Kontexte, Blickwinkel, Sichtachsen und Perspektivwechsel Was wir machen Das Internet sollte Zugang zu Wissen organisieren und ist ein Werkzeug zum Austausch von Ideen, Visionen und Lösungen. – Suug Productions kreiert Projekte mit Sinn – und dem Anspruch, die Welt durch neue und ungewöhnliche Kontexte, Blickwinkel, Sichtachsen und Perspektivwechsel zu einem etwas reizvolleren Ort zu machen.
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Prometheus Publishers is a Dutch publisher that publishes a wide variety of quality fiction and non-fiction titles. Prometheus’s catalogue balances established talents with new voices that we introduce into the literary market. Amongst our fiction authors are renowned Dutch-language authors such as Connie Palmen, Griet Op de Beeck, Tom Lanoye, Tim Krabbé, and Esther Verhoef. Prometheus also publishes the Dutch translations of great international voices like Umberto Eco, Sandro Veronesi, Margaret Atwood, and Zadie Smith. Our non-fiction catalogue is filled with experts from across the scientific spectrum. Ranging from history to psychology and from physics to literary studies, Prometheus offers exciting new insights into a wide range of disciplines. Prometheus also publishes a philosophical series with musings on subjects that are relevant to our society today.
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Anti-hero, and a would-be lover whose longing turns him into a buffoon: Prokopiev’s book is, surprisingly, a very English type. Heir to Shakespeare’s Bottom, Henry Fielding’s trickster Tom Jones, and even Kingsley Amis’s Lucky Jim, he could also share a pint or two with the deprecating genii loci of today’s British poetry: Alan Brownjohn’s Ludbrooke, Christopher Reid’s Mr Mouth or one of Hugo Williams’s frank self-portraits. But Peeper also belongs to the wider family of “the little man”, struggling under a weight of circumstance he has no notion how to negotiate. Living among, without managing to live by, conventions, the Peeper is a descendent of that wry Everyman who has suffered and been compromised since mediaeval times. He is a Good Soldier Svejk, a Charlie Chaplin, more than he is a Humbert Humbert or an Alexander Portnoy.
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It is a coming-of-age story for Generation Z. How to grow up or even live in a world where no steady jobs are available, you can’t pay your rent and can’t afford medical or living expenses. Moreover, it touches on how to be a socially engaged artist in such a world, and more so, a woman in a post-me too world? Dijana, a daughter of working-class immigrants, tells the story of her difficult childhood and adolescence, how should became a journalist and later a writer in a society full of prejudices, glass ceilings and obstacles. How she gradually became a stereotypical ‘success story’, even though she still struggles with writing, because she can’t afford a ‘room of her own’. Dijana is a daughter of working-class immigrants, who came to Slovenia in the eighties in search of a better future. The family is building a house but is made redundant from the local factory when Yugoslavia is in the midst of an economic crisis. When her parents get divorced, Dijana, her older sister and mother struggle with basic needs. She is ashamed of their poverty, her classmates bully her because of her immigrant status, but mostly because of her being ‘white trash’. In the local school she meets teachers with prejudices against immigrants, but is helped by a librarian who spots her talent. When Dijana goes to secondary school, she moves in with her older sister who lives in Ljubljana, the capital of Slovenia. Her sister is into rave culture and Dijana starts to explore experimenting with drugs, music and dance. At the secondary school, she is again considered ‘the weird kid’, as she isn’t enough of a foreigner for other immigrant kids because she is from the country, yet she isn’t Slovenian enough for other native kids. She falls even deeper into drug addiction, fails the first year of school and has to move back to live with her mother. She takes on odd jobs to make ends meet. Whilst working as a waitress she encounters sexism and sexual violence from customers and abuse from the boss. She finishes night school and graduates. She meets many ‘lost’ people of her generation along the way, who tell her their stories about precarious, minimum wage jobs, lack of opportunities, expensive rent, etc. Dijana writes for numerous newspapers but loses or quits her job, because she isn’t allowed to write the stories she wants or because of the bad working conditions or the blatant sexual harassment. Due to the high rent in the capital, Dijana has to move to the countryside to live with her mother. She feels lonely there, struggles with anxiety and cannot write a second book, because she is constantly under pressure to make a living. She realises that she must persevere regardless of the obstacles, she must follow her inner truth and by writing about it, try to create a community of like-minded people, a community of people who support each other – all literature/art is social.
