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      • Trusted Partner
        April 2017

        Appreciation of BAI Juyi’s Works

        by Written by BAI Juyi Edited by TAN Zhenming Read by CAO Can

        This book incorporates 18 well-known articles by BAI Juyi—a poet of China’s Tang Dynasty. Each article comes with notes, appreciation and translation in modern Chinese. Readers can also listen to the recordings by scanning the two-dimension code of each article or poem.

      • Trusted Partner
        April 2017

        Appreciation of LI Bai’s Works

        by Written by LI Bai Edited by TAN Zhenming Read by SU Ming, PU Cunxin

        This book incorporates 17 well-known poems and articles by LI Bai—a poet of China’s Tang Dynasty. Each article comes with notes, appreciation and translation in modern Chinese. Readers can also listen to the recordings by scanning the two-dimension code of each article or poem.

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        The Arts
        January 2018

        The Flower of Evil: Illustration Art of Aubrey Beardsley

        by by Aubrey Beardsley Edited by Wei Junlin

        This title collects illustrations, posters, and design works of Aubrey Beardsley, the characteristic illustrator in the 19th century. It is the most complete collection of his works in China, edited by Mr. Wei Junlin, painter and researcher of Beardsley.

      • Trusted Partner
        June 2018

        Appreciation of LU Xun’s works

        by Written by LU Xun. Edited by WU Yue’e

        This book incorporates articles by LU Xun. Notes and appreciations are added to each poem. Readers can also listen to the recordings by scanning the related two-dimension code.

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        Literature & Literary Studies
        June 2018

        Appreciation of OU’YANG Xiu’s works

        by Written by OU’YANG Xiu. Edited by MAO Pengfei

        This book incorporates well-known passages by OU’YANG Xiu from Northern Song Dynasty. Notes and appreciations are added to each poem. Readers can also listen to the recordings by scanning the related two-dimension code.

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        Literature: history & criticism
        February 2017

        The Gothic and death

        by Series edited by Elisabeth Bronfen. Edited by Carol Davison

        The Gothic and death offers the first ever published study devoted to the subject of the Gothic and death across the centuries. It investigates how the multifarious strands of the Gothic and the concepts of death, dying, mourning and memorialisation ('the Death Question') - have intersected and been configured cross-culturally to diverse ends from the mid-eighteenth century to the present day. Drawing on recent scholarship in such fields as Gothic Studies, film theory, Women's and Gender Studies and Thanatology Studies, this interdisciplinary collection of fifteen essays by international scholars combines an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known. This area of enquiry is considered by way of such popular and uncanny figures as corpses, ghosts, zombies and vampires, and across various cultural and literary forms such as Graveyard Poetry, Romantic poetry, Victorian literature, nineteenth-century Italian and Russian literature, Anglo-American film and television, contemporary Young Adult fiction and Bollywood film noir.

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        Literature & Literary Studies
        May 2023

        Pasts at play

        Childhood encounters with history in British culture, 1750–1914

        by Rachel Bryant Davies, Barbara Gribling

        This collection brings together scholars from disciplines including Children's Literature, Classics, and History to develop fresh approaches to children's culture and the uses of the past. It charts the significance of historical episodes and characters during the long nineteenth-century (1750-1914), a critical period in children's culture. Boys and girls across social classes often experienced different pasts simultaneously, for purposes of amusement and instruction. The book highlights an active and shifting market in history for children, and reveals how children were actively involved in consuming and repackaging the past: from playing with historically themed toys and games to performing in plays and pageants. Each chapter reconstructs encounters across different media, uncovering the cultural work done by particular pasts and exposing the key role of playfulness in the British historical imagination.

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        Literature & Literary Studies
        September 2020

        Pasts at play

        by Rachel Bryant Davies, Barbara Gribling, Anna Barton

      • Trusted Partner
        April 2017

        Appreciation of MAO Zedong’s Works

        by Written by MAO Zedong Edited by ZHU Chuanshi, LIANG Yingchun Read by FANG Ming

        This book incorporates 30 well-known poems by MAO Zedong. Each poem comes with notes, appreciation and translation in modern Chinese. Readers can also listen to the recordings by scanning the two-dimension code of each article or poem.

