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The ArtsDecember 2001British stars and stardom
From Alma Taylor to Sean Connery
by Bruce Babington, Susan Williams
Deals analytically with the fascinating topic of the great film stars (and some thought-provoking lesser ones) of the British cinema, from Alma Taylor and Ivor Novello in the Silent period, up to the present day. Looks both at stars who attained worldwide fame through the Hollywood cinema, and those whose contribution is primarily to the national cinema.. First collection of essays on the subject with a wide historical coverage including major figures, such as Connery, Mason, Trevor Howard, Deborah Kerr, Mary Millington, Albert Finney and James Mason. Major figures in UK film studies have contributed, including Marcia Landy, Andrew Higson, Peter Evans, Charles Barr, Pam Cook and Andy Medhurst. ;
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The ArtsSeptember 2013Launder and Gilliat
by Bruce Babington, Brian McFarlane, Neil Sinyard
Bruce Babington analyses the achievement of one of the central partnerships in British film history, the screenwriters of famous films by Hitchcock and Carol Reed, who became the producer-writer-directors of a succession of famous and well-loved films including Millions Like Us, Two Thousand Women, Waterloo Road, The Rake's Progress, I See a Dark Stranger, The Blue Lagoon and The Happiest Days of Your Life. This study of the pair is notable both for its contextualising of them within English and British culture over four decades, including British cinema's 'golden age' of the war and immediate post-war years, and for its close reading of films that have been critically neglected, despite their popularity. Scholarly but not pedantic, the book shows its subjects to be not ordinary mainstream practitioners but deceptively serious filmmakers registering the 'ideological weather' of wartime and post-war Britain in engaging and creative ways. ;
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Literature & Literary StudiesApril 2020Interweaving myths in Shakespeare and his contemporaries
by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
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Literature & Literary StudiesDecember 2005Graham Swift
by Daniel Lea, Susan Williams
This book offers an accessible critical introduction to the work of Graham Swift, one of Britain's most significant contemporary authors. Through detailed readings of his novels and short stories from 'The Sweet Shop Owner' (1980) to 'The Light of Day' (2003), Daniel Lea lucidly addresses the key themes of history, loss, masculinity and ethical redemption, to present a fresh approach to Swift. This study proposes that one of the side-effects of modernity has been the destruction of traditional pathways of self and collective belief, leading to a loss of understanding between individuals about their duties to each other and to society. Swift's writing returns repeatedly to the question of what we can believe in when all the established markers of identity - family, community, gender, profession, history - have become destabilised. Lea suggests that Swift increasingly moves towards a notion of redemption through a lived ethical practice as the only means of finding solace in a world lacking a central symbolic authority. ;
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Literature & Literary StudiesOctober 2023Reading David Foster Wallace between philosophy and literature
by Allard den Dulk, Pia Masiero, Adriano Ardovino
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Humanities & Social SciencesJanuary 2024The urban life of workers in post-Soviet Russia
Engaging in everyday struggle
by Alexandrina Vanke
Despite the intense processes of deindustrialisation around the world, the working class continues to play an important role in post-industrial societies. However, working-class people are often stigmatised, morally judged and depicted negatively in dominant discourses. This book challenges stereotypical representations of workers, building on research into the everyday worlds of working-class and ordinary people in Russia's post-industrial cities. The urban life of workers in post-Soviet Russia is centred on the stories of local communities engaged in the everyday struggles that occur in deindustrialising settings under neoliberal neo-authoritarianism. The book suggests a novel approach to everyday life in post-industrial cities. Drawing on an ethnographic study with elements of arts-based research, the book presents a new genre of writing about workers influenced by the avant-garde documentary tradition and working-class literature.
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Literature & Literary StudiesDecember 2022Shakespeare, memory, and modern Irish literature
by Nicholas Taylor-Collins
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Humanities & Social SciencesJuly 2021Post-everything
An intellectual history of post-concepts
by Herman Paul, Adriaan van Veldhuizen
Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the 'post boys' responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.
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Literature & Literary StudiesFebruary 2022Shakespeare and the supernatural
by Victoria Bladen, Yan Brailowsky, Gayle Allan, Jacquelyn Bessell, Victoria Bladen, Yan Brailowsky, William C. Carroll, Bernadette Cochrane, Alexa Huang, Laurie Johnson, Pierre Kapitaniak, Imke Lichterfeld, Florence March, Maddalena Pennacchia, Chelsea Philips, Yukari Yoshihara, Christopher Wortham
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The ArtsJanuary 2019Postcolonial African cinema
Ten directors
by David Murphy, Patrick Williams
This is the first introduction of its kind to an important cross-section of postcolonial African filmmakers from the 1950s to the present. Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines - film studies, African cultural studies, and, in particular, postcolonial studies - in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts. Structurally, the book is straightforward, though the aim is to incorporate diversity and complexity of approach within the overall simplicity of format. Chapters provide both an overview of the director's output to date, and the necessary background - personal or national, cultural or political - to enable readers to achieve a better understanding of the director's choice of subject matter, aesthetic or formal strategies, or ideological stance. They also offer a particular reading of one or more films, in which the authors aim to situate African cinema in relation to important critical and theoretical debates. This book thus constitutes a new departure in African film studies, recognising the maturity of the field, and the need for complex yet accessible approaches to it, which move beyond the purely descriptive while refusing to get bogged down in theoretical jargon. Consequently, the volume should be of interest not only to specialists but also to the general reader.
