Iron Bridge Publishing
Iron Bridge Publishing is a new independent & hybrid publisher with a mission to spread positive and constructive ideas.
View Rights PortalIron Bridge Publishing is a new independent & hybrid publisher with a mission to spread positive and constructive ideas.
View Rights PortalBabel-Bridge specialises in translation rights representation world-wide on behalf of publishing houses and agencies. At Babel-Bridge, every single book is carefully selected for its potential ability to travel, be it for its universal theme, its commercial hook or stunning artwork, or indeed all three. Babel-Bridge represents mainly books from the Nordics and the UK, but we wish to grow the portfolio to include beautiful books that tick the aforementioned boxes from other corners of the world. To that end, Babel-Bridge will rely on close collaboration with subagents, who are strongly placed to identify the books that are most likely to travel, but where the rights holder lacks the network abroad.
View Rights PortalThe book offers interdisciplinary analyses of the impact of Brexit on the rights of EU27 citizens in the UK, Britons in the UK and the EU, and third-country nationals. It combines a historical examination of citizenship and migration between the UK, Europe and the Commonwealth with the analysis of policies and of the experiences of the different groups impacted by Brexit. The book discusses Brexit within the larger history and dynamics of UK and EU citizenship and migration. The individual chapters look at how Brexit is transforming the citizenship rights of different groups, including issues of loss of citizenship and experiences of naturalisation. They further examine the fears of the groups impacted, and larger issues of belonging, marginalisation, political orientations and mobilisations that cross legal status, nationality, ethnicity, race and class.
A bride more beautiful than beautiful under her beautiful umbrella. And here is Djénabou dreaming, dreaming of the day when, in turn, she will have a beautiful red shirt over her indigo loincloth!
More than two years of pandemic is more than two years of corona clutter. Only a staggering level of helpfulness, improvisation and flexibility prevented the healthcare system from collapsing completely. In this highly topical book, pharmacist Simon Krivec tells of his incredible experiences and the stormy ups and downs of pandemic madness, missing masks and disinfectants, and the feeling of having been totally abandoned by a helpless state. We learn, for instance, of the short-term procurement of large quantities of ethanol and the transportation of the highly flammable substance, and just what lured the author – and 71,400 euros in cash – to visit the port of Neuss at night.
John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
The "principle of intervention" is a detective story, a drama, a comedy, and a funny, touching story. It tells us about Stanislava, whose only support is work. The pure cold reason, logic, and mathematics. It is her safe space, the world where she sets her own game rules and feels safe. Suddenly she gets an offer she can't reject, but she can't accept it because it is strange, illogical, and dangerous. And yet, the associate professor of the department of higher and applied mathematics becomes a cook. She spent seven days in the city of her childhood, from which she once flew out in a traffic jam and vowed never to return. At least this week's task is to infiltrate the wedding and ensure that the bride is alive, to find and punish the murderer.
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
In order to save his friends and family from the horrible miseries, Prince decides to go inside the mysterious long lane with the company of the wolf who claims that he is the messenger of Prince’s father. The world behind the mysterious long lane is out of imagination, Prince is too young to deal with all of the dangerous situations, and he is almost turned into a dog as what his friends has experienced. Although the wolf has saved Prince, the situation the wolf confronts goes worse. However, Prince endures all with his resilience, bravery and his love for his friends and family, he finally finds out that all of the terrible things are originated from a curse of a corpse bride. The place she died at is exactly where Prince’s house is located. With the help of all of his animal friends and the wolf, Prince goes inside the mysterious long lane again to break the curse. Finally, all of the curses are eliminated. All of Prince’s friends turn to be humans again, and Prince thrillingly finds out that the wolf is actually his father, and mother is one of the animals among his animal friends; they support Prince all the time with their selfless love. Life eventually goes back to the right track. Bravery, love and trust will always prevail.
This collection tells the story of Thomas Becket's turbulent life, violent death and extraordinary posthumous acclaim in the words of his contemporaries. The only modern collection from the twelfth-century Lives of Thomas Becket in English and features all his major biographers, including many previously untranslated extracts. Providing both a valuable glimpse of the late twelfth-century world, and an insight into the minds of those who witnessed the events. By using contemporary sources, this book is the most accessible way to study this central episode in medieval history. Thomas Becket features prominently in most medieval core courses. This book allows the subject to be taught as never before, and is highly suitable as a set text.
The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.
In den Erinnerungen von Freunden und Bekannten an Begegnungen mit dem Dichter entsteht ein Bild von der Persönlichkeit Huchels. Zugleich wird ein Stück jüngster deutscher Literaturgeschichte rekonstruiert.