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        In the Footsteps of Enayat Al-Zayyat

        by Iman Mersal

        ‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives.   The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy.   The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.

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        When love has wandered off

        by Edna Buchman

        When love has wandered off by Edna Buchman Edna Buchman's work will immediately inspire its readers. These texts are simply amusing or sad anecdotes, of the kind known all too well to every woman. The first part of the book focuses on situations between women and men, some of which actually happened and others that almost did… Men analyzed from a woman's perspective, examined by her critical eye, frankly and with appealing humor. The second part of the book consists of very personal, revealing stories: childhood spent in a home where the only thing missing was a caressing hand; the eternal struggle against overweight caused by overeating, as a compensation for the lack of love. The book concludes with a selection of texts of a different nature, dealing with coming of age, forgiveness, and happiness. The natural humanity of this lyrical collection will win the heart of every woman, and probably of quite a few men as well…  Edna Buchman was born in Israel to German-speaking parents; the family immigrated to Israel in 1939. She is the third generation of a textile-manufacturing family, and was educated in Israel, Switzerland and England. The author drew her inspiration from personal observations of the lives of her friends... single, married, divorced and widowed. "A book like Edna Buchmann’s Die Wandernde Liebe will certainly speak to a fair amount of people, since it describes poetically some of the emotional pitfalls and typical dynamics between romantically involved couples… Just the emotional ups and downs of a woman in her romantic encounters, sharply observed, with a hefty pinch of feminism. It is well written, quite sensitively, with some subtle humor and some nice, unexpected turns."              Matthias Schossig, a noted German-English translator, California.

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        Children's & YA
        August 2017

        I Have Two Homes Instead of One

        by Lorka SbeityIllustrated By: Mona Yakzan

        “I am happy now, I have two homes instead of one. I visit my father in the village during the weekend. My mom reads me bedtime stories And I will not see her sad anymore.” The story targets a big part of any community nowadays; it deals with divorce from the children’s perspective. It shows the separation’s psychological damages on the child if not well approached. It facilitates the smooth and healthy acceptance of divorce for both parents and children.

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        Fiction

        WHY I CAN'T WRITE

        How to survive in a world where you can’t pay rent, can’t afford to focus, be healthy or to remain principled. Dijana Matković tells a powerful story of searching for a room of her own in the late stages of capitalism.

        by DIJANA MATKOVIĆ

        It is a coming-of-age story for Generation Z. How to grow up or even live in a world where no steady jobs are available, you can’t pay your rent and can’t afford medical or living expenses. Moreover, it touches on how to be a socially engaged artist in such a world, and more so, a woman in a post-me too world? Dijana, a daughter of working-class immigrants, tells the story of her difficult childhood and adolescence, how should became a journalist and later a writer in a society full of prejudices, glass ceilings and obstacles. How she gradually became a stereotypical ‘success story’, even though she still struggles with writing, because she can’t afford a ‘room of her own’.   Dijana is a daughter of working-class immigrants, who came to Slovenia in the eighties in search of a better future. The family is building a house but is made redundant from the local factory when Yugoslavia is in the midst of an economic crisis. When her parents get divorced, Dijana, her older sister and mother struggle with basic needs. She is ashamed of their poverty, her classmates bully her because of her immigrant status, but mostly because of her being ‘white trash’. In the local school she meets teachers with prejudices against immigrants, but is helped by a librarian who spots her talent. When Dijana goes to secondary school, she moves in with her older sister who lives in Ljubljana, the capital of Slovenia. Her sister is into rave culture and Dijana starts to explore experimenting with drugs, music and dance. At the secondary school, she is again considered ‘the weird kid’, as she isn’t enough of a foreigner for other immigrant kids because she is from the country, yet she isn’t Slovenian enough for other native kids. She falls even deeper into drug addiction, fails the first year of school and has to move back to live with her mother. She takes on odd jobs to make ends meet. Whilst working as a waitress she encounters sexism and sexual violence from customers and abuse from the boss. She finishes night school and graduates. She meets many ‘lost’ people of her generation along the way, who tell her their stories about precarious, minimum wage jobs, lack of opportunities, expensive rent, etc. Dijana writes for numerous newspapers but loses or quits her job, because she isn’t allowed to write the stories she wants or because of the bad working conditions or the blatant sexual harassment. Due to the high rent in the capital, Dijana has to move to the countryside to live with her mother. She feels lonely there, struggles with anxiety and cannot write a second book, because she is constantly under pressure to make a living. She realises that she must persevere regardless of the obstacles, she must follow her inner truth and by writing about it, try to create a community of like-minded people, a community of people who support each other – all literature/art is social.

