Republika Penerbit is a Jakarta-based publishing company. We publish books with genres ranging from religious (Islamic books), nonfiction, biography, historical fiction, contemporary fiction, fantasy, picture books, to comics. Some of our fiction has been adapted into films and there will be more to be filmed.
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Cassava Republic Presswas founded with the aim of bringing high quality fiction and non-fiction for adults and children alike to a global audience.
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“The Book of Horrors” is a collection of scary stories by modern Ukrainian children’s writers. In the dark dark room, on the black black shelf, there is a scary scary book…. It contains eight thrilling stories about various mystical, sometimes otherworldly and utterly unexpected events and creatures, including children. If you’re not afraid yet, then meet Mia Marchenko’s black tulips (‘The Black Tulips’), Volodymyr Arenev’s inhabitants of the abandoned attic (‘The Wheeled Coffin’), Larysa Andriyevska’s ugly monsters (‘Monsters from under the Child’s Bed’), Ivanka Kravtsova’s bleeding cuckoo bird (‘Cuckoo’), Yozha Kotsun’s beasts (‘The Beasts’), Slava Svitova’s pygmy witch (‘The Pygmy Witch’), Yuriy Nikitinsky’s ghosts (‘Ghost of Olya and the Real boy named Kostyk’) and Maria Artemenko’s philosopher worms (‘This Fairy Tale is not about an Apple’).
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Everyone can Draw Comics and Create Comic Characters: Starting with the creation of comic characters, it's not only helpful for learners to understand the methods of creating comic characters, but also an effective comic course for teaching. We try to provide some tips for character creation, try to let comic learners find an effective comic character creation method by analyzing excellent Chinese and foreign comic characters. Everyone can Draw Comics and Create Comic Stories: Starting with the creation of comic scripts, it's not only helpful for learners to master the principles of comic story creation, but also an effective comic course for teaching. This book provides detailed interpretation in two aspects of comic characters and comic stories, uses excellent comics as a reference to teach comic learners to create comics based on their creations, which are cleverly integrated into the studying of comics skills and all kinds of practices.
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Technology for modifying the genotypes and phenotypes of insects and other arthropods has steadily progressed by development of more precise and powerful methods, most prominently transgenic modification. There is now almost unlimited ability to modify phenotypes to benefit human health and agriculture. Precise DNA modifications and gene drive particularly have the power to make wild-type populations less harmful in ways that could never be performed with previous transgenic approaches. This transition from primarily laboratory science to greater prominence for field applications has also necessitated a greater development of modelling, ethical considerations and regulatory oversight. The 2nd edition of Transgenic Insects contains chapters contributed by experts in the field that cover the technology and applications that are now possible. These include an increased emphasis on acceptance issues that will be necessary for application of many technologies.
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THE BIG BOOK OF MALAYSIAN HORROR STORIES takes us from terrors that are mythological and historical to contemporary and technological. The biggest Fixi Novo anthology yet is set in various states in Malaysia, but the most common states are Darul Distress and Negeri Scary. These brand-new stories are complemented by Chin Yew's equally spooky illustrations.
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Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
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A world full of scents – and an adventure full of magic, racing hearts and dangers! Luzie Alvenstein can sense it right down to her fingertips: there is something wrong with the invitation she is holding in her hand. Her rival Elodie de Richemont has invited her to enter the “Contest of a thousand talents” – a competition for the world’s finest scent pharmacists. Of course the only thing Elodie is interested in is finding new talents to run her scent pharmacies. But Luzie has no choice. Together with Mats, Leon and Daan de Bruijn she goes to England in order to take part in the competition. What begins as a great game soon develops into a fight for survival – and this threatens to rob Luzie of everything she has ever loved… This is the fourth volume in the bestselling series of children’s books for boys and girls aged 10+. Written by the highly successful author Anna Ruhe and with atmospheric and beautifully detailed black-and-white illustrations by Claudia Carls.
Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. It introduced Count Dracula, and established many conventions of subsequent vampire fantasy. The novel tells the story of Dracula's attempt to move from Transylvania to England so that he may find new blood and spread the undead curse, and of the battle between Dracula and a small group of men and a woman led by Professor Abraham Van Helsing.
