Estonian Children's Literature Centre promotes children’s literature at home and abroad, initiate literary projects, organise illustration exhibitions and participate in large-scale literature events and international book fairs.
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This is the first book-length history of the classic French children's author, the comtesse de Ségur. Virtually unknown in the English-speaking world, in France Ségur is a national icon and a cultural phenomenon. Generations of children have grown up reading her stories. This book combines a discussion of her life, her works, and their reception with a broader analysis of the cultural context of the mid-nineteenth century. It offers a unique insight into the political engagement of Catholic women through the medium of children's literature and education, and brings out new aspects of the history of publishing aimed at children, with particular reference to the market for books for girls. With its lively subject matter and accessible style, this book will appeal not only to scholars of nineteenth-century France, but also to specialists and students interested in the fields of children's literature, gender studies, and religious history. ;
“Cousin Arrived" is an anthology of short stories. The story involves family love and friendship, as well as the children's little confusion when facing growth. This book contains small stories such as "Mysterious Mascot" full of spiritual inspiration, "Little Brother's Green Manor" that encourages children to choose their own growth path and etc. For children facing their own challenge of growth, this is a good interpretation book of mood and emotions that accompanies children’s growth.
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Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
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The work of the famous American-Ukrainian Slavologist and Ukrainian scholar Hryhoriy Hrabovych interprets the history of Ukrainian literature in several main ways: theoretical, comparative, immanent and historiographical. The book includes his studies, essays, and polemics written over the years. They were mainly produced in times of a sharp confrontation between official Soviet and Western approaches to literary studies. Today, after Ukraine gained its independence, there is an urgent need for a thorough reassessment of various scientific traditions and paradigms as well as a review of the canon of Ukrainian literature, its histography and methodology. The vast majority of these works were published in English or in sources unavailable for the Ukrainian reader, including specialist researchers. This edition can significantly reorient our understanding of the history of Ukrainian literature and enable a rethinking of Ukrainian cultural and intellectual processes.
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This collection of poems chosen and translated by Yu Kwang-chung, the poet himself, covers over eighty poems from 1958 to 2014. Unlike other poetry anthology, the poems in Night Watchman have been handpicked by the author personally. It includes classic works like Nostalgia, Jadeite Cabbage, Four Songs of Nostalgia, A Tug of War with Eternity, On the Rivers and Lakes, etc. and poems in different styles which have never beenpublished in the mainland before. These works, translated into English by the author，combine the charm of classic Chinese literature and the spirit of modern western literature, and embody the sound interaction between writing and translating.
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The story in the book happens deep inside the Daxing'anling mountains. For thousands of years, the Ewenkis made living by hunting and raising reindeer in the vast forest. They raised ferocious dogs to assist in hunting and camp guard. As time goes by and the world changes, the Ewenkis today are no longer hunting and the bloodline of their hunting dogs has ended. Instead, the tall, ferocious Mongolian shepherds who are able to chase away and kill wolves become the new camp guard responsible for protecting the reindeers. They drive off bears coveting the camp and grow into real bear chasers. Blackcrane is one of the few children's book authors who come from minority groups in China, which makes him special in China's literati. His works always offer a glimpse into "the call of the wild" from the forest in the north of China. In this original full-length children's novel published for the first time, Blackcrane not only focuses on the beauty of wildlife but also emphasizes the emotional connections between humans and animals, allowing children to not only be nourished by literature but gain authentic and accurate information on the broadness of nature.
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This book is a reference for children's drawing, which is somewhere between formal drawing and stick figure drawing. From the time children learn to talk, they like to play with things by themselves. They are interested in everything and want to try it and touch it. They feel especially happy when they pick up the pen and smear it on the paper, drawing colorful lines and images.
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This book is a collection of short and medium works in the series, including short and medium stories, short and medium reportage, prose, poetry and children's literature. These works are rich in the characteristics of the times and the breath of life. They show the moving deeds of Hunan's targeted poverty alleviation and targeted poverty alleviation, and demonstrate the spirit of people's struggle towards a well-off society. The theme is clear and prominent, the tone is positive, portraying and praising the most beautiful people and typical models participating in poverty alleviation and development, praising the true feelings of the world and transmitting positive social energy.
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Seeing the World on a Fish is author's first children literature which created by Sheng Keyi. The author recalls his childhood with 60 pictures and 60 short essays, presenting the world of a kid's mind. In these 60 short essays, author uses calm way to lay out a series of shining moments, depicts a scene full of childlike life represented by "Grapes are sweet", "Pumping the gyroscope" and "Rolling the iron ring", which depict The works represented by "Eating loofah, thinking of dad", "Listening to grandpa tell stories" and "Giving dad a massage" show the strong affection of family, which makes people moved and cry.
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This collection brings together scholars from disciplines including Children's Literature, Classics, and History to develop fresh approaches to children's culture and the uses of the past. It charts the significance of historical episodes and characters during the long nineteenth-century (1750-1914), a critical period in children's culture. Boys and girls across social classes often experienced different pasts simultaneously, for purposes of amusement and instruction. The book highlights an active and shifting market in history for children, and reveals how children were actively involved in consuming and repackaging the past: from playing with historically themed toys and games to performing in plays and pageants. Each chapter reconstructs encounters across different media, uncovering the cultural work done by particular pasts and exposing the key role of playfulness in the British historical imagination.