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        September 2017

        The Stories in the World

        by Mother Tigerskin

        This is a book telling stories about all the hot topics in China such as stock market, house slave, emigrant, old-age care, marriage, divorce, photoshop etc. Mother Tigerskin writes really sharp and deep around these topics as short stories.

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        What I left Behind

        by Shatha Mustafa

        A memory drags another. An idea drags another. A moment drags another in a self-exploratory journey of a girl who is lost between her four addresses: between a mother imprisoned by her children and a father still stuck in a prison even after he was released. Between a lover who gave her all her hopes, only to come back and steal them from her, and friends who provided refuge that she rejected. Confused between divorce and the cause, between mother and father, between friendship, love and independence, trying to answer a simple question: Why can’t I bear the taste of milk?

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        Humanities & Social Sciences
        April 2008

        Political passions

        Gender, the family and political argument in England, 1680–1714

        by Rachel Weil, Peter Lake, Anthony Milton, Jason Peacey, Alexandra Gajda

        Ideas about marriage, gender and the family were central to political debate in late Stuart England. Newly available in paperback, this book shows how political argument became an arena in which the proper relations between men and women, parents and children, public and private were defined and contested. Using sources that range from high political theory to scurrilous lampoons, she considers public debates about succession, resistance and divorce. Weil examines the allegedly fraudulent birth of the Prince of Wales in 1688, the uses to which Williamite propagandists put the image of the paradoxically sovereign but obedient Mary II, anxieties about the influence of bedchamber women on Queen Anne, the political self-image of the notorious Duchess of Marlborough, the relationship of feminism and Tory ideology in the polemical writings of Mary Astell and the scandal novels of Delariviere Manley. Solidly grounded in current historical scholarship, but written in an engaging manner accessible to non-specialists, this book will interest students of literature, gender studies, political culture and political theory as well as historians. ;

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        Children's & YA
        August 2013

        Ghadi & Rawan

        by Fatima Sharafeddine and Samar Mahfouz Barraj

        Ghadi is a young teenager of Lebanese origin, living in Brussels. Like so many Lebanese emigrants, Ghadi’s family comes to Lebanon during the summer holidays. Ghadi spends his summer with his cousin and friends in the family’s mountain house, among whom Rawan, the daughter of his grand-parent’s neighbors. Ghadi and Rawan are very close friends, and at the end of summer, when each of them goes their separate ways, they stay in touch via e-mail. The novel is built on their correspondence. From the moment the plane lands, Ghadi misses Lebanon and his friends, dreaming of the next summer. He has many friends at school, but he is also bullied by an older boy. Rawan, with her sense of humor and creativity is quite popular among her friends, and that year decides to run for the elections of the students’ representatives. Tensions at home are nevertheless more and more palpable, as Rawan’s father regularly comes home in a very bad temper. Rawan is convinced that her parents are on the verge of divorce. Having overheard a phone conversation, she also believes that her father has a lover. This situation is distressing, and Rawan has trouble concentrating at school. She feels lonely, and her anxiety pushes her away even from her closest friends. Meanwhile, in Brussels, Ghadi gets mixed up in drugs, unwillingly, and falls under the power of the boy who’s been bullying him. Each on their own, Rawan and Ghadi will find ways out of their problems, and will learn and grow from their experiences, while their friendship strengthens. With this novel for young adolescents (13 year olds), the two authors tackle issues that are central in the lives of young teens all over the world. The relationship to family members, to friends and classmates, drugs and violence, unemployment, racism, exile, identity and roots, are all issues that are touched upon in the novel.

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        Humanities & Social Sciences
        August 2017

