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John Wiley & Sons, Inc. (Wiley)is a renowned, global publishing company focusing on academic publishing for professionals and researchers within the field of science and medicine.
View Rights PortalJohn Wiley & Sons, Inc. (Wiley)is a renowned, global publishing company focusing on academic publishing for professionals and researchers within the field of science and medicine.
View Rights PortalWilkinson Publishing is an independent Australian Publisher with over 40 years of experience. We are passionate about books and sharing great stories that entertain and inspire, and information that helps bring about change and creates opportunities to learn and belong.
View Rights PortalThis volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the 'post boys' responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.
This special issue of the Bulletin of the John Rylands Library is devoted to William Blake. It explores the British and European reception of Blake's work from the late nineteenth century to the present day, with a particular focus on the counterculture. Opening with two articles by the late Michael Horovitz, an important figure in the 'Blake Renaissance' of the 1960s, the issue goes on to investigate the ideological struggle over Blake in the early part of the twentieth century, with particular reference to W. B. Yeats. This is followed by articles on the artistic avant-garde and underground of the 1960s and on Blake's significance for science fiction authors of the 1970s. The issue closes with an article on the contemporary Belgian art collective maelstrÖm reEvolution.
In den Erinnerungen von Freunden und Bekannten an Begegnungen mit dem Dichter entsteht ein Bild von der Persönlichkeit Huchels. Zugleich wird ein Stück jüngster deutscher Literaturgeschichte rekonstruiert.
Despite the intense processes of deindustrialisation around the world, the working class continues to play an important role in post-industrial societies. However, working-class people are often stigmatised, morally judged and depicted negatively in dominant discourses. This book challenges stereotypical representations of workers, building on research into the everyday worlds of working-class and ordinary people in Russia's post-industrial cities. The urban life of workers in post-Soviet Russia is centred on the stories of local communities engaged in the everyday struggles that occur in deindustrialising settings under neoliberal neo-authoritarianism. The book suggests a novel approach to everyday life in post-industrial cities. Drawing on an ethnographic study with elements of arts-based research, the book presents a new genre of writing about workers influenced by the avant-garde documentary tradition and working-class literature.
A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.
This book offers an accessible critical introduction to the work of Graham Swift, one of Britain's most significant contemporary authors. Through detailed readings of his novels and short stories from 'The Sweet Shop Owner' (1980) to 'The Light of Day' (2003), Daniel Lea lucidly addresses the key themes of history, loss, masculinity and ethical redemption, to present a fresh approach to Swift. This study proposes that one of the side-effects of modernity has been the destruction of traditional pathways of self and collective belief, leading to a loss of understanding between individuals about their duties to each other and to society. Swift's writing returns repeatedly to the question of what we can believe in when all the established markers of identity - family, community, gender, profession, history - have become destabilised. Lea suggests that Swift increasingly moves towards a notion of redemption through a lived ethical practice as the only means of finding solace in a world lacking a central symbolic authority. ;
Shakespeare by McBean collects 300 images, many never before published, taken by the renowned photographer Angus McBean. Incorporating images from every one of Shakespeare's plays performed at the RSC, with some from the Old Vic, between the years 1845-62, it is a veritable who's who of the British stage. Richard Burton, Vivien Leigh, Robert Donat, Alec Guiness, Michael Redgrave, Peggy Ashcroft, Laurence Olivier, Edith Evans, Paul Scofield, Diana Rigg, Anthony Quayle, Charles Laughton, John Gielgud, Peter O'Toole and Dorothy Tutin are just some of the names that appear. Angus McBean was an exceptional talent, whether he was transforming the photography of rehearsals, inspiring the Beatles, or entertaining his admireres with his light-hearted espousal of surrealism in portraiture. In a career lasting half a century his influence can be seen in everything from advertising to pop culture.
