Éditions David
Livres Canada Books
View Rights PortalDavid and Charles is an independent publisher of non-fiction books, predominantly in art, craft and creative categories. Our titles feature industry-leading authors and award-winning editorial and design, commissioned for commercial success in all markets. Category focus on practical how-to books in art, crochet, knitting, general crafts, patchwork & quilting, sewing and wellbeing. Cornerstone titles which are highly illustrated, project, technique and trend orientated.
View Rights PortalThis is the first edition for students and general readers of this pro-woman reply to Shakespeare's 'The Taming of the Shrew' by a playwright (John Fletcher) who was more admired than Shakespeare in the seventeenth century. Co-edited by a feminist critic and a distinguished textual scholar, this new textbook makes clear why "The Tamer Tamed" should be restored to the theatrical repertoire and the literary canon. It includes the fullest commentary ever provided for the play, explaining for modern students Fletcher's verbal exuberance and his uninhibited sexual language. The full critical introduction describes the play's Renaissance context, its historical and literary sources (including Aristophanes's "Lysistrata"), and its subversive relationship to Shakespeare's "Shrew" and Ben Jonson's "The Silent Woman". It also surveys the play's subsequent theatrical and critical history. A unique and essential companion to the numerous textbook editions of Shakespeare's play, "The Tamer Tamed" provides exciting new material for current debates about the history of gender, marriage, and drama. ;
These essays written to celebrate the distinguished career of Renassiance scholar, Professor Malcolm Quainton, confirm the idea that the sixteenth-century in France was deeply marked by conflict, but readers expecting to find a volume wholly devoted to studies of war and religious disputation will be intrigued to discover that these rare not the only topics discussed. A number of subtle analyses reveal the stresses of internal conflict experienced by writers and woven into the fabric of their compositions. The three sections focus respectively on living and writing in conflict, the Wars of Religion, and intertextuality as conflict. Subjects include Ronard, Baïf, Du Bellay, D'Aubigné, sonnets by Mary Queen of Scots and the political role of court festivities, while a previously unknown riposte to Clément Marot is first published here. This book will appeal to scholars and students of French language, literature and culture, and sixteenth-century European history.