Punto de Vista Editores is a Publishing House founded in 2013 in Madrid (Spain). We publish humanities non-fiction (History, Literary studies, Philosophy, Cultural Studies) and iberoamerican voices in fiction and drama.
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This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
This series contains 31 titles of picture books. It is a collection of traditional Chinese classic tales, including fables, myths, idioms and folk legends. It’s playful and readable with attractive illustrations and concise text.
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Guy Helmingers Erzählungen sind für vieles gelobt worden: den nachtschwarzen, grandios trockenen Humor, die Raffinesse, die so brutale wie komische Abgründigkeit und nicht zuletzt die Tatsache, daß hier endlich einmal jemand eine stichhaltige Erklärung dafür gibt, warum manche Männer vom Zigarettenholen nicht mehr zurückkommen.
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike. ;
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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Comic empires is a unique collection of new research exploring the relationship between imperialism and political cartoons, caricature, and satirical art. Edited by leading scholars across both fields (and with contributions from contexts as diverse as Egypt, Australia, the United States, and China, as well as Europe) the volume provides new perspectives on well-known events, and illuminates little-known players in the 'great game' of empire in modern times. Some of the finest comic art of the period is deployed as evidence, and examined seriously, in its own right, for the first time. Accessible to students of history at all levels, Comic empires is a major addition to the world-leading 'Studies in Imperialism' series, as well as standing alone as an innovative and significant contribution to the ever-growing international field of comics studies.
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When a malevolent multinational arrives on our shores, familiar creatures like pontianaks, manananggals, rākṣasīs and ba jiao guis are forced out of their jobs. Some give in and sign up for mundane corporate life – but others would rather fight than join the broken-spirited hordes of the (desk)bound. Benjamin Chee’s comics and Wayne Rée’s prose intertwine in this collection to bring you familiar Asian mythology in an even more familiar setting: the realm of dead-end work, glass ceilings and truly hellish bosses.
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Zhangjiajie·"The Country Is So Beautiful" is a work organized and compiled by the Propaganda Department of the Zhangjiajie Municipal Committee of the Communist Party of China. "Extension" consists of 4 chapters. With a lot of little-known details, interesting stories and grand perspectives, the work restores the filming process and the national hit effect of "The Country Is So Beautiful" for readers. At the same time, through a large number of incisive reviews, multi-dimensional and multi-perspective Presents all aspects of this film and television drama.
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"Im Gespräch mit dem Philosophen Guy Lardreau gibt Duby hier Auskunft über seine Vorstellungen von Geschichte und über die theoretischen und methodischen Grundlagen der Geschichtswissenschaft; er umreißt seine Sicht der Entwicklungen in der historischen Wissenschaft dieses Jahrhunderts, erläutert die Motive und Grundgedanken seiner wichtigsten Studien und benennt die persönlichen Motive, die seine Arbeit geleitet haben."
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Zhangjiajie• is a book organized and edited by the Propaganda Department of the Zhangjiajie Municipal Committee of the Communist Party of China. At the beginning of 2019, the Propaganda Department of the Zhangjiajie Municipal Party Committee learned about the news of Zhangjiajie, the birthplace of "My Motherland and Me", and then began a long period of time. Argumentation and planning, the book is composed of 4 chapters: "Birth", "Anthem", "Story" and "The Square". The work uses a large number of little-known song creation details, interesting stories and praises to the landscape and humanities of Zhangjiajie. It restores the creation process of the song "Me and My Motherland" for readers. At the same time, through a large number of incisive essays, multi-dimensional and multi-perspective presented Zhangjiajie people's praise of the motherland in all aspects.
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Depression is one of the most common mental disorders, and it therefore also affects many people in committed relationships. Although on the one hand relationships represent a degree of protection, they are also affected by the depression, which is a huge challenge for the couple. This book aims to establish sound understanding of the disorder and its different forms, of the causes of depression and its effects on couple relationships, and to demonstrate how couples can regard depression as a shared challenge and overcome it together. For:• those affected and their partners• psychologists• psychiatrists• psychotherapists• advice centers
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Dieses Buch soll dazu beitragen, die philosophischen Wurzeln von Webers Methodologie freizulegen und insbesondere den Zusammenhang seiner Position mit der Wertlehre Rickerts aufzuklären. Dabei bildet die Frage nach dem Verhältnis zwischen der Begründung der kulturwissenschaftlichen Objektivität bei Weber auf der einen und Rickerts Lösung des Problems der Wertobjektivität auf der anderen Seite den Kernpunkt der Untersuchung. Anhand der Bestimmung dieses Verhältnisses soll nicht nur gezeigt werden, daß Webers Begriff der kulturwissenschaftlichen Objektivität von Voraussetzungen ausgeht, die in Rickerts Werttheorie angelegt sind, sondern auch, daß es eben diese Voraussetzungen sind, die eine plausible Lösung des Objektivitätsproblems unmöglich machen.
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Die langsame Louise träumt auf dem Sofa von einer Reise nach Neuseeland; für ihren Mann Feltzer, den Taxi fahrenden Choleriker, sind die angenehmsten Fahrgäste fünf ausgemergelte Stoffgiraffen. Man könnte es eine einigermaßen glückliche Ehe nennen. Sehnsüchte schweifen in die Ferne, der Alltag klebt hartnäckig am Hier und Heute, und ein leises Unbehagen durchzieht das Zusammenleben. Ein fremder Mann sitzt allzu traulich mit Louise auf dem Sofa. Und bleibt nach einer Fahrt in Feltzers Taxi verschwunden.
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