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Muddy Pearl Ltd.
Muddy Pearl is an independent publisher of thoughtful Christian books and lovely general-market gift titles. Established in 2013 in Edinburgh by Richard and Stephanie Heald, our editorial policy is to invest in developing new authors who have deep insights into life or a valuable story to share. We publish on parenting, politics, technology, love, loss and belief, all from a perspective of Christian faith, and seeking to know better the Lord we love and serve. We try to produce our books to the highest standard, drawing wherever possible on the traditional skills and resources available in Scotland.
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Promoted Content
1979Die selbstsichere Frau
Anleitung zur Selbstbehauptung
by Bloom, Lynn Z; Coburn, Karen; Pearlman, Joan
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Promoted Content
Literature & Literary StudiesJanuary 2013Joan of Arc
La pucelle
by Craig Taylor
This sourcebook collects together for the first time in English the major documents relating to the life and contemporary reputation of Joan of Arc. Also known as La Pucelle, she led a French Army against the English in 1429, arguably turning the course of the war in favour of the French king Charles VII. The fact that she achieved all of this when just a seventeen-year-old peasant girl highlights the magnitude of her achievements and also opens up other ways of looking at her story. For many, Joan represents the voice of ordinary people in the fifteenth century; the victims of high politics and warfare that devastated France. Her story ended tragically in 1431 when she was put on trial for heresy and sorcery by an ecclesiastical court and was burned at the stake. This book shows how the trial, which was organised by her enemies, provides an important window into late medieval attitudes towards religion and gender, as Joan was effectively persecuted by the established Church for her supposedly non-conformist views on spirituality and the role of women. Presented within a contextual and critical framework, this book encourages scholars and students to rethink this remarkable story. It will be invaluable reading for those working in the fields of medieval society and heresy, as well as the Hundred Years' War.
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Literature: history & criticismMarch 2010Reading, writing and the influence of Harold Bloom
by Alan Rawes and Jonathon Shears
Reading, writing and the influence of Harold Bloom takes the work of the world's best-known living literary critic and discovers what it is like to read 'with', 'against' and 'beyond' his ideas. The editors, Alan Rawes and Jonathon Shears, introduce the collection by assessing the impact of Bloom's brand of agonistic criticism on literary critics and its ongoing relevance to a discipline attempting to redefine and settle on its collective goals. Firmly grounded in, though not confined to, Bloom's first specialism of Romantic Studies, the volume contains essays that examine Bloom's debts to high Romanticism, his quarrels with feminism, his resistance to historicism, the tensions with the 'Yale School' and his recent work on Shakespeare and genius. Crucially, chapters are also devoted to putting Bloom's anxiety-themed ratios into practice on the poetry of Wordsworth, Shelley, Keats and D. H. Lawrence, amongst others. The Harold Bloom that emerges from this collection is by turns divisive and unifying, marginalised and central, radical and conservative.
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Literature & Literary StudiesOctober 2006Joan of Arc
La pucelle
by Rosemary Horrox, Simon Maclean, Craig Taylor
This sourcebook collects together for the first time in English the major documents relating to the life and contemporary reputation of Joan of Arc. Also known as La Pucelle, she led a French Army against the English in 1429, arguably turning the course of the war in favour of the French king Charles VII. The fact that she achieved all of this when just a seventeen-year-old peasant girl highlights the magnitude of her achievements and also opens up other ways of looking at her story. For many, Joan represents the voice of ordinary people in the fifteenth century; the victims of high politics and warfare that devastated France. Her story ended tragically in 1431 when she was put on trial for heresy and sorcery by an ecclesiastical court and was burned at the stake. This book shows how the trial, which was organised by her enemies, provides an important window into late medieval attitudes towards religion and gender, as Joan was effectively persecuted by the established Church for her supposedly non-conformist views on spirituality and the role of women. Presented within a contextual and critical framework, this book encourages scholars and students to rethink this remarkable story. It will be invaluable reading for those working in the fields of medieval society and heresy, as well as the Hundred Years' War. ;
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FictionWHY I CAN'T WRITE
How to survive in a world where you can’t pay rent, can’t afford to focus, be healthy or to remain principled. Dijana Matković tells a powerful story of searching for a room of her own in the late stages of capitalism.
