Rachel Amphlett
USA Today bestselling author Rachel Amphlett is the creator of over 25 crime thrillers. Rachel’s titles are available for consideration to all parties interested in licensing IP.
View Rights PortalUSA Today bestselling author Rachel Amphlett is the creator of over 25 crime thrillers. Rachel’s titles are available for consideration to all parties interested in licensing IP.
View Rights PortalA captivating non-fiction series for children aged 3 to 6, that awakens their interest in wonders of the physical, natural and human world. Transparent overlay pages reveal hidden surprises and facilitate understanding.
View Rights PortalNow in its second edition, Racism and Social Change in the Republic of Ireland provides an original and challenging account of racism in twenty-first century Irish society and locates this in its historical, political, sociological and policy contexts. It includes specific case studies of the experiences of racism in twenty-first century Ireland alongside a number of historical case studies that examine how modern Ireland came to marginalize ethnic minorities. Various chapters examine responses by the Irish state to Jewish refugees before, during and after the Holocaust, asylum seekers and Travellers. Other chapters examine policy responses to and academic debates on racism in Ireland. A key focus of the various case studies is upon the mechanics of exclusion experienced by black and ethnic minorities within institutional processes and of the linked challenge of taking racism seriously in twenty-first century Ireland. ;
Affective Bordering is an incisive exploration of the emotional politics of migration and borders. Billy Holzberg dives into the intricate interplay between emotions and migration governance, revealing how emotions work to reinforce racial, sexual, and national hierarchies. Examining pivotal events in Germany during the aftermath of the misnamed 'refugee crisis' in Germany, the book traces the construction of different emotions during key events of this period. Challenging the assumption that positive emotions like hope and empathy necessarily work as a counter to negative emotions like anger or fear, Affective Bordering reveals the racial grammars of deservingness that shape border governance today. Bringing together queer feminist theories of affect with postcolonial border and migration studies, the book offers a thought-provoking perspective on the reproduction and contestation of borders in today's world.
This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality. Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press? Building on extensive archival research, the book examines how African and Mexican American men have been constructed as 'racial problems', investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.
This book presents a socio-legal enquiry into the civic marginalisation of Roma in Europe. Instead of looking only at Roma's position as migrants, an ethnic minority or a socio-economically disadvantage group, it considers them as European citizens, questioning why they are typically used to describe exceptionalities of citizenship in developed liberal democracies rather than as evidence for how problematic the conceptualisation of citizenship is at its core. Developing novel theoretical concepts, such as the fringes of citizenship and the invisible edges of citizenship, the book investigates a variety of topics around citizenship, including migration and free movement, statelessness and school segregation, as well as how marginalised minorities respond to such predicaments. It argues that while Roma are unique as a minority, the treatment that marginalises them is not. This is demonstrated by comparing their position to that of other marginalised minorities around the globe.
Knowing COVID-19 demonstrates how researchers in the humanities shone a light on some of the many hidden problems of COVID-19, in the very depths of the pandemic crisis. Drawing on eight COVID-19 research projects, the volume shows how humanities researchers, alongside colleagues in the clinical and life sciences, addressed some of the major critical unknowns about this new infectious disease - from the effects of racism to the risks of deploying shame; from how to design an effective instructional leaflet to how to communicate effectively to bus passengers. Across eight novel case studies, the book showcases how humanities research during a pandemic is not only about interpreting the crisis when it has safely passed, but how it can play a vital, collaborative and instrumental role as events are still unfolding.
In Welcome to the club, Manchester legend DJ Paulette shares the highs, lows and lessons of a thirty-year music career, with help from some famous friends. One of the Haçienda's first female DJs, Paulette has scaled the heights of the music industry, playing to crowds of thousands all around the world, and descended to the lows of being unceremoniously benched by COVID-19, with no chance of furlough and little support from the government. Here she tells her story, offering a remarkable view of the music industry from a Black woman's perspective. Behind the core values of peace, love, unity and respect, dance music is a world of exclusion, misogyny, racism and classism. But, as Paulette reveals, it is also a space bursting at the seams with powerful women. Part personal account, part call to arms, Welcome to the club exposes the exclusivity of the music industry while seeking to do justice to the often invisible women who keep the beat going.
The Blackest Thing in Slavery Was Not the Black Man: The Last Testament of Eric Williams represents the final instalment of research and analysis by one of the Caribbean’s foremost historians. In this volume, Eric Williams reflects on the institution of slavery from the ancient period in Europe down to New World African slavery and considers, too, other forms of bondage that followed slavery, including of Japanese, Chinese, Indians and Pacific peoples in many locations worldwide. Williams points ways in which this bondage led to European and American prosperity and the manner in which bonded peoples created their own spaces. This they did through the preservation and revival of the transported culture to the new locations. The Blackest Thing in Slavery makes a significant contribution in that it moves beyond African slavery. It continues the narrative after abolition by showing how the capitalist impulse enabled Europe and the United States to devise other (non-slavery) ways of further exploiting of non-African people in developing countries. These nations fought this further exploitation in banding together to create the south-to-south nonaligned movement, which gave mutual assistance in a number of areas. Most other works tend to separate these issues or deal with them on a regional basis. Eric Williams offers a comprehensive view, tying together many themes in a vast compendium.