Als kleiner Junge sah Stephen Hawking zu den Sternen hoch und fragte sich, was das Universum sei. Obwohl er nie Klassenbester war, schaffte er es mit seiner Neugier nach Oxford und Cambridge, auf die angesehensten Universitäten Englands. Außerdem entwickelte er eines der bedeutendsten wissenschaftlichen Konzepte des 20. Jahrhunderts: die sogenannte »Hawking-Strahlung«. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Künstlerin, Pilotin oder Wissenschaftler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen. Für welches Alter sind diese Bücher gedacht? Für Babys das perfekte Geschenk zur Begrüßung in eine Welt voller Träume! Und Eltern werden in schlaflosen Nächten von diesen Büchern dazu ermutigt, das Vorlesen zu einem selbstverständlichen Teil des Lebens zu machen. Kleinkinder werden von den Illustrationen verzaubert sein – sie werden zahlreiche Dinge entdecken. Auch sind die Bücher großartige „Vokabeltrainer“! 3- bis 5-Jährige werden alles, Illustrationen und Texte, geradezu in sich aufsaugen! 6-, 8- und 10-Jährige haben ein ausgeprägteres Verständnis für die Illustrationen und die Bedeutung der Geschichte – es geht nicht nur darum, sich selbst zu akzeptieren und die eigenen Zukunftsträume zu verwirklichen, sondern auch darum, andere so zu akzeptieren, wie sie sind. Später: Die Bücher sind gute Geschenke zu jedem Anlass, denn die Träume der Kindheit können das ganze Leben lang Wirklichkeit werden.
This study examines the profound changes that twentieth-century performance has wrought on Shakespeare's complex drama of war and politics. What was accepted at the turn of the century as a patriotic celebration of a national hero has emerged in the modern theatre as a dark and troubling analysis of the causes and costs of war. The book details the theatrical innovations and political insights that have turned one of Shakespeare's most traditional-bound plays into one of his most popular and provocative. Henry V gives details analyses of several important modern productions. Beginning with a consideration of the play's political significance in Elizabethan London, the book goes on the reveal its subsequent reinvention, both as patriotic pageant and anti-war manifesto. Individual chapters consider important productions by the Royal Shakespeare Company, and other British and North American companies, as well as the landmark film versions. A compelling account of the theatrical revolution that has transformed one of Shakespeare's most challenging plays. ;
This books traces the rise to prominence in the twentieth-century of a sub-genre of gothic fiction that is, emphatically, a horror of enlightenment rationality rather than gothic darkness, examining post-modern revisions of Modernist "Promethean" tropes in an eclectic range of gothic, fantasy and SF writing. Whether the subject be terror of London's churches in the psychogeographical fiction of Iain Sinclair and Alan Moore, the Orcs in the linguistic fantasies of J.R.R. Tolkien, King Kong, killer-computers, or demon-children in post-war British science-fiction, A Book of Monsters offers illuminating perspectives on the darker recesses of the post-modern imagination, setting out a compelling, and comprehensive, overview on our contemporary unconscious.
William Shakespeare wurde vermutlich am 23. April 1564 in Stratford-upon-Avon geboren. Seine schöpferische Sprachkraft und die meisterhafte psychologische Gestaltung seiner Charaktere begründen seine Bedeutung und seinen Ruhm als Dramatiker und Dichter. Werke wie König Johann, Ein Sommernachtstraum, Der Kaufmann von Venedig, oder seine Tragödien Hamlet, Romeo und Julia, Othello oder König Lear markieren Höhepunkte der Weltliteratur und sind von den großen internationalen Bühnen nicht mehr wegzudenken. William Shakespeare verstarb am 23. April 1616 in Stratford-upon-Avon. Thomas Brasch, Dichter, Dramatiker, Filmschaffender und Übersetzer, eine der markantesten Figuren der neuen deutschen Literatur, wurde 1945 in Westow/Yorkshire (England) als Sohn jüdischer Emigranten geboren. Bis zu dem Jahr, in dem er die DDR verließ (1976), lebte er in Ostberlin. 1977 erschien sein bekanntestes Buch, der Erzählband Vor den Vätern sterben die Söhne. 2001 ist er in Berlin gestorben.