dickens as much more than a friend. They lived together for twenty-eight years, during which time their relationship constantly changed. The sister of his wife Catherine, the sharp and witty Georgina moved into the Dickens home aged fifteen. What began as a father-daughter relationship blossomed into a genuine rapport, but their easy relations were fractured when Dickens had a mid-life crisis and determined to rid himself of Catherine. Georgina's refusal to leave Dickens and his desire for her to remain in his household led to rumours of an affair and even illegitimate children. He left her the equivalent of almost £1 million and all his personal papers in his will. Georgina's commitment to Dickens was unwavering but it is far from clear what he did to deserve such loyalty. There were several occasions when he misused her in order to protect his public reputation. Why did Georgina betray her once much-loved sister? Why did she fall out with her family and risk her reputation in order to stay with Dickens? And why did the Dickenses' daughter Katey say it was 'the greatest mistake ever' to invite a sister-in-law to live with a family?
-
Trusted Partner
November 2000Was ist Literaturgeschichte?
by Stephen Greenblatt, Barbara Naumann, Reinhard Kaiser, Catherine Belsey
Im England der frühen Neuzeit konnte die schlichte Fähigkeit zu buchstabieren lebensrettend sein: Daran entschied sich nämlich, ob man der weltlichen Gerichtsbarkeit überantwortet wurde oder der geistlichen, die die Todesstrafe nicht kannte. Greenblatt beschreibt, wie sich von dieser existentiellen Bedeutung aus der Literaturbegriff immer weiter verzweigte und wie aus einer »Buchstabenwissenschaft« Literaturwissenschaft im modernen Sinn wurde. Ergänzt wird der Band durch einen Kommentar der britischen Literaturwissenschaftlerin Catherine Belsey und eine Betrachtung zu einem der großartigsten Werke der Literaturwissenschaft, zu Erich Auerbachs Mimesis-Buch.
