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        The Arts
        January 2019

        Negotiating the auteur

        Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux

        by Julia Dobson

        This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts.

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        September 2001

        Emar IV. Les sceaux

        Mission archéologique de Meskéné-Emar. Recherches au pays d’Aštata

        by Beyer, Dominique

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        September 2022

        Das Mädchen vom Striezelmarkt

        Weihnachtsmarkt-Saga

        by Dominique Steinberg

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        The Arts
        July 2012

        Negotiating the auteur

        Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux

        by Julia Dobson, Diana Holmes, Robert Ingram

        This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts. ;

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        Literature & Literary Studies
        April 2018

        Looking up at the stars in the abyss: the humbleness and pride of celebrities in Wei and Jin Dynasty

        by Bei Mingyu

        This book is a celebrity biography of Wei Jin Dynasties. The stories are authentic, which take us to review the Wei Jin Dynasties, and appreciate those interesting stories and souls

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        Historical fiction
        2021

        Roksolana. Union with the Jagiellonians: a historical novel: book. 1

        by Oleksandra Shutko

        The novel covers the events in the life of the Ukrainian Roksolana (Hürrem Sultan) - the wife of Sultan Suleiman the Magnificent, which took place in 1540-1551, when she was at the zenith of glory and power. This woman had a significant influence on the policy of the Ottoman Empire. She mediated the Sultan's man to establish good neighborly relations with the Polish Jagiellonian dynasty, Queen Isabella of Hungary, her mother Bona Sforza, and her brother, King Sigismund II of Poland. The novel is based on Roksolana's love and diplomatic correspondence, archival documents, reports of European ambassadors in Istanbul, Ottoman chroniclers, and information from thorough investigations by Turkish, Polish, Ukrainian, German, Italian, and American historians. In the novel, not only the events and characters are real, but even their dialogues, which history has preserved to this day.

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        August 1993

        Die Schule des Südens

        Roman. Aus dem Französischen von Maria Dessauer

        by Dominique Fernandez, Maria Dessauer

        Maria Dessauer wurde 1920 in Frankfurt am Main geboren und war Schriftstellerin, Literaturübersetzerin und von 1974 bis 1983 Lektorin beim Suhrkamp Verlag. Unter anderem übersetzte sie die Werke von Lewis Caroll, Marguerite Duras und Gustave Flaubert. Dessauer starb am 21. Januar 2021 in Frankfurt.

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        Exhibition catalogues & specific collections
        March 2011

        Mary Kelly

        Projects, 1973–2010

        by Edited by Dominique Heyes-Moore

        Mary Kelly, we are told, was not a feminist artist, but a feminist who made art. Designed to accompany a major retrospective at the Whitworth Art Gallery, this book contains essays and interviews which show the implications of that distinction and also the legacy of feminists and feminism in relation to art. Challenging and beautiful, Kelly's artworks address questions of sexuality, identity and historical memory in the form of large-scale narrative installations. The works are agilely discussed in contributions by some of the luminary feminist art scholars of our time, including Janet Wolff, Laura Mulvey, Carol Mavor and Amelia Jones, making this collection an essential new text in the discourse on art, feminism, psychoanalysis and representation.

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        May 1987

        Lüge und Zauberei. Weißes Programm: Im Jahrhundert der Frau

        Roman. Aus dem Italienischen von Hanneliese Hinderberger. Mit einem Nachwort von Dominique Fernandez. 22 Bücher - geschrieben von Frauen des 20. Jahrhunderts. Mit 4 Begleitbüchern und einem Almanach

        by Elsa Morante, Hanneliese Hinderberger, Dominique Fernandez

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