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Clive Barker: Dark imaginer explores the diverse literary, film and visionary creations of the polymathic and influential British artist Clive Barker. In this necessary and timely collection, innovative essays by leading scholars in the fields of literature, film and popular culture explore Barker's contribution to gothic, fantasy and horror studies, interrogating his creative legacy. The volume consists of an extensive introduction and twelve groundbreaking essays that critically reevaluate Barker's oeuvre. These include in-depth analyses of his celebrated and lesser known novels, short stories, theme park designs, screen and comic book adaptations, film direction and production, sketches and book illustrations, as well as responses to his material from critics and fan communities. Clive Barker: Dark imaginer reveals the breadth and depth of Barker's distinctive dark vision, which continues to fascinate and flourish.
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Terence Fisher is best known as the director who made most of the classic Hammer horrors - including The Curse of Frankenstein, Dracula and The Devil Rides Out. But there is more to Terence Fisher than Hammer horror. In a busy twenty-five-year career, he directed fifty films, not just horrors but also thrillers, comedies, melodramas and science-fiction. This book offers an appreciation of all of Fisher's films and also gives a sense of his place in British film history. Looking at Fisher's career as a whole not only underlines his importance as a film-maker but also casts a new, interesting light on the areas in which he worked - Gainsborough melodrama, the 1950s B film, 1960s science-fiction and, of course, Hammer, one of the most successful independent film companies in the history of British cinema.
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Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures.
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Lady Lv Fangshi is born in a family with many siblings. She was not a good-looking girl and no one in her family cared about her. All her family lived in two small and dark rooms with both warmness and horror. As a 21-year-old lady, Lv Fangshi had already met some guys. Zeng Laoliu, the carpet dealer, was quite mysterious to her though he was not the one that excited her most. Is the lifestyle of Lady Lv Fangshi ever possible? We could frequently be face with this kind of question in our daily life.
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Law across imperial borders offers new perspectives on the complex legal connections between Britain's presence in Western China in the western frontier regions of Yunnan and Xinjiang, and the British colonies of Burma and India. Bringing together a transnational methodology with a social-legal focus, it demonstrates how inter-Asian mobility across frontiers shaped British authority in contested frontier regions of China. It examines the role of a range of actors who helped create, constitute and contest legal practice on the frontier-including consuls, indigenous elites and cultural mediators. The book will be of interest to historians of China, the British Empire in Asia and legal history.
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The Blue Mountains are calling! When Lilly’s grandma’s favourite cow falls ill, the Bear family immediately decide to pay them a visit – but without the Little Lady. Mother and Father Bear are worried that her chameleon-like behaviour might upset Grandma Annie. But Lilly, Charley and the Little Lady won’t accept such thinking. With a zip and a zoom the Little Lady opens her umbrella and up and away they go on the greatest mountain “salafari” of all time! But then something weird happens to the Little Lady: first her feet start to tickle, then her fine hiking boots start to pinch, and her jacket seems to be shrinking! She sees with horror that she is starting to grow. What can Lilly, Charley and she do to stop it?
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Clara, Julian, Felix and Fee must have done something bad, because they are waiting for a severe punishment: detention. “Detention” is actually the wrong word. In fact their task is to get the school garden into shape, which includes the fountain with non-stop snapping turtles. But oh, shock horror! First of all, Felix digs up a skull. Then several suspicious looking men turn up, alleging that they are sports teachers. Could this be the cover-up of a murder? And what is the grumpy housemaster Kratzek hiding? In order to find out just what is going on at the closed school, the four detainees must stick together at all costs – and that is the biggest adventure of them all.
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To Elias Gunnarson, his dad, Teddy, was part of “the greatest generation,” a man who fought valiantly in World War II, was honorably discharged, married his high school sweetheart, and lived happily ever after. Right? Wrong! The truth, he finds, lies shrouded in an intricately complex web baring only superficial resemblance to the terrible reality lived by those who battled from the sands of Omaha Beach to the horrors of Dachau. As letters, videos, stories, and memories unfold the true tale of Teddy's war, Elias learns that the lives of his mother, his father, and his father's brother, Jake, were not what they seemed, and that dying a hero does not absolve a person from the sins of his past.
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