        Gender and Rural Globalization

        International Perspectives on Gender and Rural Development

        by Bettina Bock, Sally Shortall

        This book explores how rural gender relations are changing in a globalising world that fundamentally impacts on the structure of agricultural life in rural areas and urban-rural relations. It analyses the development of rural gender relations in specific places around the world and looks into the effects of the increasing connectivity and mobility of people across places. The themes covered are: gender and mobility, gender and agriculture, Gender and rural politics, rurality and Gender identity and women and international development. Each theme has an overview of the state of the art in that specific thematic area and integrates the case-studies that follow. ; Chapter 1: Gender and rural globalisation: an introduction to international perspectives on gender and rural development Chapter 2: Gender and mobility Chapter 3: “There is dignity only with livestock”: Land grabbing and the changing social practices of pastoralist women in Gujarat, India Chapter 4: Women's migration for work. The case of Ukrainian caregivers in rural Italy Chapter 5: Gender, migration and rural livelihoods in Uzbekistan in times of change Chapter 6: Gender and rural migration in Mexico and The Caribbean Chapter 7: Gender and Agriculture Chapter 8: The Genderness of Climate Change, Australia Chapter 9: Where family, farm and society intersect: values of women farmers in Sweden Chapter 10: Women farmers and agricultural extension/education in Slovenia and Greece Chapter 11: The Agency Paradox: the Impact of Gender(ed) Frameworks on Irish Farm Youth Chapter 12: Rurality and Gender Identity Chapter 13: Rural. Women. Leaders. Identity formation in rural Northern Ireland Chapter 14: Gender identities and divorce among farmers in Norway Chapter 15: Merging Masculinities: exploring intersecting masculine identities on family farms Chapter 16: Creating ‘masculine’ spaces for ‘feminine’ emotions – Men and social inclusion Chapter 17: Gender desegregation among village representatives in Poland: towards breaking the male domination in local politics? Chapter 18: Gender and international development Chapter 19: ‘Glocal’ networking for gender equality and sustainable livelihoods Chapter 20: Gender Transitions in Agriculture and Food Systems Chapter 21: Sugar and Gender Relations in Malawi Chapter 22: The role of gender indicators in rural development programmes Chapter 23: Beneficial for women? Global trends in gender, land and titling Chapter 24: Conclusions – Future Directions

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        Agriculture & related industries
        December 1996

        Quarantine Pests for Europe

        by Mark Holderness, Edited by D G McNamara, I M Smith, Peter R Scott.

        Data sheets on quarantine pests for the European Union and for the European and Mediterranean Plant Protection Organization. This book is the result of collaboration between EPPO and CAB INTERNATIONAL, sponsored by the Commission of the European Union, to prepare data sheets on pests of plants of quarantine significance for Europe and the Mediterranean region. Coverage extends to insects, mites, fungi, bacteria, viruses, nematodes and parasitic plants. It includes organisms that are found outside Europe and the Mediterranean that present a risk to this region, as well as those that are present but have restricted distribution and are subject to phytosanitary controls. The format of the FAO model data sheet is followed, using standard headings: identity, hosts, geographical distribution, biology, detection and identification, means of movement and dispersal, pest significance (including economic impact, control and phytosanitary risk), phytosanitary measures, and bibliography. The first edition of this book was published in December 1992 and consisted of 188 data sheets, some covering groups of similar organisms. During the intervening four years pests have been added to the EU and EPPO lists and changes have occurred in host range, geographical distribution, taxonomy and pest status of many of the organisms described. All data sheets have therefore been revised, some data sheets covering groups of similar organisms have been split up and 56 new sheets added, resulting in a total of 300 data sheets. The second edition will continue therefore to represent a definitive reference source, not only for those with specific interests in plant quarantine, but also for all concerned with pest management.

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        Modern & contemporary fiction (post c 1945)
        2021

        Where the Wind Is

        by Lyubko Deresh

        Max Tarnavskii is a young writer once recognized by the young audience for his debut novel about young counterculture but then scathingly criticized for his third novel "Where the Wind Is", — a philosophical parable about a hermit living in a lighthouse by the sea. Having fallen off the readers’ radar, he suffers through his inability to create any further. It’s the second half of the 2010s, Kyiv. On the New Year’s Eve Max gets an offer from Alisa, a first-year student, to go on a tour with a young rock band as a gonzo journalist to revive his counterculture icon status. Max balks at first, but an unexpected brawl on Facebook in which Max is reminded about his passivity during the Maidan and his uncertain ideological views in the days of the ATO and the war, and a critical review of Max’s new novel outline from his literary agent urge Tarnavskii to accept the offer after all. The rock band he joins for a tour from Western to Eastern Ukraine has turned up to be an inept group trip planner, so the protagonist has to take up the role of a leader capable of saving the band from a total fiasco. Traveling with the teenage freshmen becomes the young writer’s road to adulthood, forgiveness, and an attempt to forgive his own mistakes of youth in particular. Just to earn his living, Max agrees to perform with the rockers while on tour, flies in the face of his creative fears, and is forced to redefine himself as a writer once again. He faces the dangers of concert disruptions, the band split up, public disapproval, and threats of physical violence. Ability to write on the road becomes his only way to save and revive his own self, stand up to his hidden weaknesses, reconsider his role in a society that undergoes a war. A post-tour trip with Alisa to her grandmother who lives in a village on the liberated from the occupation territories becomes Tarnavskii’s hope for a renewal. On this trip Max gets a chance to full recovery, because in Tarnavskii’s mind these are the parts, where he will find the sand bar with the lighthouse where the hermit from his novel "Where the Wind Is" lives.

