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      • Tango Sin Fin

        “Método de Tango” is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires. This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies. Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. So far, the collection has only been published in Argentina and worldwide rights belong to Tango Sin Fin.

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      • Grupo sin Fronteras SAS

        Grupo Editorial Sin Fronteras nace de la necesidad del mercado colombiano por encontrar una oferta de libros diferenciales en géneros de literatura juvenil, infantil, gerencia y buen vivir a precios competitivos, combinado con la experiencia en el sector de su fundador y director Mauricio Duque.

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      • Literary Fiction

        Fifty-Fifty. Warum and the Conerotic Adventures

        by Ezio Sinigaglia

        Fifí (he who half gives himself and half denies himself), is the name given by the narrator to the young man for whom he has renounced all other relationships. Their union, although exclusive and symbiotic, is a bizarre example of 'unrequited love'. In fact, Fifí prefers different, and above all non-erotic, ways to show his feelings. The variety of love languages thus apparently becomes the novel's main theme. The narrator relentlessly retraces the three years, six months, twelve days of this singular relationship: a season of enchantment, but also of abstinence and waiting, equal only to that endured by Stocky, their mutual friend and brilliant composer, who watches over them and the other six unforgettable characters, all guests at his picturesque villa in Versilia. Part part coming-of-age, part memoir, Fifty-Fifty is an irreverent comedy; its creative language takes us back to the exuberant world of the 1980s, through a carousel of figures and situations that amuse, surprise and move.

      • Liberi dal male (Free from Evil)

        by Ezio Mauro

        A journey beyond fear, to understand how this epidemic is changing our freedom, our rights, our democracy. “While power attacks the virus, the virus has already affected the power. It is not the one that changes, as we feared in our worst nightmares: in fact it is changing us and the relationship between citizens and State.” Modernity has accustomed us to look at death as a senseless, incongruous event. Instead an unknown pathogen forced us calculate every day who lives and who dies. But every diagram, every count that seems to reveal the secret of this misfortune, has actually a double meaning, it tells something about the virus and about us, and the balance is the amount of our daily fear. To escape evil, we hid ourselves, taking shelter, abandoning social relations to imprison ourselves within the walls of our homes. Meanwhile a second, invisible infection was spreading silently, and nobody knows yet how many victims it will do: it is an infection that transfers the fear from the health situation to the social organization. The virus seems to make inadequate what we used to consider a conquest, it goes straight to the heart of the system and attacks the democratic mechanism, it proposes a new and different power, based on anomaly as a necessity. So the infection is transforming not only social relationships, but also our freedom, our work and our rights: in a word, it’s transforming politics. For this reason, even if we were all the same in the beginning of the pandemic, we risk coming out it very different. Ezio Mauro tells the path of the virus since it was born in China until today, studying its tactics, strategy and character. In the meantime, he reflects on us, on how we are changing. “We are victims of a universal attack that for the first time threatens the whole human race, and at the same time we are protagonists of an unprecedented social experiment: we will come out different, I have tried to understand how and how much.”

      • Lo scrittore senza nome

        by Ezio Mauro

        Andrei Sinjavskij was only half of a story. The other half was named Yulij Daniel’. Together, the two Russian writers challenged the Soviet regime with the most powerful and feared weapon – the word – publishing their books in the West under the pseudonyms of Abram Terz and Nikolai Arjak. Andrei Sinjavskij and Yulij Daniel’ were arrested only four days apart by the KGB, and in 1966 tried in a trial that became a worldwide scandal, the first after the fall of Chruscëv and the reformist illusions. Their sentences were almost identical: five and seven years in prison and forced labor in the gulag. On both of them, on the last day of the trial, the investigating judge’s words resounded with his impenetrable certainty: “You may be right in twenty years, but for the moment it is I who am right”. Then the Soviet power thought of breaking the thread of that intellectual friendship, so deep that it turned into politics, and so strong that it turned into opposition: it opened to Sinjavskij the way to exile, while Daniel’ remained confined in his homeland. Sinjavskij lived in Paris, taught at the Sorbonne and his books had to stop at the immense border of the USSR. Thus the writer was forbidden in his own country until he was forgotten. The chess game between power and Yulij Daniel’ was more difficult. He lived in his homeland, after the camp he returned to Moscow in a house near the Sokol subway station. He did not carry out any suspicious activities. But his life, his name, his identity confirmed him as an intellectual forever and a dissident forever. A shadow fell over his name. But he kept repeating to himself: ‘Julij Markovic Daniel’, writer and translator, already convicted of anti-Soviet activities, released from the gulag, living in Kaluga, living in Moscow, on Novaja Pishanaja Street, entrance 3, second floor, apartment number 52. All this, because of two books.

      • Computer games: strategy guides
        August 2012

        Assassin's Creed Revelations

        Assassin's Creed - Revelations

        by The CheatMistress

        The Cheat Mistress is your guide to all that best in Computer and Electronic games , she will help you in any place that you may be stuck or need help or simply a sexy guide through your latest game.

      • Computer games: strategy guides
        August 2012

        The Adventure Heroes

        by The CheatMistress

        The Cheat Mistress is your guide to all that best in Computer and Electronic games , she will help you in any place that you may be stuck or need help or simply a sexy guide through your latest game.

      • December 2020

        Why I can't like him/her?

        by Anna Claudia Ramos, Antônio Schimeneck

        Adolescence is a time of many doubts, anxieties and uncertainties. In this phase, sexuality is unfolding, and we are going through — because everyone has gone, is going or will go through — self-questions about all conditions, all desires, including regarding sexuality. If on the one hand, we see in beautiful social networks beautiful movements of self-acceptance and discovery, on the other hand we live in a time of great obscurantism and attempt to cage the desires and contain the experiences of young people – whether at home or at school, and unfortunately, many times, with public authority initiative. This book asks this of young people, who often find themselves trapped by a cultural need (or family pressure) to create heteronormative bonds, when, in fact, they feel the desire for people of the same sex. But this book also understands that it is necessary to take this issue to the world, so that everyone reflects on otherness, sexuality and, mainly, the many possibilities of affection and desire. Por que não consigo gostar dele/dela? is a book with two sides, two covers, four stories and many testimonials.

      • Lifestyle, Sport & Leisure
        June 2021

        Prórroga

        by Antonio Agredano

        “In a world of winners, defeat is a kind of dissidence. Losing is not a romantic exercise, it hurts like a stepfather, but you learn. All victories are alike, but each defeat is similar in its own way; There are many ways to cry, but everyone drinks champagne the same way. This is not a football book. Not only. Because in football there is room for a life”. Julián Bellón, at the age of 40, returns to Córdoba due to the death of his father. That loss will drag him to his childhood, to his neighborhood, to the bars and to the people who saw him grow up, the last place of armored happiness before his life twisted and fell into a spiral of self-destruction. The boy who became a goalkeeper still dreaming of scoring a goal, the young man who later became a professional goalkeeper, today is a broken man cornered by memories of him. Is there time for redemption before the final whistle?

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