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      • Hamad Bin Khalifa University Press

        Hamad Bin Khalifa University Press (HBKU Press) is a world-class publishing house founded on international best practices, excellence and innovation. It strives to be a cornerstone of Qatar’s knowledge-based economy by providing a unique local and international platform for literature, discovery and learning. Headquartered in Doha, Qatar, HBKU Press publishes a wide range of texts including fiction and non-fiction titles, children’s books, collections, and annual reports. In addition, HBKU Press publishes peer-reviewed, scholarly research in the natural and social sciences through academic books, open-access reference materials and conference proceedings. HBKU Press consistently follows international best practices in its publishing procedures, ethics and management, ensuring a steadfast quality of production and a dedication to excellence.

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      • Children's & YA

        Night of the Rampart

        by Hamidreza Shahabadi

        The time has come Hamidreza Shahabadi’s second installment of The Gate of the Dead Series. As we expect from the author, this novel too is such an intricately woven network of evens, twists, and surprises. Also, history again plays a pivotal role in this title; and that is what readers love about his works. Pleasant and plausible dialogs along with dramatic setting has made an atmosphere of unprecedented density and intensity for young adults. The author has created a relatable character, called Nader, who is the symbol of modernity and progress. Nader comes to Reza and his companion’s aid and together, they try to dismantle a gang of child kidnappers. Nader, a graduate of astronomy from the Netherlands, Nader has dreams of making and flying a balloon. On the other hand, we have Reza, who has come back to Tehran with the hope of going to Mirza Hassan Rushdieh’s school. Tehran in Qajar period was plagued with Cholera and what Reza witnesses haunts him for the rest of his life.   Parallel to this storyline, we go forth a couple of hundreds of years to Majid’s house, who accidentally had found Reza’s scripts. He reads and reads and is obsessed with Reza’s fate and that building they found at the end of book 1. He goes back to the old mansion and a strange Indian man catches his eyes. The rest of the book is the struggle between fantasy and history and the narrow line of what men consider reality or fiction. Farrokh and Noyan Khan, the antagonists, still searching for Reza and Shakoor, who fell into the peculiar pond of the mansion, have expanded their range of bad deeds to new levels and that is why Reza feels responsible to face them and save their captured slaves.   The world of dead accepts anyone and let out no one. But when Reza walks his readers into the underground world, we cannot help but recall the ancient Greek mythology of the paid price of coming back to life. The honest confrontation of logical science and superstition, the embodiment of which is Nader, has influenced Shahabadi’s story to be relatable to modern day adolescents, as well as adults. Nader and Reza’s relationship is of paramount value during the course of the story. They face abominable groups of tyrants and criminals and bullies, and with rooted trust and a couple of loyal friends, are able to finish what they started as a single rescue mission. Numerous new characters are introduced in this title, all of whom are representative of different social classes and from historical perspective, can be considered a mirror to what Tehran was like back then.   Shakoor came to rescue. He told me to jump into the pond. I went ahead and stood at the edge. Slowly, I put by right foot on the surface and then, my left foot. Now I too was standing on the water. “Hurry up before someone sees us.” Shakoor said… I did what I did the last time. He pulled me down and I opened my eyes and started breathing. We were surrounded by too many men and women and children floating underwater. We were suspended in a bright space. Their hair was wild and their faces seemed white and frightened. Shakkor faced me and said: “Look Reza, I’ll help you escape Noyan’s mansion and in return, you need to do something for me. “ - Do what? - I’ll tell you. First, we need to go a bit further down, where you can see someone.   He pulled me down and our surrounding got darker and darker… we floated and everything and everyone was hanging upside down… he then called out: “Rasool, Rasool…” The boy came out; his eyes lightless and colorless, his lips thin and tenuous. Before I could utter a word, Shakoor said: “he arrived two weeks ago and you are going to save his sister up there!”