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        The Arts
        November 2017

        Vivien Leigh

        Actress and icon

        by Kate Dorney, Maggie B. Gale

        This edited volume provides new readings of the life and career of iconic actress Vivien Leigh (1913-67), written by experts from theatre and film studies and curators from the Victoria & Albert Museum, London. The collection uses newly accessible family archives to explore the intensely complex relationship between Vivien Leigh's approach to the craft of acting for stage and screen, and how she shaped, developed and projected her public persona as one of the most talked about and photographed actresses of her era. With key contributors from the UK, France and the US, chapters range from analyses of her work on stage and screen to her collaborations with designers and photographers, an analysis of her fan base, her interior designs and the 'public ownership' of Leigh's celebrity status during her lifetime and beyond.

      • Trusted Partner
        September 2022

        Lust

        Fuckability, orgasm gap and #metoo

        by Henriette Hell

        Lust, a mortal sin? These times are over. In today's public perception, it is more likely for a boring sex life to be categorised as that. In statistical terms, people have never had as little sex with each other as they do today. And yet tips for a good sex life are to be found on every (digital) corner. Sex has mutated into a lifestyle product, and terms like 'fuckability' and 'MILF' trip lightly off our tongues. Henriette Hell takes a closer look at the thing about sex. She traces the history and genesis of 'sexual liberation', and sheds light on the 'cheating gene' and the #metoo debate. The author asks (and answers) the question of whether sex is becoming more and more antisocial and what actually still turns us on today. In doing so, she focuses on the former mortal sin of lust, which is inseparably linked to the systematic suppression of female lust (and its liberation).

      • Trusted Partner
        December 2017

        Wake Me Up at 9 AM

        by A Yi

        The title comes from a Borges interview, in which Borges planned to write a short story entitled Wake Me Up At 9 AM but he didn’t write it at last. A Yi borrowed this title. In A Yi’s story, looped in the night of his birthday, Hong Yang asks his wife Jin Yan to wake him up at nine AM the next morning, but he doesn’t wake up any longer. The book recalls how Hong Yang, an illiteracy who has been simply considered as an outlaw, becomes well known in the town by taking advantage of his violence and necessary schemes, with the narrative of a hurried and perfunctory funeral. Love, belief, brotherhood and affection have nothing to do with him. The novel makes a scroll-type portrayal of the vanishing village and people living in the village by virtue of him.

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        The Arts
        February 2022

        "I am Jugoslovenka!"

        Feminist performance politics during and after Yugoslav Socialism

        by Jasmina Tumbas, Amelia Jones, Marsha Meskimmon

        "I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.

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        Journey in Trumplandia: The Rise of Populism in America

        by Tiberiu Dianu

        The book is a collection of essays about the transformation of America, which has turned from a united nation to one more divided than ever. Some pundits predict that, if things don’t change, another civil war could occur. Have we reached a point of no return? Hopefully, America is mature enough to learn from its mistakes and avoid further scars along its evolving history. "Trumplandia is a welcome addition toward understanding current events, Washington’s international policy, and the present American society; a society polarized and divided as it has not been since the Civil War.” NICHOLAS DIMA, Ph.D., Adjunct Professor and Research Associate, Nelson Institute, James Madison University, Virginia. "The book is fascinating. It provides background to, and insights into [the] current and past political history as well as offering a personal view... of the country and society. Presented in thematic form in chapters and sections, the insights offered provide a suggestive radiography...” Dr. DENNIS DELETANT, OBE, School of Foreign Service, Georgetown University, Washington DC. "There has been this backsliding in... what a truly functioning rule-of-law state is, that has proper separation of co-equal powers, which, if you don’t keep working on that, you backslide. And I am even worried about that here, in the United States right now, about backsliding.” OBIE MOORE, Esq., OLM Advisors LLC, Washington DC “Indeed, Trumplandia should be a welcome addition to any scholar, student or layman’s library, especially in its international edition. If anyone loses sleep over its challenging assertions, then it will have been well worth it.” ERNESTO MORALES HIZON, Ph.D. Candidate in American and Comparative Politics at Claremont Graduate University, Member, Integrated Bar of the Philippines ABOUT THE AUTHOR: TIBERIU DIANU has practiced law in Romania (as a corporate lawyer, judge, senior counselor at the Ministry of Justice, university professor and senior legal researcher), and in the United States (as a legal expert for the judiciary). He published several books and a host of articles in law, politics, and post-communist societies. Tiberiu currently lives and works in Washington, DC.

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        Humanities & Social Sciences
        June 2012

        Cultures and caricatures of British imperial aviation

        Passengers, pilots, publicity

        by Gordon Pirie, Andrew Thompson, John Mackenzie

        The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;

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