by DIJANA MATKOVIĆ
It is a coming-of-age story for Generation Z. How to grow up or even live in a world where no steady jobs are available, you can’t pay your rent and can’t afford medical or living expenses. Moreover, it touches on how to be a socially engaged artist in such a world, and more so, a woman in a post-me too world? Dijana, a daughter of working-class immigrants, tells the story of her difficult childhood and adolescence, how should became a journalist and later a writer in a society full of prejudices, glass ceilings and obstacles. How she gradually became a stereotypical ‘success story’, even though she still struggles with writing, because she can’t afford a ‘room of her own’. Dijana is a daughter of working-class immigrants, who came to Slovenia in the eighties in search of a better future. The family is building a house but is made redundant from the local factory when Yugoslavia is in the midst of an economic crisis. When her parents get divorced, Dijana, her older sister and mother struggle with basic needs. She is ashamed of their poverty, her classmates bully her because of her immigrant status, but mostly because of her being ‘white trash’. In the local school she meets teachers with prejudices against immigrants, but is helped by a librarian who spots her talent. When Dijana goes to secondary school, she moves in with her older sister who lives in Ljubljana, the capital of Slovenia. Her sister is into rave culture and Dijana starts to explore experimenting with drugs, music and dance. At the secondary school, she is again considered ‘the weird kid’, as she isn’t enough of a foreigner for other immigrant kids because she is from the country, yet she isn’t Slovenian enough for other native kids. She falls even deeper into drug addiction, fails the first year of school and has to move back to live with her mother. She takes on odd jobs to make ends meet. Whilst working as a waitress she encounters sexism and sexual violence from customers and abuse from the boss. She finishes night school and graduates. She meets many ‘lost’ people of her generation along the way, who tell her their stories about precarious, minimum wage jobs, lack of opportunities, expensive rent, etc. Dijana writes for numerous newspapers but loses or quits her job, because she isn’t allowed to write the stories she wants or because of the bad working conditions or the blatant sexual harassment. Due to the high rent in the capital, Dijana has to move to the countryside to live with her mother. She feels lonely there, struggles with anxiety and cannot write a second book, because she is constantly under pressure to make a living. She realises that she must persevere regardless of the obstacles, she must follow her inner truth and by writing about it, try to create a community of like-minded people, a community of people who support each other – all literature/art is social.
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Humanities & Social SciencesFebruary 2018Popular science and public opinion in eighteenth-century France
by Michael Lynn, Joseph Bergin, Penny Roberts, Bill Naphy
In this book, Michael R. Lynn analyses the popularisation of science in Enlightenment France. He examines the content of popular science, the methods of dissemination, the status of the popularisers and the audience, and the settings for dissemination and appropriation. Lynn introduces individuals like Jean-Antoine Nollet, who made a career out of applying electric shocks to people, and Perrin, who used his talented dog to lure customers to his physics show. He also examines scientifically oriented clubs like Jean-François Pilâtre de Rozier's Musée de Monsieur which provided locations for people interested in science. Phenomena such as divining rods, used to find water and ores as well as to solve crimes; and balloons, the most spectacular of all types of popular science, demonstrate how people made use of their new knowledge. Lynn's study provides a clearer understanding of the role played by science in the Republic of Letters and the participation of the general population in the formation of public opinion on scientific matters.
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2022Omega-3
The healing power of marine fatty acids
by Uwe Gröber and Prof. Dr. Klaus Kisters
This guide gives patients up-to-date information based on solid medical and scientific facts. It teaches them how they can use omega-3 oil to - improve health and successfully prevent disease, - increase physical and mental performance, - make the most of their medication and therapy, and - improve quality of life and increase vitality. Small changes can make a surprising improvement in health!
