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      • Solisluna

        Attentive to ethnic appeal and modeled on the diverse Brazilian identity, Solisluna, located in the State of Bahia, where Brazil began, started its operations in 1993. Since its inception it has been dedicated to publishing books focused on the artistic, cultural and historical expressions of Brazilian Identity. These publications deal with architectural and religious heritage, the environment, racial plurality and issues related to social and technological changes that have occurred in a modernizing society. Heavily influenced by the Brazilian, and more specifically Bahian, cultural context, the designs of Solisluna’s books creatively reproduce these unique themes. Solisluna has been known for publishing high-quality literature: prose and poetry, novels, essays and Afro-Brazilian studies, in addition to art and children’s books.

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      • The Rights Solution

        The Rights Solution is an agency offering a global rights service for independent publishers.  We currently represent a portfolio of award-winning, international packagers and publishers, offering a full range of titles from preschool board and picture books, through to activity books and older illustrated non-fiction titles. We work on both a co-edition and a royalty basis and work flexibly to allow for different market sectors and buyers' needs.

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        1990

        Verbranntes Wasser

        Vier Erzählungen

        by Fuentes, Carlos

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        1994

        Christoph, ungeborn

        Das Vorleben und die Ansichten, die Geschichte und die gesammelten Erfahrungen des sinnreichen Kindes Cristóbal Nonato. Roman

        by Fuentes, Carlos

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        1990

        Chac Mool

        Erzählungen

        by Fuentes, Carlos

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        Children's & YA
        December 2019

        The Middle

        by Richa Jha and Eva Sanchez Gomez

        The Middle is a story of a journey within a journey. A voracious reader, Azma, whose mind is full of questions as she reads, finds that the more books she consumes, the more the whys and hows in them consume her. One night, a torn scrap of paper floats into her room, carrying an incomplete line within its crinkles. She desperately searches for any missing words to complete the lonely phrase but failing at each attempt, she finally turns to writing her own beginning and end.  The pages of The Middle are filled with surreal creatures - formidable, terrifying, looming – and these represent the fears and doubts of a mind struggling to make sense of the worlds captured within those books that only partially satisfy her as a reader. Azma embarks on an incomplete journey, ready to create its origin and end, finally realising the answers to all her impossible questions can only come to her when she writes her own version of the story. It is only then that the haunting creatures begin to soften and harmlessly melt away into themselves. Richa Jha’s lyrical prose and Eva Sanchez Gomez’s breathtaking visual poetry come together to narrate a tale that is both stunning and thought-provoking. For all the restless creative souls out there, The Middle presents an all-familiar trajectory of creating something new.

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        October 2010

        Die fünf Sonnen Mexikos

        Ein Lesebuch für das 21. Jahrhundert

        by Fuentes, Carlos / Spanisch Grüneisen, Lisa

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        November 2008

        Unheimliche Gesellschaft

        Sechs phantastische Erzählungen

        by Fuentes, Carlos / Spanisch Grüneisen, Lisa

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        April 2013

        Der verlorene Freund

        Roman

        by Carlos María Domínguez, Susanne Lange

        »Der verlorene Freund« erzählt von einer gedankenlosen Geste mit verhängnisvollen Folgen und der notwendigen Illusion menschlicher Nähe. Zwei Männer kommen ins Gespräch, lernen sich kennen, freunden sich an. Eines Tages stürzt der eine, ein passionierter Kunstsammler, sich aus dem Fenster, der andere bleibt ratlos zurück. Er nimmt, um die Beweggründe des Verstorbenen zu verstehen, Kontakt zu dessen Familie und Bekannten auf. Eine seltsame Geschichte zeichnet sich ab, die Spur führt ihn in eine gottverlassene Bergarbeitersiedlung voller sonderbarer Figuren und zurück zu einem dunklen Familiengeheimnis. Und während er sich dort in den Unwägbarkeiten eines anderen Lebens zu verlieren droht, macht er schließlich eine Entdeckung von niederschmetternder Einfachheit. Carlos María Domínguez, der große Solitär der südamerikanischen Literatur, hat einen großen kleinen Roman von eindringlicher Schönheit geschrieben, über Verlust und Verlorenheit und darüber, dass wir auch die nicht kennen, die uns vertraut sind.

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