John Blake is renowned for being among the first publishers to tap into new commercial trends and has been creating bestsellers since 1991. John Blake publishes non-fiction, specialising in mass-market autobiographies and real life stories.
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We are a publisher of quality books for Indonesia. Very passionate about educating the nation.
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John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
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The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
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The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.
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Jean-Michel Palmiers monumentale Studie über Walter Benjamin ist das Lebenswerk eines Gelehrten, der den zahlreichen Benjamin-Interpretationen nicht eine neue hinzufügt, sondern schlicht den Schlüssel zum Verständnis dieses enigmatischen Autors liefert. Minutiös zeichnet Palmier den philosophischen, politischen und ästhetischen Denkweg Benjamins nach und beseitigt zahlreiche Mißverständnisse und Klischees, etwa das des »marxistischen Rabbiners«, der die Alternative zwischen historischem Materialismus und Theologie in ein unauflösliches Dilemma verwandelt. Vor allem aber schließt Palmier die Lücken einer oft simplifizierenden und immer wieder um dieselben Themen kreisenden Rezeption. Der Lumpensammler, der Engel und das »bucklicht Männlein« werden so zu Grundfiguren einer philosophischen Erzählung, die nicht hagiographisch, sondern systematisch die Komplexität von Benjamins Denken erschließt. Ein Standardwerk.
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Walter Benjamin gehört zu den meistdiskutierten Autoren des 20. Jahrhunderts – in Wissenschaft, Literatur und Kunst. Seine eigenwilligen und unkonventionellen Schriften sind ein unablässiges Nachdenken über seine großstädtische, seine Berliner Herkunft: darüber, wie man sich im Labyrinth ständig wechselnder Eindrücke zurechtfinden kann.
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The Russian Revolution of 1917 was not just a world-historical event in its own right, but also struck powerful blows against racism and imperialism, and so inspired many black radicals internationally. This edited collection explores the implications of the creation of the Soviet Union and the Communist International for black and colonial liberation struggles across the African diaspora. It examines the critical intellectual influence of Marxism and Bolshevism on the current of revolutionary 'black internationalism' and analyses how 'Red October' was viewed within the contested articulations of different struggles against racism and colonialism. Challenging European-centred understandings of the Russian Revolution and the global left, The Red and the Black offers new insights on the relations between Communism, various lefts and anti-colonialisms across the Black Atlantic - including Garveyism and various other strands of Pan-Africanism. The volume makes a major and original intellectual contribution by making the relations between the Russian Revolution and the Black Atlantic central to debates on questions relating to racism, resistance and social change.
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Hans Mayer hat Benjamin nicht gekannt, die Zeitgenossenschaft ist dennoch ablesbar. Hier werden geistige Entwicklungen, Übereinstimmungen und Konfrontationen aufgezeigt in einer von Schrecken gezeichneten Epoche. Aufgezeigt von Hans Mayer, einem Zeugen des Jahrhunderts, einem Mit-Denker, der imstande ist, Jahrhunderterfahrungen zu überliefern und den Blick zurückzuwerfen, auf der Suche nach der »Hoffnung im Vergangenen«.
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Revolutionary lives of the Red and Black Atlantic brings to light the life histories of a wide range of radical figures whose political activity in relation to the black liberation struggle was profoundly shaped by the global impact and legacy of the Russian Revolution of October 1917. The volume introduces new perspectives on the intellectual trajectories of well-known figures and critical activists including C. L. R. James, Paul Robeson, Walter Rodney and Grace P. Campbell. This biographical approach brings a vivid and distinctive lens to bear on how racialised social and political worlds were negotiated and experienced by these revolutionary figures, and on historic black radical engagements with left political movements, in the wake of the Russian Revolution.
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Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.
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Gershom Scholems Bericht ist mehr als eine Biographie. Mit teilweise unbekannten Dokumenten belegt, leuchtet der intimste Kenner des Lebens und des Werkes von Walter Benjamin dieses Leben und Werke aus. Die Geschichte der Freundschaft beginnt mit den ersten Berührungen im Jahre 1913 und 1915, sie schildert die Jahre in der Schweiz von 1918 bis 1919, sie schildert Scholems nimmermüde Bemühungen, den Freund nach Jerusalem zu holen, und sie liefert einen bedeutenden Kommentar zu Benjamins marxistischen wie metaphysisch-jüdischen Vorstellungen.
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This is a collection of works by writer Zhang Chengzhi. The Black Steed, Rivers of the North, and Golden Pastures included in this collection have already been translated into different languages. The Black Steed, through the life experience of a man leaving and returning to the countryside and through a beautiful but sad love story, reflects the choices of the Mongolian nationality in the conflict between old and new concepts and the struggle and outcry of the new generation of the grassland.
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Drawing on the recent ontological turn in critical theory, Spectral Dickens explores an aspect of literary character that is neither real nor fictional, but spectral. This work thus provides an in-depth study of the inimitable characters populating Dickens' illustrated novels using three hauntological concepts: the Freudian uncanny, Derridean spectrality, and the Lacanian real. Thus, while the current discourse on character studies, which revolves around values like realism, depth, and lifelikeness, tends to see characters as mimetic of persons, this book invents new critical concepts to account for non-mimetic forms of characterization. These spectral forms bring to light the important influence of developments in nineteenth-century visual culture, such as the lithography and caricature of Daumier and J.J. Grandville. The spectrality of novelistic characters developed here paves the way for a new understanding of fictional characters in general.
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Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
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