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Biography: general2018TEURA. SOPHIA YABLONSKA
by Oksana Zabuzhko, foreword
"TEURA. SOFIA YABLONSKA" is a project that presents an outstanding Ukrainian female photographer, writer, traveler, and film documentarian Sophia Yablonska. It combines a photo album and 3 books of traveling prose from the literary heritage of Sofia Yablonska (1907-1971) Sophia was called "Theura" - a red bird - and thus recognized as female native of the island of Bora Bora, where she was one of the first to appear with a photo and film camera. In Indochina, Egypt, Ceylon, Bali, Tahiti, New Zealand - everywhere in the world, she filmed a "live" picture of life, and not fashionable productions at that time. The photo album, which was printed in Ukrainian and French (separate versions) with the support of the UKRAINIAN CULTURAL FOUNDATION, includes her photos from a trip around the world in the 1930s. Foreword - Oksana Zabuzhko (Kyiv) Photos from the archive of Natalie Udin, Yablonska's granddaughter (Paris) Biography: Veronika Khomenyuk and Andrii Benytskyi (Lviv) Photo captions: Natalka Beshta (Bangkok) Selection of illustrations and design (almost curators): Maria Norazyan and Ilya Pavlov, Grafprom studio (Kharkiv) Project manager: Lidia Likhach"
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April 1986Das Tagebuch der Sophia
Aus dem Chinesischen übersetzt von dem Arbeitskreis 'Moderne Chinesische Literatur' am Ostasiatischen Seminar der Freien Universität Berlin (Bernd Fischer, Anna Gerstlacher, Johanna Graefe, Renate Krieg, Wolfgang Kubin, Julia Lore Mollée, Eva Sternfeld)
by Ding Ling
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Memoirs2018The Charm of Morocco
by Sophia Yablonska
"The Charm of Morocco" is the debut travel novel of the Ukrainian traveler, writer, artist and photographer Sofia Yablonska, first published in Lviv in 1932. The author lived in Morocco for four months, during which she researched and described Arab Africa. The writer's report is deeply personal, her unbiased view of this country is devoid of French influence and established genre traditions of the exotic novel, despite the fact that Sofia had already lived in Paris for several years before going to Morocco. It describes the different strata of Arab society, their relations with each other and with foreigners, the position of women and the Berber tribes free from the European protectorate. The 2018 edition is part of the TEURA art project. Sofia Yablonska", the purpose of which is to return Sofia Yablonska to the cultural discourse and establish her as a relevant character of Ukrainian art. In addition to "The Charm of Morocco", two other travel novels by Sofia - "From the Land of Rye and Opium" and "Far Horizons", as well as a book of her photos taken in the 1930s - will be published as part of the project. Compilers: Andrii Benytskyi, Veronika Khomeniuk Designer: Volodymyr Gavrish The publication was made with the support of the Ukrainian Cultural Faundation
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August 2003Die Vereine der dionysischen Techniten im Kontext der hellenistischen Gesellschaft
Untersuchungen zur Geschichte, Organisation und Wirkung der hellenistischen Technitenvereine
by Aneziri, Sophia
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April 2002Bahnreform und Enteignung.
Die Rückkehr der privatbegünstigenden Enteignung im Eisenbahnwesen.
by Pommer, Sophia
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Fiction2021The Mystery of the Glass Ball
by Maria Dadouch
Ghassan Al Ghurairi had to accompany his old grandfather to the Leewy Museum in the middle of the desert. They are attending a ceremony honoring his grandfather, who spent his entire life in service of the desert. As they head to their destination onboard an ancient train, Ghassan came across a conspiracy plotted by the criminal Aqrabawi and his bald friend— disguised as two elderly women—to poison the oasis’s water supply. In place of the ecological life in the desert, they want to make way for an international resort and take over the place. Although Ghassan doesn’t mean to confront this conspiracy alone, he finds himself embroiled face-to-face with the criminals. Fortunately for him, a girl appears at his side to help. Sophia Al-Adnani from Chiparazumpia is also heading with her grandfather and his great eco-friendly invention, the glass ball, to the Leewy Museum, where her grandfather is to be honored. The two children are able to hold off the criminals initially, but not for long, as Aqrabawi and his friend soon reappear—this time deadest on revenge against the two children. Ghassan and Sophia resist in the face of intimidation and threats, and, using clever intrigue, they manage to disarm the conspirators and escape seconds before the desert guards arrive and arrest the criminals.