      • The Vertical Graveyard, Book 3: The Well of Darkness

        by Hamid Reza Shahabadi

        Winner of Book of the Year, 2020 Silver Medalist of The Flying Turtle, 2020 Selected by the International Youth Library for The White Ravens Catalogue, 2019   This is where the world of stories meets history, human feelings, impossible choices, and relatable characters. Hamid Reza Shahabadi has done his magic once more: he entangles human fears with hopes and presents to the reader a rollercoaster of adventures, excitements, twists, and a final huge surprise.  In The Well of Darkness, each loose end is tied up so perfectly that all of a sudden, his narrative world makes more sense. Characters finally find their due representation. It has all the elements of a good story, which haunts not only the readers’ minds but also their hearts and for a long time after finishing it, their memory.  This is a great example of an Iranian horror story, which is narrated in alternating times. The protagonist is not just one persona; there are at least two. The book picks up what book two left off, however as the author has mentioned, it can be read as an independent historical horror story. we know that Shakour is not the only one who comes to the world of living; Razi is one of those lost souls who cannot find solace anywhere. He is up to something and here is where Reza’s role become bolder. At the present time, the other protagonist needs answers, if he wants to save the life of an innocent man.  Hamid Reza Shahabadi has clearly put a lot of effort in creating an everlasting work of literature that is appealing to both Iranian children as well as young avid readers from around the world. The Vertical Graveyard has been published in Egypt too.

      • Fiction

        You’ll Die in Cairo

        by Hamidreza Sadr

        The tragedy of the rise and fall of a king   This novel concerns the life and death of the last king of Iran and the title refers to his death place. Actual historical events have mingled with his musings to create a different text. It is a brilliant portrait of a modern monarch’s inner life; a man who wished to be an emperor but instead passed away crownless in a hospital in Cairo in a summer afternoon.   Mohammad Reza Shah Pahlavi was the last of numerous Persian kings, with his magnificence and weaknesses, doubts and beliefs, compassion and cruelties, and above all his hidden or unmasked fears, from childhood to crowning and his father’s exile. He holds the magnificent 2,500th year of Foundation of Imperial State of Iran and First Persian Empire by Cyrus the Great who he believed had specifically blessed him. It’s the story of the last king of Iran with his high-profile family, his own adventurous life, his loneliest moments, and the most crucial political events of his time. ‘You’ll die in Cairo’ contains all the details we would like to know about the last king, his reign, and his escape from the rich country of his hopes and dreams. It recounts the story of a man who is deaf and blind when it comes to accepting the truth in events, but craves for reviving the Persian Empire and becoming the leader in the Middle East; a man who fears assassination, but undergoes three failed ones each of which leads him to greater tyranny and loneliness. He’s the king of an oil-bearing land, who gradually starts to believe that he’s a blessed saint and, therefore, is invincible. Yet, he becomes more and more horrified by everything outside of his castle. He finally admitted the revolution, but it was too late. He died from an illness in loneliness in Cairo, the homeland of his first spouse.

      • Historical fiction

        You'll Die in Cairo

        by Hamidreza Sadr

        You'll Die in Cairo is the tragedy of the rise and fall of the last king of Iran; his high-profile family, his own adventurous life, his loneliest moments, and the most crucial political events of his time, especially the Iranian revolution which shaped part of the destiny of the Middle East. Amongst many books that have been written about the king of Iran, this is probably the first one to have delved into the heart of this character from a psychological viewpoint. The author has made no ethical or political judgments and has impartially narrated the life of the king. The book is the outcome of a long research about Mohammad Reza Shah Pahlavi and received a great deal of attention after being published in 2014. It was honored at the Jalal Al-Ahmad Prize, one of the most prestigious Iranian literary awards. This novel contains all the details we would like to know about the last king, his reign, and his escape from the rich country of his hopes and dreams. The narrator addresses Mohammad Reza Shah throughout the book and recounts the story of his life for him. It is a point of view that could have changed the king's destiny if he could adopt it in his lifetime. During the srory Mohammad Reza Shah is deaf and blind when it comes to accepting the truth in events, but craves for reviving the Persian Empire and becoming the leader in the Middle East; a man who fears assassination, but undergoes three failed ones each of which leads him to greater tyranny and loneliness. He's the king of an oil-bearing land, who gradually starts to believe that he's a blessed saint and, therefore, is invincible. Yet, he becomes more and more horrified by everything outside of his castle. He finally admitted the revolution, but it was too late. He died from an illness in loneliness in Cairo, the homeland of his first spouse.

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