Climate change, erosion of biodiversity, demographic evolution, urbanization, atmospheric pollution, soil degradation, natural catastrophes, industrial accidents, public health crises, social movements, international summits… This is the first atlas to bring together all data on our era's ecological crisis. A clear-eyed and unremitting assessment of the current state of affairs and a call to action.
Expanding your child’s reading horizons is easy with fiction books from Teacher Created Materials! In “A Team for Everyone” by Sherry Howard, Annabella is inspired by the 1930 World Cup in her home of Uruguay and wants to play in a football match herself. With no football teams for girls, she’s inspired to start her own. Find out more in this great sports story your child will love. Includes ‘Book Club’ literacy and comprehension questions.
On Easter Sunday, April 3, 1768, Marquis de Sade promised an écu to a beggar by the name of Rose Keller if she would follow him to Arcueil. Only a few hours later, after Keller managed to escape from the Marquis’ country house, this little ’adventure’ in the Paris suburbs would become the notorious 'Arcueil affair', a scandal that caught the public imagination in France and beyond. Different testimonies and rumours were spreading, conflicting interpretations were heard, but what really happened in the Marquis’ room? Where lies the truth about the scandal? Was Arcueil the scene of horrible sadistic sexual violence and some kind of perverse theatrical production, or was the victim not so innocent after all? Arcueil is a complex, multi-perspective retelling of the 'Arcueil affair', which emphasizes the doubts and ambivalences of any historical or – for that matter – media event.
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TITO AND HIS COMRADES (TITO IN TOVARIŠI) A new light on familiar events – the most comprehensive presentation of Josip Broz Tito.Jože Pirjevec’s book presents Tito’s life story and the background to his political rise, which was closely connected with the life and political activities of his “comrades”. In revealing new dimensions of the leading creators of the second Yugoslavia, with Tito at the helm, the author draw upon documents kept in private and state archives in Ljubljana and other capitals of the former Yugoslav republics, while he also researched the available archive materials in Washington, New York, Moscow, Berlin, Cairo and New Delhi, as well as the archives of the Slovene and foreign intelligence services, such as Stasi and the KGB. Rich pictorial material.
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This long-awaited book is the first to contain a comprehensive account of the emergence and development of the Partisan movement in the Kingdom of Yugoslavia, which occupiers and Quislings tried to erase from the map of Europe in 1941. The book contains a considerable amount of information obtained by the author through research in archives in London, Washington, Berlin, Munich, Helsinki and Moscow which to date has remained unknown since some parts of the archives were only opened recently. This extensive monograph is without a doubt Dr. Pirjevec’s life’s work. It is the first comprehensive and synthetic account of the emergence and development of the Partisan movement in the whole of the Kingdom of Yugoslavia, from the attack on and disintegration of Yugoslavia in April 1941 up until the end of the war. The author describes the strained relations within the movement, as well as the relations between the Partisans and other military formations (White Guards, Chetniks, Ustashe, Ballists, etc.) and between the Partisans and allies in the anti-Hitler coalition. The book demonstrates that there would have been no national liberation movement without the Communists and their utopian belief that they would create a better future, without their fanaticism, organization and discipline. Above all, the Yugoslav Partisan movement contributed significantly to the defeat of the Third Reich and its satellites and brought victory to the Yugoslav nations. Serbs, Montenegrins and Croats were saved from the shame of collaborationism, and Slovenes and Macedonians were also recognized as European nations with mapped out borders and statehood.
