Humour
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HumourJune 2016Zog & Mob (Cartoon)
Curiosity
by Patrice Mballa Asse
Zog and Mob are two extraterrestrials who happily sail through space, awful unattached jojos, not at all entangled by family, school and society. They travel from planet to planet, looking for a football match, a pint of beer, a disco or a treasure. Their adventures are not always in the best of taste and they often start a fight, even if they don't always look for one, but they always get out of it by trickery or escape. It's completely crazy and full of energy.
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HumourAugust 2017CATY (Yaoundé Anti-Terrorist Unit) - Cartoon
Ça va chauffer (It's going to be a hot one)
by Georges Pondy
Bobo, a frightened young basketball player, witnesses a murder and is soon caught and held hostage by Essono, a notorious psychopathic terrorist who promises to take him to the States to play for the Chicago Bulls. Special Agent Jacky Wabo of the Yaoundé Anti-Terrorist Unit is tasked with apprehending Essono and eventually rescuing Bobo, if he is still alive...
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Humanities & Social SciencesAugust 2021Humour, subjectivity and world politics
Everyday articulations of identity at the limits of order
by Alister Wedderburn
Questions about the ethical and political boundaries of comedy, satire, or irony have inspired widespread anxiety in recent years, as with the 2015 shootings at the offices of Charlie Hebdo in Paris, or the so called 'locker-room banter' that defined Donald Trump's 2016 election campaign. What, then, can a turn to humour offer International Relations? Drawing on literature across International Relations, literary theory, cultural studies and sociology, Alister Wedderburn argues that humour plays an underappreciated role in the making and unmaking of political subjectivities. The book recovers a historical understanding of humour as a way of making a claim to political subjectivity in the face of its denial. This function, Wedderburn argues, is embodied by the ambiguous figure of the parasite, a stock character of Greek comic drama. The book interrogates three separate sites where political actors have used humour 'parasitically' in order to make political claims and demands. In so doing, it not only outlines humour's political potential and limitations, but also demonstrates how everyday practices can draw from, feed into, interrupt, and potentially transform global-political relations. Representing the first monograph-length study on the politics of humour within International Relations, this book makes a timely contribution to debates about the politics of humour, subjectivity and everyday life.
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Humanities & Social SciencesAugust 2021Humour, subjectivity and world politics
Everyday articulations of identity at the limits of order
by Alister Wedderburn
Questions about the ethical and political boundaries of comedy, satire, or irony have inspired widespread anxiety in recent years, as with the 2015 shootings at the offices of Charlie Hebdo in Paris, or the so called 'locker-room banter' that defined Donald Trump's 2016 election campaign. What, then, can a turn to humour offer International Relations? Drawing on literature across International Relations, literary theory, cultural studies and sociology, Alister Wedderburn argues that humour plays an underappreciated role in the making and unmaking of political subjectivities. The book recovers a historical understanding of humour as a way of making a claim to political subjectivity in the face of its denial. This function, Wedderburn argues, is embodied by the ambiguous figure of the parasite, a stock character of Greek comic drama. The book interrogates three separate sites where political actors have used humour 'parasitically' in order to make political claims and demands. In so doing, it not only outlines humour's political potential and limitations, but also demonstrates how everyday practices can draw from, feed into, interrupt, and potentially transform global-political relations. Representing the first monograph-length study on the politics of humour within International Relations, this book makes a timely contribution to debates about the politics of humour, subjectivity and everyday life.
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Literature & Literary StudiesNovember 2020Marie Duval
Maverick Victorian cartoonist
by Simon Grennan, Roger Sabin, Julian Waite, Anna Barton, Andrew Smith
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier [1847-1890]), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
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Literature & Literary StudiesNovember 2020Marie Duval
Maverick Victorian cartoonist
by Simon Grennan, Roger Sabin, Julian Waite, Anna Barton, Andrew Smith
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier [1847-1890]), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
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Literature & Literary StudiesMarch 2020Riddles at work in the early medieval tradition
Words, ideas, interactions
by Megan Cavell, Jennifer Neville, David Matthews
Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the Anglo-Saxon riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of Anglo-Saxon and early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
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Literature & Literary StudiesMarch 2020Riddles at work in the early medieval tradition
Words, ideas, interactions
by Megan Cavell, Jennifer Neville, David Matthews
Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the Anglo-Saxon riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of Anglo-Saxon and early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
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Trusted Partner
Humanities & Social SciencesAugust 2021Humour, subjectivity and world politics
Everyday articulations of identity at the limits of order
by Alister Wedderburn
Questions about the ethical and political boundaries of comedy, satire, or irony have inspired widespread anxiety in recent years, as with the 2015 shootings at the offices of Charlie Hebdo in Paris, or the so called 'locker-room banter' that defined Donald Trump's 2016 election campaign. What, then, can a turn to humour offer International Relations? Drawing on literature across International Relations, literary theory, cultural studies and sociology, Alister Wedderburn argues that humour plays an underappreciated role in the making and unmaking of political subjectivities. The book recovers a historical understanding of humour as a way of making a claim to political subjectivity in the face of its denial. This function, Wedderburn argues, is embodied by the ambiguous figure of the parasite, a stock character of Greek comic drama. The book interrogates three separate sites where political actors have used humour 'parasitically' in order to make political claims and demands. In so doing, it not only outlines humour's political potential and limitations, but also demonstrates how everyday practices can draw from, feed into, interrupt, and potentially transform global-political relations. Representing the first monograph-length study on the politics of humour within International Relations, this book makes a timely contribution to debates about the politics of humour, subjectivity and everyday life.