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European historyOctober 2013Popular science and public opinion in eighteenth-century France
by Michael R. Lynn
Now available in paperback, Michael R. Lynn's book analyses the popularisation of science in Enlightenment France. He examines the content of popular science, the methods of dissemination, the status of the popularisers and the audience, and the settings for dissemination and appropriation. Lynn introduces individuals like Jean-Antoine Nollet, who made a career out of applying electric shocks to people, and Perrin, who used his talented dog to lure customers to his physics show. He also examines scientifically oriented clubs like Jean-François Pilâtre de Rozier's Musée de Monsieur which provided locations for people interested in science. Phenomena such as divining rods, used to find water and ores as well as to solve crimes; and balloons, the most spectacular of all types of popular science, demonstrate how people made use of their new knowledge. Lynn's study provides a clearer understanding of the role played by science in the Republic of Letters and the participation of the general population in the formation of public opinion on scientific matters.
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Business, Economics & LawApril 2022Youth and the Rural Economy in Africa
Hard Work and Hazard
by James Sumberg, Jordan Chamberlin, Barbara Crossouard, Máiréad Dunne, Justin Flynn, Marjoke Oosterom, Carolina Szyp, Dorte Thorsen, Felix Kwame Yeboah, Thomas Yeboah
This book brings together recent findings from quantitative and qualitative research from across Africa to illuminate how young men and women engage with the rural economy, imagine their futures and how development policies and interventions find traction (or not) with these realities. Through framing, overview and evidence-based chapters, it provides a critical perspective on current discourse, research and development interventions around youth and rural development. It is organised around commonly-made foundational claims: that large numbers of young people are leaving rural areas; have no interest in agriculture; cannot access land; are stuck in permanent waithood; that the rural economy provides (or can provide) a wealth of opportunity; and that they can be the engine of rural transformation. It draws from existing literature and new analysis arising from several multi-country and multi-disciplinary studies, focusing on gender and other aspects of social difference. It is a major contribution to current debates and development policy about youth, agriculture and employment in rural Africa.
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DOORWAYS TO TRANSFOMATION
Everyday Wisdom for the Creative Soul
by Karen Kinney
In Doorways to Transformation, Karen Kinney offers a treasure trove of wisdom to bolster your creativity and your larger life. Drawing from her experience as a professional artist, writer, and practitioner of contemplative spirituality, she leads you on a liberating journey of greater self-awareness and expansion. Interspersing insights gleaned from living cross-culturally in Mexico, Kinney shares reflections on the creative process, abun-dance, stepping into your power, navi-gating fear, and embracing the unknown.
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Children's & YAMarch 2011Sie hießen die Feinde willkommen
by Bloom, Valerie / Englisch Ernst, Alexandra
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March 2013Wir haben viel erlebt!
Jahrhundertfrauen erzählen aus ihrem Leben
by Ute Karen Seggelke
Zwanzig »Jahrhundertfrauen« erzählen die Geschichte ihres Lebens: Was hat ihnen die Kraft gegeben, in schweren Zeiten durchzuhalten und immer wieder das Glück zu suchen? Ute Karen Seggelke stellt in Text- und Bildporträts charakterstarke Frauen und deren erstaunliche Lebensgeschichten vor. Ob prominent oder unbekannt, was uns die Bildhauerin, Gärtnerin, Schauspielerin, Dramaturgin, Übersetzerin, Kauffrau, Politikerin, Restauratorin, Karikaturistin oder Äbtissin in diesem Buch erzählen, lesen wir mit Bewunderung, denn die Lebenswege dieser »Jahrhundertfrauen« machen uns Mut, alt zu werden.