Developing the concept of 'disobedient knowledge', this book provides new perspectives on activism and everyday struggles against racism and bordering. Drawing on empirical material from distinct contexts in Northern, Western and Southern Europe, the chapters explore how different kinds of (b)orders are challenged and possibly also maintained in everyday antiracism, activism and struggles against borders. The book examines resistance and disobedience in relation to borders, social orders, conventional practices and hegemonic discourses. It underscores the importance of studying racism and bordering as intertwined phenomena. With a focus on the historical layers of resistance, disobedient practices and ways of building shared struggles, the book provides invaluable knowledge about postcolonial Europe and its future possibilities.
This book examines the transformation of untouchability into a political idea in India during the first half of the twentieth century. At its heart is Ambedkar's role and the concepts he used to champion untouchability as a political problem. Ambedkar's main objective was to comprehend the numerous avatars of untouchability in order to eradicate this practice. Ambedkar understood untouchability beyond aspects of ritual purity and pollution by stressing its complex nature and uncovering the political, historical, racial, spatial and emotional characteristics contained in this concept. Ambedkar believed the abolition of untouchability depended on a widespread alteration of India's political, economic and cultural systems. Ambedkar reframed the problem of untouchability by linking it to larger concepts floating in the political environment of late colonial India such as representation, slavery, race, the Indian village, internationalism and even the creation of Pakistan.
Over fifty years after Jamaican and Trinidadian independence, Imagining Caribbean womanhood examines the links between beauty and politics in the Anglophone Caribbean, providing a first cultural history of Caribbean beauty competitions, spanning from Kingston to London. It traces the origins and transformation of female beauty contests in the British Caribbean from 1929 to 1970, through the development of cultural nationalism, race-conscious politics and decolonisation. The beauty contest, a seemingly marginal phenomenon, is used to illuminate the persistence of racial supremacy, the advance of consumer culture and the negotiation of race and nation through the idealised performance of cultured, modern beauty. Modern Caribbean femininity was intended to be politically functional but also commercially viable and subtly eroticised.
This volume foregrounds racial difference as a key to an alternative history of the Central and Eastern European region, which revolves around the role of whiteness as the unacknowledged foundation of semi-peripheral nation-states and national identities, and of the region's current status as a global stronghold of unapologetic white, Christian nationalisms. Contributions address the pivotal role of whiteness in international diplomacy, geographical exploration, media cultures, music, intellectual discourses, academic theories, everyday language and banal nationalism's many avenues of expressions. The book offers new paradigms for understanding the relationships among racial capitalism, populism, economic peripherality and race.
The author was raised in a family of only survivors from the 1994 Genocide against the Tutsis. Even FARG (A survivors fund) allegedly paid for his school fees for some time. Through FARG reform, he learned that his father had associated with perpetrators even if he was also killed in 1994. Digesting that information as a teenager was not easy. In this book, you read about his other close-to-normal upbringing like infatuation, sex advice from fellow teenagers, getting conned in Paris and arrested on his first trip to France, his take from the "Ndi umunyarwanda" campaign, #PK saving him from getting expelled at the university, joining a political party at the university,...
Every girl or woman has plenty of secrets. But at times these special secrets, sometimes ancient and sometimes terrible, are hidden so deeply in the memory or subconsciousness that even the closest people don’t suspect of their existence. ‘Tell Nobody’ is not only the book’s title, but also the rule many girls and women live with. It’s related to physicality, shame, stress and abuse. Unable to share their emotions, discuss the problem and find the way out of the situation, the girls and women end up in the vicious circle of their feelings and emotions. The fourteen-year-old protagonist of ‘Tell Nobody’ rebels against her parents, does silly things, finds herself in dangerous situations and tries to understand and accept herself. 16+
The Emperor's Favourite, which appears in print for the first time, is one of the four anonymous seventeenth-century plays bound in a single volume in the library of the Newdigate family of Arbury Hall, Nuneaton. Tentatively attributed to John Newdigate III (1600-1642), the play uses the story of the rise and fall of Crispinus, favourite of the Emperor Nero, to mount a critique of the influence of George Villiers, Duke of Buckingham (1592-1628) at the courts of James I and Charles I. The volume is illustrated with ten color plates from the manuscript and from John Newdigate's 1628 Parliamentary Diary. ;