The publishing programme at Royal Collection Trust aims to create the highest-quality books, exhibition catalogues, guides and children's books to celebrate the royal residences and the works of art found within them. Our list includes beautifully produced printed books, apps and online catalogues and symposia. We also publish scholarly catalogues raisonnés, which demonstrate the highest standards of academic research.
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Global Collective Publishers, based in Philadelphia, Pennsylvania, is an independent publisher whose mission is to provide a platform for voices from around the world, crossing the borders of language, culture, religion, and gender, and to create a space where diverse communities can share and exchange stories that express their individual and shared sense of humanity through a variety of literary genres in fiction and non-fiction. In a world that feels increasingly more alienating, it is our aim to work towards dispelling the fear of the other and stand against literature of hatred, embracing the shared human experience in its myriad textures and voices through a curiosity-driven life. Global Collective is committed to publishing across a diverse landscape of fiction and non-fiction, in the areas of religion and spirituality, personal growth and self-transformation, gender and LGBT+ studies, social awareness, art and cinema. Global Collective takes to heart Booker Prize winner Ben Okri’s assertion that “stories can conquer fear… they can make the heart bigger.”Global Collective Publishers seeks unique and extraordinary literature that satiates our desire to gain a deeper understanding of the world around us and to discover points of commonality amongst our differences where words have no borders.
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This series contains about 1,800 modern prints collected by Lu Xun at that time, which authored by nearly 200 domestic printmakers and currently in the Lu Xun Memorial Hall in Shanghai and the Lu Xun Museum in Beijing. It is showcasing the glorious history of modern Chinese woodcut art: In the 1920s and 1930s, in order to guide the artistic direction of Chinese literary youth, smashed the KMT’s counter-revolutionary cultural " encirclement and suppression", Mr. Lu Xun held a "woodcut workshop" in Shanghai, and cultivated a group of emerging woodcut backbone. These backbones led young artists in various regions of the country to create a large number of realistic works reflecting the suffering and tragic fate of the people at the bottom of the society at that time. They cruelly lashed the dark reality of society and called for national salvation and survival. These young woodcutters sent their woodcut works to Lu Xun, who not only guided their creation personally, but also spared no effort to collect, publicize and promote them to the public. With the active advocacy and support of Mr. Lu Xun, the emerging woodcut movement in China has developed vigorously, driving the modernization of Chinese art and leaving an indelible glorious footprint in the history of Chinese modern culture and art. This complete collection is a companion to the The Complete Collection of Foreign Prints by Lu Xun published in 2014.
This book is an excellent photography collection of "Mysterious Xiangxi" Top 100 Tourism Photographic Places. The book contains 100 best photographic spots in western Hunan (Fenghuang County, Jishou City, Yongshun County, Longshan County, Guzhang County, Huayuan County, Luxi County, Baojing County) selected in this event. Each photo is presented with a brief description to the content of the photo, highlighting the history, humanities, and natural beauty of western Hunan.
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The book intends to include 106 fine works of Mao Zedong's works in the collection. Among them, "Selected Works of Mao Zedong" before the founding of the People's Republic of China (23 types), books edited by Mao Zedong (3 types), Mao Zedong's private collection (2 types), Mao Zedong's single books (18 types), and others (58 types). The method is based on pictures and text descriptions. Descriptive content includes titles, authors, publications, forms, and other items. Explain as much as possible the book content and external characteristics.
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Based on ancient classical poetry and modern computer technology, the classical tablet cursive style of the past dynasties is collected in more than 2,000 calligraphy works. It strives to unify the style, smooth the lines and various forms of chapters, which can not only be directly copied by calligraphy lovers, but also provide references for their calligraphy creation, integrating calligraphy and literary value. This collection is a collection of the series of "Classic Tablet scriptions Collection of Writing Blueprints", the content is divided into "Vegetable Root Tan", "Small Window You", "human words", "Literary heart Carving dragon", landscape poetry, patriotic poetry, immortal poetry, painting poetry, calligraphy, painting, essay, "New words of the world", legal poetry, quatrains, Song Ci, Qu Fu essays and other articles, respectively in the form of running script and cursive. It is a collection of 8 volumes. This collection is intended to be printed on better paper and the case case is designed to be portable for the convenience of purchasers.
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This is a collection of works on the theme of corporate culture. There are four chapters in the book: "Enjoy•Value", "Enjoy•Ecology", "Enjoy•Life", "Enjoy•Culture". The first chapter elaborates the development of Changsha Bank into a big, party building as the soul, management as the foundation, service as the key, love as the beauty, and technology as the first from the three dimensions of management, products and the future. It records the birth and development of Changsha Bank’s products Growth, imaginative business planning, etc.; Chapter 2 shows the steps of Changsha Bank to explore ecological banking, build a financial ecosystem, cross-border brand alliances, openness and win-win, compatibility and inclusiveness; Chapter 3 tells the story of employees' hard work, etc.; The fourth chapter presents the research results of the Changsha Bank’s Corporate Culture Construction Expert Advisory Committee.
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The genus Pinus is of great ecological and commercial importance and it is notable for its vast geographic range and the sheer area that its various species occupy. Its natural range is almost exclusively in the northern hemisphere, where it often forms the dominant vegetation cover. However, it is also of silvicultural significance in many countries in the southern hemisphere.Pines play an important role in the ecosystems of which they form part, and provide a valuable source of fibre, timber and other secondary products for human use. Worldwide, pines form a large part of the annual wood harvest and the immature plantation forests of the future. This reflects their amenability to cultivation, their broad site tolerances, and the ease of processing their wood for a multitude of end-uses.This book is compiled from 65 datasheets on pine from the Forestry Compendium Global Module (published by CABI on CD-ROM). For each species, there is information on common names, taxonomy, botanical features, natural distribution, latitude range, climate, soil properties, silvicultural characteristics, pests, wood and non-wood products.
