We are an independent and multilingual publisher for children books located in Brazil. We publish books, in print or digital, that we consider important for children, regarding the childhood universe as well as the society's big question. Since 2014. In Sao Paulo, Brazil.
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»Wer den Chor der Mäuse nicht hört, braucht nicht mit mir befreundet zu sein.« Clemens J. Setz ist der Autor bahnbrechender Romane wie Die Stunde zwischen Frau und Gitarre, aufregender Erzählungsbände wie Der Trost runder Dinge, von Gedichten, Theaterstücken, Drehbüchern, Nacherzählungen und Essays. Er ist Übersetzer, ein Freund der Plansprachen, des Obertongesanges, der Ziegen und der Hasen. Er ist Träger des Georg-Büchner-Preises, des Kleist-Preises, des Berliner Literaturpreises. Außerdem ist er ein Poet der Kurznachrichtendienste und noch einiges mehr. In seiner radikalen Vielfältigkeit und vielfältigen Radikalität ist er eine herausragende Figur der Gegenwartsliteratur. Für Fans der Setz’schen Werke und seiner Person ist dieses hochwertige Plakat mit einem Porträt des Dichters gedacht, aufgenommen vom Berliner Fotografen Max Zerrahn. Poster auf stabilem GalaxyArt-Papier im DIN-A1-Format
Seit seinem Debüterfolg mit dem Roman Wäldchestag im Jahr 2000 ist Andreas Maier häufig unterwegs, um aus seinen Romanen zu lesen. Nur daß er in den letzten ein, zwei Jahren meist, wenn er eingeladen war, auch immer wieder schon aus dem kommenden Onkel J. las. Jedesmal hatte er damit das Publikum im Handumdrehen auf seiner Seite. Umstandslos fand man sich angeschlossen an Maiers Welt aus Wetterau, Familie, Fußball, Apfelwein, aus Thomas Bernhard und dem Evangelium nach Matthäus, aus Ängsten, Kneipenfreuden und -nöten, eingepackt in absurde Vorkommnisse und komische Erlebnisse. Jede Kolumne beginnt mit einem »Neulich«-Satz, die erste so: »Neulich war ich in Berlin. Das wird jetzt niemand weiter ungewöhnlich finden, aber ich bin Hesse, und mir ging in Berlin ein Wunsch in Erfüllung.« Dennoch handelt es sich um alles andere als ein Kolumnenbuch. Vielmehr nimmt Onkel J. – im Übergang von den ersten vier Romanen zu Maiers Projekt »Ortsumgehung« – eine zentrale Stelle ein. »Alles gehört zusammen, und für alles ist das Kolumnenbuch der Kern.«
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Eine historische Begebenheit liegt diesem szenischen Bericht zu Grunde: der Fall Oppenheimer. Am 12. April 1954 begann in Washington die Untersuchung gegen den Physiker und langjährigen Leiter der amerikanischen Atomforschung J. Robert Oppenheimer. Der Untersuchungsausschuß, von der Atomenergiekommission der USA eingesetzt, sollte prüfen, ob sich der Wissenschaftler der Regierung seines Landes gegenüber loyal verhalten habe. Das drei Wochen währende Verhör, Beispiel und Ausdruck des Konflikts zwischen Individuum und Gesellschaft, Wissenschaft und Staat, zählt zu den denkwürdigen Ereignissen der Zeitgeschichte.
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The Little Mermaid is a representative of Andersen’s fairy tales. As the heroine, the little mermaid is one of the most classic characters of fairy tales. With full emotions, Cai Gao illustrated the beauty of the sea, as well as the pathos in the little mermaid’s eyes.
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The book is based on seven beautiful Chinese folk tales, Gao Liang Rushing Water, Who Was the Skill, Wooden Bird, Where was the Cat, Grandma Bear, Jujube Seed, The Cowered Star and Weaver Star, and illustrated by Cai Gao. Selected stories are full of courage, resources, humor, and wonderful magical fantasy. It will help the children know and love their nation and culture.
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The Moon: a Glutinous Rice Cake in the Sky is a classic nursery rhyme of Cai Gao’s hometown — the Changsha city of China , until now it is still sung by children. This nursery rhyme compares the moon to a round-shaped glutinous rice cake, and then launches a series of interesting associations. If singing this in the dialect of Changsha, a kind of lingering charm would come out.