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June 1984The Jewishness of Mr. Bloom
Englisch/Deutsch
by Wolfgang Hildesheimer
Wolfgang Hildesheimer wurde am 9. Dezember 1916 als Sohn jüdischer Eltern in Hamburg geboren und starb am 21. August 1991 in Poschiavo in der Schweiz. 1933 emigrierte er über England nach Palästina, wo er eine Schreinerlehre absolvierte. 1937 begann er an der Central School of Arts and Crafts (London) Malerei, Textilentwurf und Bühnenbildnerei zu studieren und nahm von London aus am Sommerkurs für Bühnenbild bei Emil Pirchan in Salzburg teil. Anfang 1939 gestaltete er in London am Tavistock Little Theatre sein erstes Bühnenbild. Nach dem Ausbruch des Zweiten Weltkriegs kehrte er nach Palästina zurück, arbeitete als Information Officer, war Englisch-Lehrer am British Institute und leitete zusammen mit einem Freund einige Zeit die Werbeagentur »HW«. Er beteiligte sich an Kunstausstellungen und veröffentlichte einige Gedichte, Essays und Kritiken. 1946 kehrte er nach London zurück, um Bühnenbildner zu werden, wurde aber für die Nürnberger Prozesse engagiert. Im Januar 1947 reiste er nach Nürnberg, dolmetschte für die amerikanische Besatzungsmacht und beteiligte sich wieder an Kunstausstellungen. 1949 zog er nach Ambach am Starnberger See, um als freier Maler und Grafiker zu arbeiten, schrieb im Januar 1950 aber eine Geschichte für Kinder – der Beginn seiner literarischen Karriere. Bereits 1951 wurde er zur Gruppe 47 eingeladen, 1955 erhielt er den Hörspielpreis der Kriegsblinden und im selben Jahr wurde zudem sein erstes Theaterstück von Gustav Gründgens uraufgeführt; ebenfalls in diesem Jahr begann er auch wieder zu malen. Nachdem er 1953 nach München gezogen war, übersiedelte er 1957 nach Poschiavo und widmete sich einer neuen Art von Theaterstücken, deren Besonderheiten er 1960 mit der Rede Über das absurde Theater fundierte. Anlässlich der Internationalen Theaterwoche der Studentenbühnen in Erlangen gehalten, sorgte diese für Aufsehen. Sein Prosabuch Tynset wurde 1966 mit dem Georg-Büchner-Preis und dem Bremer Literaturpreis ausgezeichnet. Sein Bestseller Mozart (1977) beeinflusste das Theaterstück und den Film Amadeus. Seit 1961 beteiligte er sich wieder an Ausstellungen, seit 1965 wurde sein bildkünstlerisches Werk in rund fünfzig Einzelausstellungen gezeigt. 1980 hielt Hildesheimer die Eröffnungsrede der Salzburger Festspiele Was sagt Musik aus. Neben seinen literarischen Werken verfertigte Hildesheimer auch Collagen, die er in mehreren Bänden sammelte. Spektakulär war 1984 seine Ankündigung, angesichts der drohenden Umweltkatastrophe nicht mehr zu schreiben, sondern zur bildenden Kunst zurückzukehren.
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Humanities & Social SciencesPhoenix Darbinyan
by Karen Balyan
Professor, architect theorist, specialist in the history of modernism Karen Balyan’s book is dedicated to the work of Phoenix Darbinyan (1924-1996), one of the most prominent names in the Armenian modernism. On the initiative of the honored architect of the Republic of Armenia Phoenix Darbinyan and the mayor of Yerevan Grigor Hasratyan, the center of Yerevan was modernized, the "Ani" hotel was reconstructed, the section between Abovyan Street: Tumanyan and Moskovyan streets were modernized and the “Ring Park” with large fountains. The book presents other structures and projects by Phoenix Darbinyan. Many of the materials, drawings and photos are from architect's personal archive and are published for the first time. The book was funded and published on the initiative of the Hasratyan-Minasyan Foundation.