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Trusted Partner
Literature & Literary StudiesJune 2024Marie Duval
Maverick Victorian Cartoonist
by Simon Grennan, Roger Sabin, Julian Waite
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847-1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
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Trusted Partner
Literature & Literary StudiesApril 2024
Riddles at work in the early medieval tradition
Words, ideas, interactions
by Megan Cavell, Jennifer Neville
Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the early medieval riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
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Trusted Partner
Literature & Literary StudiesNovember 2020Marie Duval
Maverick Victorian cartoonist
by Simon Grennan, Roger Sabin, Julian Waite, Anna Barton, Andrew Smith
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier [1847-1890]), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
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Trusted Partner
Literature & Literary StudiesMarch 2020Riddles at work in the early medieval tradition
Words, ideas, interactions
by Megan Cavell, Jennifer Neville, David Matthews
Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the Anglo-Saxon riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of Anglo-Saxon and early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
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TV tie-in humourThe Official Only Fools and Horses Quiz Book
by Dan Sullivan, Jim Sullivan
The book has been written by Dan Sullivan and Jim Sullivan, who, as sons of the creator of the Only Fools and Horses, are uniquely placed to use their knowledge of the show to set such brain-teasers as: What is the title of Rodney's prize winning painting? At what train station do Del and Raquel first meet? According to Trigger he once owned a hat. What colour was it? What does the 'A' on Del's O-level exam results stand for? What is Joan Trotter's middle name? It s a lovely jubbly stocking filler which will entertain all the family and remind them of many classic moments from the much-loved comedy series.
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HumourFebruary 2016How to be an Alien in England
A Guide to the English
by Angela Kiss
‘In England everything is typical. If your train is late, it is typical. If there are no seats on the upper deck of a bus, it is typical. If it starts to rain at five o’clock just before you leave work, it is typical.’ ‘Never contradict The English during weather talk. If they say that 15 degrees is “quite unbearably hot” then either you just say “indeed, it is quite unbearably hot” or you shut up and nod.’ Ten years ago, Angela Kiss arrived in the UK without a word of English. All she brought with her was a small bag, a sense of adventure, a desire to work and a copy of George Mikes’ classic 1940s humour book about the peculiarities of the British, How to be an Alien. Through every dodgy flat share, low-paid waitressing job, awkward date and office mishap, Angela held tight to George’s wit and wisdom. With his help she began to understand how to live amongst the English – with their eccentricity, spirit and singing train drivers – and fell in love with a land rich in green spaces, pubs and puddings. A wry, often affectionate view on the English, and how to navigate our national personality.
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Business & managementJanuary 2012The Unprincipled
The Unvarnished Truth About Running A Marketing Agency From Start-up To Sell-out
by David Croydon
Building a business from start-up to sell-out. When I started, or at least co-founded, a small sales promotion agency called Marketing Principles in Oxford over 20 years ago, I had no idea about the dramas that would ensue, or the mixture of fun and games and pain and heartache that could be telescoped into 12 short years. I needed to get a lot of this off my chest for cathartic and purely selfish reasons, but in doing so, and in my current role as small business advisor/coach/mentor/NEC, I realised along the way that the lessons learned might be instructive as well as just entertaining, which is where it originally started. The title is taken from the scurrilous in-house ‘newsletter’ our creative department took to compiling a couple of times a year, to debunk any of our employees who… oh, just anyone who worked for us (including me). We begin the journey in 1985. The key protagonists (at the beginning) all have gainful employment at another local agency, and on the face of it should be content with their lot. But then this thing called ambition comes knocking, and a 12-year roller coaster ride begins. A couple of reviewers have described the content as part business handbook, part memoir, part comic novel, which makes it difficult to categorise in publishing terms. Its style and tone of voice is what makes it unique, and it will appeal to small business owner/managers - from start-ups to established businesses - anywhere: they will recognise many of the issues and problems that we confronted along the way. So it's a personal account, but one that will resonate with anyone who has ever run a small business (or aspires to). Here's a video about the business that is the book's subject matter: https://www.youtube.com/watch?v=t2_heofh0WE