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Literature & Literary StudiesMay 2000Henry V
by James Loehlin
This study examines the profound changes that twentieth-century performance has wrought on Shakespeare's complex drama of war and politics. What was accepted at the turn of the century as a patriotic celebration of a national hero has emerged in the modern theatre as a dark and troubling analysis of the causes and costs of war. The book details the theatrical innovations and political insights that have turned one of Shakespeare's most traditional-bound plays into one of his most popular and provocative. Henry V gives details analyses of several important modern productions. Beginning with a consideration of the play's political significance in Elizabethan London, the book goes on the reveal its subsequent reinvention, both as patriotic pageant and anti-war manifesto. Individual chapters consider important productions by the Royal Shakespeare Company, and other British and North American companies, as well as the landmark film versions. A compelling account of the theatrical revolution that has transformed one of Shakespeare's most challenging plays. ;
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Sport & leisure industriesMarch 2003Service Quality in Leisure and Tourism
by Christine Williams, John Buswell
This book aims to develop an awareness of the underpinning theories of quality as applicable to leisure and tourism,including its characteristics and typology. Suitable for students and researchers, it shows how to evaluate critically the numerous quality management systems and techniques available within the context of the leisure and tourism business environment.
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March 2002Bruce Chatwin
Eine Biographie
by Shakespeare, Nicholas / Deutsch Krätzer, Anita; Deutsch Rullkötter, Bernd
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June 1989Lady Susan
Ein Roman in Briefen
by Jane Austen, Angelika Beck, Elizabeth Gilbert
Lady Susan, die Mutter einer im heiratsfähigen Alter befindlichen Tochter quartiert sich im Haus ihres Bruders ein und stiftet dort erhebliche Unruhe, als sie ihres Amüsements wegen dem Bruder ihrer Schwägerin den Kopf verdreht.
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Business, Economics & LawDecember 2016Service Quality in Leisure, Events, Tourism and Sport
by John Buswell, Christine Williams, Keith Donne, Carley Sutton
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The ArtsSeptember 2024The renewal of post-war Manchester
Planning, architecture and the state
by Richard Brook
A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.
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Literature & Literary StudiesApril 2023Charles Dickens and Georgina Hogarth
A curious and enduring relationship
by Christine Skelton
Charles Dickens called his sister-in-law Georgina Hogarth his 'best and truest friend'. Georgina saw Dickens as much more than a friend. They lived together for twenty-eight years, during which time their relationship constantly changed. The sister of his wife Catherine, the sharp and witty Georgina moved into the Dickens home aged fifteen. What began as a father-daughter relationship blossomed into a genuine rapport, but their easy relations were fractured when Dickens had a mid-life crisis and determined to rid himself of Catherine. Georgina's refusal to leave Dickens and his desire for her to remain in his household led to rumours of an affair and even illegitimate children. He left her the equivalent of almost £1 million and all his personal papers in his will. Georgina's commitment to Dickens was unwavering but it is far from clear what he did to deserve such loyalty. There were several occasions when he misused her in order to protect his public reputation. Why did Georgina betray her once much-loved sister? Why did she fall out with her family and risk her reputation in order to stay with Dickens? And why did the Dickenses' daughter Katey say it was 'the greatest mistake ever' to invite a sister-in-law to live with a family?
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November 2012Shakespeare
Variationen
by Shakespeare, William; Bachmann, Plinio; Bußacker, Gabriella; Calis, Nuran David; Danckwart, Gesine; Krausser, Helmut; Ostermaier, Albert; Roselt, Jens; Schimmelpfennig, Roland; Schwab, Werner; Streeruwitz, Marlene / Herausgegeben von Carstensen, Uwe B.; Herausgegeben von Lieven, Stefanie von; Herausgegeben von Walther, Bettina
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The ArtsAugust 2014David Lean
by Melanie Williams, Brian McFarlane, Neil Sinyard
'A rule of mine is this', said William Goldman in 1983, 'there are always three hot directors and one of them is always David Lean.' One of the best known and most admired of British film makers, David Lean had a directorial career that spanned five decades and encompassed everything from the intimate black-and-white romance of Brief Encounter (1945) to the spectacular Technicolor epic of Lawrence of Arabia (1962). This book offers comprehensive coverage of every feature film directed by Lean, yielding new insights on the established classics of his career as well as its lesser-known treasures. Its analysis prioritises questions of gender and emphasises the often-overlooked but highly significant recurrence of female-centred narratives throughout Lean's career. Drawing extensively on archival historical materials while also presenting nuanced close readings of individual films, David Lean offers a fascinating and original account of the work of a remarkable British film maker. ;