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This series is a guide book tailored for art beginners, including gypsum geometry, gypsum head portrait, sketch still life, sketch portrait, sketch landscape, Yingtianqi sketch collection, Yingtianqi comprehensive materials and techniques altogether 7 books. Yingtianqi sketch Collection with hundreds of YingTianqi sketch works in the past 20 years, selected the best of them, edited and published a unique sketch collection. The book provides an appendix to Ying Tianqi's unique marker sketching techniques, as well as the painting process, the comparison between live photos and sketching works, and the author's own interpretation of his work. It can guide the learners to sketch some basic methods in a more comprehensive way, and cultivate the ability of the painter to deal with the picture. The contents of the works included in the sketchbook. It is composed of sketches of Xidi Village and Hui-style dwellings in southern Anhui province, combined with the author's foreign sketches. The works are rich in content and diverse in techniques, which have some intuitive and practical significance for beginners.
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Drawing on a wide range of archival sources, Karen Garner documents international women's history through the lens of the long-established Western-led international organisations that defined and dominated women's involvement in global politics from the 1925 founding of the Joint Standing Committee of Women's International Organisations up through the UN Decade for Women (1976-85). Documenting specific global campaigns in episodes that span the twentieth century, Garner includes biographical information about lesser known international leaders as she discusses important historic debates regarding feminist goals and strategies among women from the East and West, North and South. This interdisciplinary study addresses questions of interest to historians, political scientists, international relations scholars, sociologists, and feminist scholars and activists whose work promotes women's and human rights. ;
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Available in paperback for the first time, and drawing on a wide range of archival sources, Shaping a global women's agenda documents international women's history through the lens of the long-established Western-led international organisations that defined and dominated women's involvement in global politics from the 1925 founding of the Joint Standing Committee of Women's International Organisations up through the UN Decade for Women (1976-85). Documenting specific global campaigns in episodes that span the twentieth century, Garner includes biographical information about lesser known international leaders as she discusses important historic debates regarding feminist goals and strategies among women from the East and West, North and South. This interdisciplinary study addresses questions of interest to historians, political scientists, international relations scholars, sociologists, and feminist scholars and activists whose work promotes women's and human rights.
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Znak. Ukrainian Trademarks 1960—1980 is research by U, N, A collective (Uliana Bychenkova, Nika Kudinova, Aliona Solomadina) on the history of Ukrainian graphic design, in particular, on the area of corporate identity during the period of Thaw, Stagnation, and Perestroyka. Visual and textual narratives coexist in the book, as this type of material needs not only visual but also textual support. They address the given subject in the wider chronological order: from the 20th century avant-garde to the present. Most importantly, the publication focuses on the Kharkiv school of industrial graphics and the accomplishments of Volodymyr Pobiedin. The publication displays archive materials, identifies the names, describes the processes and highlights the influences in Ukrainian graphic design in the local and global contexts.
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Vorwort I Basis und Kontext des Schreibens Jürgen Ritte: Les écrivains à venir - Zur Rezeption der Zeitgenossen bei Proust Ulrich Meier: Proust und die Avantgarde Peter V. Zima: Psyche und Gesellschaft bei Proust - Zur Synthese von psychoanalytischen und soziologischen Methoden Horst Lederer: Kreatives Schreiben. Zur Psychologie der literarischen Ästhetik Ursula Link-Heer: Zwischen Ödipus und Anti-Ödipus. Bemerkungen zur psychoanalytischen Lektüre Prousts II Die Genese des Werkes Joseph Jurt: Politisches Handeln und ästhetische Transposition. Proust und die Dreyfus-Affäre Bernd Spillner: Prousts Stil zwischen Tradition und Kreation Bernard Brun: Warum Marcel Prousts Roman neu herausgeben? Henri Bonnet: Die Niederlagen des Marcel Proust III Für eine kreative Hermeneutik Luzius Keller: Literaturtheorie und immanente Ästhetik im Werke Marcel Prousts Dirk Kocks: Die Bildhauerei als Metapher in der Recherche. Zur Parallelisierung von Kreationsprozessen der Kunst und des Lebens bei Proust Volker Roloff: Lesen als »déchiffrement« - zur Buchmetaphorik und Hermeneutik bei Novalis und Proust Wolfgang Killen: Deutsche Proust-Bibliographie 1979-1982 Abkürzungen Namenregister
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This series is based on the spirit of the "Opinions of the Ministry of Education on Cultivating and Practicing the Socialist Core Values and Further Strengthening Moral Education in Primary and Secondary Schools", and the requirement for the Ministry of Education of "continuously strengthening and improving moral education in universities, middle and primary schools" stipulated in the "2017 Work Points of the Ministry of Education", and prepared under the guidance of "Hunan Campus Reading Project". This series advocates spiritually moral education; trying to stand on the people-centered position, it selects 12 themes, to take care of the students' spiritual growth from different aspects. Its content covers both socialist core values and traditional values such as "Benevolence, Righteousness, Courtesy and Wisdom: in traditional culture; it is a set of extracurricular readings for comprehensive counseling for teenagers' spiritual growth.
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