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"Starry Night" is a collection of contemporary classical poems. It contains nearly 200 ancient poems of various styles written by Mr. Cai Jianhe in recent years, including nearly 100 poems of Qilu and Qijue, and more than 50 poems of Wulu and Wujue. Nearly 50 words. The author composes his personal heart tunes with classical poems, writes the new voice of the times, and the song age develops. The works have a wide range of subjects, rich content, precise metric, and sincere emotions. There are records of personal sentiments of longing for relatives and friends and repaying with friends, as well as expressions of Xiangxi’s poverty alleviation and the country’s feelings of helping Xinjiang. There are not only mountaineering and water, cherishing spring and pitying autumn scenery, but also nostalgic for the past. , Do not forget the original spirit of the times. "
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This third edition of 'Tourism Information Technology' provides a contemporary update on the complexities of using information technology in the tourism industry. It examines IT applications in all sectors including airlines, travel intermediaries, accommodation, foodservice, destinations, attractions, events and entertainment. Fully updated throughout and organised around the stages of the visitor journey, the book reviews how tourists are using technologies to support decision making before their trip, during their travels and at the destination. It: · Provides comprehensive and up to date coverage of all key topics in tourism information technologies · Covers new areas such as (among others) augmented and virtual reality, robotics, smart destinations, disruptive innovation and the collaborative economy, crowdsourcing for sustainability, online reputation management and big data · Incorporates a wealth of pedagogic features to aid student learning, including key models and concepts, research and industry insights, case studies, key terms, discussion questions, and links to useful websites. Accompanied online by instructor PowerPoint slides, multiple choice questions and further case studies, this book provides a comprehensive and learning-focused text for students of tourism and related subjects.
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The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932-2016). This book shows that Hill's poems are characteristically 'end-directed'. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry. This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
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Feather Robe is an interesting tale of ethnic Miao, a Chinese minority. It tells a story that a beautiful woman called Cai came out from a painting and married the painting’s owner, a laborious and honest youngster. The emperor of that time attempted to hold Cai at first, later he ordered this couple to present a robe made of one hundred different birds’ feathers, or he would execute them. Cai worked it out with magic power and punished the greedy emperor successfully.
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Alone of his contemporaries, J.M.W. Turner is commonly held to have prefigured modern painting, as signalled in the existence of The Turner Prize for contemporary art. Our celebration of his achievement is very different to what Victorian critics made of his art. This book shows how Turner was reinvented to become the artist we recognise today. On Turner's death in 1851 he was already known as an adventurous, even baffling, painter. But when the Court of Chancery decreed that the contents of his studio should be given to the nation, another side of his art was revealed that effected a wholescale change in his reputation. This book acts as a guide to the reactions of art writers and curators from the 1850s to the 1960s as they attempted to come to terms with his work. It documents how Turner was interpreted and how his work was displayed in Britain, in Europe and in North America, concentrating on the ways in which his artistic identity was manipulated by art writers, by curators at the Tate and by designers of exhibitions for the British Council and other bodies. ;
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Der Psychoanalytiker J. Laplanche und der Philosoph J.-B. Pontalis haben die gesamte psychoanalytische Literatur durchgearbeitet und zu einem »Vokabular der Psychoanalyse« zusammengetragen. Das Vokabular definiert nicht nur die von Freud und einigen seiner Schüler eingeführten und mittlerweile über die halbe Welt verbreiteten Ausdrücke, sondern erörtert ihre Entstehung, ihre Wandlungen, ihren heutigen Status, um ihre Bedeutung innerhalb der psychoanalytischen Theorie und Praxis zu entschlüsseln. Der gesamte begriffliche Apparat der Psychoanalyse wird so unter drei Gesichtspunkten analysiert: Geschichte, Struktur, Problematik.
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The Story of Birth is quite unique among Cai Gao’s works. This is the latest picture book of Ms. Cai, both its words and illustrations were created by herself. In this book, she describes the process of a baby' s birth by wax crayon, depicting the joy of life’s birth and expressing a high tribute to all mothers.
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Festivals of Chinese Ethnic Groups was co-authored by China's well-beloved authors of children's literature including Fang Suzhen, Tang Sulan, Wang Yimei, and was illustrated by celebrated Chinese illustrators such as Cai Gao, Chen Yadan and Zhu Xunde. This series covers intriguing, outstanding and poetic folk tales on festivals and customs from China's ten most representative ethnic groups. Showcasing their courage, gentleness and indomitable will, these delightful stories allow readers to learn more about the distinct and charming characteristics of these ethnic groups. Recommended as parent-child reading by CCTV during the Dragon Boat Festival, this series has won the Most Beautiful Picture Book 2025 prize given by China Library Journal. It was also nominated for the top picture books prize in China for the Chinese Government Award.
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Gan Jiang and Mo Ye were husband and wife of blacksmith in ancient China. They spent three years casting two superexcellent swords. Gan Jiang presented one of them to the king, however, the king put him to death because he didn’t present the other one together. When Gan Jiang’s son grew up, he stepped on a tragic and heroic road of vengeance with the other sword.
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