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The sudden new type of coronavirus pneumonia has caused tensions in the whole society. Schools and kindergartens have postponed the opening of school, and children are locked at home and cannot go out. This will have a huge impact on children's psychology and even trauma. Dr. Yan Hu, a well-known expert on children's psychological painting, suggests that parents use the form of children's psychological painting to help children communicate with their parents, understand relevant knowledge, relieve stress, regulate emotions, and cultivate a healthy personality. This book is well-documented and suitable for parents and children aged 3-9. This book is very practical. Children can pick up the paintbrush and express themselves under the guidance of this book.
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"Twelve Lectures on Modernist Literature" is a review and appreciation of the main modernist literary schools in the 20th century made by the literary critic Liu Qinghua. This book outlines the formation, development, ideological origins, theoretical foundations, and ideological and artistic characteristics of modernist literature. It is divided into eleven topics, respectively, on symbolism, stream of consciousness novels, futurism, expressionism, and surrealism. , Existentialism, Beat Generation and other genres have done systematic research and exposition, and at the same time analyzed and commented on representative writers and works of each genre. For literature lovers and researchers at home and abroad, this book is a rare desk book.
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The Divine Power of Emperor Shun was recounted by ancient children's literature writer Zhou Jing and contemporary painter Gu Zengping, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. This book mainly tells the story of Emperor Shun's growth journey, and writes Shun's magical power full of blessing and good luck. As a mythical story, there are naturally some fantasy elements in these realistic life stories and emotions, combined with the imaginary birds and golden dragons.
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This book is a classic campus literature of Mrs. Qin Wenjun. Lili in the book has a cool steel helmet hairstyle, so everyone calls him "Lili the steel helmet", he is a funny little boy, with sincere feelings and reckless motivation, as well as endless creativity, extraordinary destructive power and strong curiosity. He always feels that he is a great little man. The girls should be like kitten, in need of a boy like him to protect them. There are always some interesting things happening around him, so he can't stop worrying all the time. The book is humorous and filled with childishness.
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Ukrainian literature of the 19th century was far more exciting and diverse than one might imagine. Mykhailo Nazarenko's anthology contains one hundred and fifty texts that are not known or very little known to the modern reader (some of them are reprinted for the first time after 150 years of oblivion). These texts help to understand Ukrainian literary movement in a wider context. The compilation starts with the "The Song of the Black Sea Army" by Anton Golovaty. This novel precedes the famous "Aeneid" and marks the beginning of the printed literature "in the contemporary Ukrainian language". "It is not time..." by Ivan Franko is the last one in the compilation and describes further evolution of the independent Ukrainian literary word. The compilation also contains fifty essays about each of the authors: why did they write in a particular that way and about what? Why did some turn out to be forgotten, while others are remembered for their works?
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Huangdi Catches the Beast was recounted by children's literature writer Zhou Jing and contemporary painter Pang Xianjian, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. This book starts from the traditional myth story of Huangdi warred Chiyou, examines this myth story from the perspective of modern values, and raises the question of whether various lives matter to different extent. The ups and downs of the fate and value of a beast go through the story, illustrated with rich picture details and harmonious colors.
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Kuafu Chased the Sun recounts ancient myths by children's literature writer Zhou Jing and contemporary painter Ye Xiong, the latter recarving stories and characters in the style of Chinese ink painting. The integration of the poetry of the text and the richness of the paintings is a wonderful interpretation of ancient myths, expressing the unique Chinese charm and Chinese spirit. Kuafu Chased the Sun is a classic Chinese myth that every child should know. In this book, Kuafu is brave and fearless, passionately loving nature from his heart, and devotes all his energy to pursuing his dreams, and finally gains lightness and happiness like never before. Through the interpretation of the author and the painter, the story became vivid on the paper.
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Herbs Shennong was recounted by children's literature writer Zhou Jing and contemporary painter Chen Yunxing, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. This book tells the story of Shen Nong tasted hundreds of herbs for medicine, one of the classics in ancient Chinese mythology. Through clear and beautiful narratives, this book portrays the image of the tribal leader full of wisdom and selfless love. The story condenses the legendary Shennong's main deeds for the benefit of mankind, such as making puppets, growing grains, making pottery, and setting up markets.
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Ten Suns was recounted by children's literature writer Zhou Jing, and contemporary painter Chen Yunxing re-engraving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the thickness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. The story in this book can be regarded as the prequel to the story of Houyi Shot Suns. The main story is why the ten suns appeared in the sky together. The author had a bold imagination and depicted the curiosity and naughtiness of the sun brothers. The story of Houyi was written through the surrival and death of the ten suns in the sky. This angle is novel and full of childlikeness.
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Fuxi was recounted by ancient children's literature writer Zhou Jing and contemporary painter Wu Haijia, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. The story of this book is an in-depth description of the mythical figure of Fuxi, and unfolds the legendary Fuxi's contribution to humanity. The book tells the stories of Fuxi started making fire, portray, and divination, fishing with nets, breeding, singing, and dancing, etc. Using repeated techniques, the author applies the poetic deconstruction of traditional elements in the book. By depicting the image of Fuxi, the book celebrates the creativity and self-improvement of the Chinese nation.