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        Plays, playscripts
        November 2016

        The Tragedy of Antigone, The Theban Princesse

        by Thomas May

        by Edited by Matteo Pangallo. Series edited by Paul Dean

        Thomas May's The Tragedy of Antigone (1631), edited by Matteo Pangallo, is the first English treatment of the story made famous by Sophocles. This edition contains a facsimile of the copy held at the Beinecke Library of Yale University, making the play commercially available for the first time since its original publication. The extensive introduction discusses, among other things, the ownership history of existing copies and their marginal annotations, and of the play's topical political implications in the light of May's wavering between royalist and republican sympathies. Writing during the contentious early years of Charles I's reign, May used Sophocles' Antigone to explore the problems of just rule and justified rebellion. He also went beyond the scope of the original, adding content from a wide range of other classical and contemporary plays, poems and other sources, including Shakespeare's Romeo and Juliet and Macbeth. This volume will be essential reading for advanced students, researchers and teachers of early English drama and seventeenth-century political history.

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        Literature: history & criticism
        November 2016

        The Burley manuscript

        by Edited by Peter Redford. Series edited by J. B. Lethbridge

        England and the 1966 World Cup presents a cultural analysis of what is considered a key 'moment of modernity' in the nation's post-war history. Regarded as having an importance beyond its primary sporting purpose, the World Cup in England is examined within the complexity of the cultural, social and political changes that characterised the mid-1960s. Yet, although addressing the importance of non-sport related connections, the book maintains a focus on football, discussing it as a 'cultural form' and presenting an original perspective on the aesthetic accomplishment in football tactics by England's manager, Alf Ramsey. The study considers the World Cup in relation to the cup tradition, England as the World Cup host nation, the England squad and masculinity, the modernism of England's manager Alf Ramsey, design and commercial aspects of the World Cup, a critical engagement within existing academic accounts, and an examination of how England's victory has been remembered and commemorated.

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        Museums & museology
        November 2017

        Disturbing pasts

        Memories, controversies and creativity

        by Edited by Leon Wainwright

      • Trusted Partner
        December 2018

        The Complete Collection of Modern Chinese Prints by Lu Xun

        by Editorial Board of the Complete Works of Modern Chinese Prints Collected by Lu Xun

        This series contains about 1,800 modern prints collected by Lu Xun at that time, which authored by nearly 200 domestic printmakers and currently in the Lu Xun Memorial Hall in Shanghai and the Lu Xun Museum in Beijing. It is showcasing the glorious history of modern Chinese woodcut art: In the 1920s and 1930s, in order to guide the artistic direction of Chinese literary youth, smashed the KMT’s counter-revolutionary cultural " encirclement and suppression", Mr. Lu Xun held a "woodcut workshop" in Shanghai, and cultivated a group of emerging woodcut backbone. These backbones led young artists in various regions of the country to create a large number of realistic works reflecting the suffering and tragic fate of the people at the bottom of the society at that time. They cruelly lashed the dark reality of society and called for national salvation and survival. These young woodcutters sent their woodcut works to Lu Xun, who not only guided their creation personally, but also spared no effort to collect, publicize and promote them to the public. With the active advocacy and support of Mr. Lu Xun, the emerging woodcut movement in China has developed vigorously, driving the modernization of Chinese art and leaving an indelible glorious footprint in the history of Chinese modern culture and art. This complete collection is a companion to the The Complete Collection of Foreign Prints by Lu Xun published in 2014.

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        Literary studies: plays & playwrights
        May 2017

        An Humorous Day's Mirth

        by George Chapman

        by Edited by Charles Edelman. Series edited by David Bevington, Richard Dutton, Alison Findlay, Helen Ostovich

        George Chapman is known today as a translator of Homer and as the author of dark tragedies such as Bussy D'Ambois. An Humorous Day's Mirth was one of the most popular plays of the Elizabethan era. Not only was it the Rose Theatre's greatest box-office success of 1597, it also presented an entirely new type of comedy, one that has profoundly influenced comic writing up to the present day. This play is the English theatre's first 'comedy of humours', in which the attitudes, behaviour, and social pretensions of contemporary men and women are satirised. Charles Edelman's is the first fully annotated, modern spelling edition of this long-neglected play. In his extensive introduction and commentary, Edelman discusses the intellectual, philosophical and theatrical background, and shows that the play would delight the readers and audiences of today as much as those in 1597.

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