Stories Imagined was created to have a voice in woman's fiction. Writing about an age group of women who are on their second wind. Ready to take on the world how they see fit. The juggle and struggle of womanhood, sexuality, motherhood and coming back to self.
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Rights & Brands is a 360 licensing and publishing agency bringing Nordic rights and brands to a global arena. Starting from a strategic base in literature, art and design, R&B’s platform is built on knowledge, passion and people. Using all aspects of character representation and branding, from publishing and PR to licensing, merchandising and digital development, with a worldwide network of sub-agents and over 800 clients, R&B’s international insight and business capacity is unique.
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"Rat-a-tat, a little drum turns like a windmill faster and faster. Puff-a-puff, an old man blows a sugar figure harder and harder." As soon as Little Douzi’s grandpa shouts out, the lane is alive with kids coming out. With the passage of time, Litte Douzi grows up, while Grandpa gets old and sick. Little Douzi and Dad carries Grandpa's sugar load, and blows, kneads, pulls and cuts the sugar syrup. Then a sweet sugar figure warms the bleak autumn, cold winter and the sick Grandpa. Love will finally overcome all difficulties.
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Nurses encounter patients whose body image reality has been changed by disease, injuries or traumas on a daily basis. In a world where a flawless body is so highly valued, these patients may struggle to adapt to and accept these changes which can lead to body image disturbances. This handbook provides all those professionals caring for people with amputations, skin disorders, stoma, breast cancer and other diseases with information on the concept of body image and how to assess it, as well as describe possible symptoms and causes of body image disturbances and offers interventions to improve patients’ body image. Target Group: health scientists, geographers, doctors (epidemiologists).
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This interdisciplinary volume explores the role of images and narratives in different borderscapes. Written by experienced scholars in the field, Border images, border narratives provides fresh insight into how borders, borderscapes, and migration are imagined and narrated in public and private spheres. Offering new ways to approach the political aesthetics of the border and its ambiguities, this volume makes a valuable contribution to the methodological renewal of border studies and presents ways of discussing cultural representations of borders and related processes. Influenced by the thinking of philosopher Jacques Rancière, this timely volume argues that narrated and mediated images of borders and borderscapes are central to the political process, as they contribute to the public negotiation of borders and address issues such as the in/visiblity of migrants and the formation of alternative borderscapes. The contributions analyse narratives and images in literary texts, political and popular imagery, surveillance data, border art, and documentaries, as well as problems related to borderland identities, migration, and trauma. The case studies provide a highly comparative range of geographical contexts ranging from Northern Europe and Britain, via Mediterranean and Mexican-USA borderlands, to Chinese borderlands from the perspectives of critical theory, literary studies, social anthropology, media studies, and political geography.
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This remarkable study represents a completely original presentation of the language and imagery used by the Orangists in the critical period in the mid-seventeenth century Netherlands as they sought the restoration of the stadholderate in the person of the young prince William III. Stern argues that the Orangists had no desire for the prince to become a monarch, rather that they viewed the stadholderate as an essential component of the Dutch constitution, the Union of Utrecht, and fulfilling a key role as defender of the rights and privileges of the citizenry against an overwheening urban oligarchy. Source material is drawn not only from books and political pamphlets but also from contemporary drama, poetry, portraits, prints, and medals. This enables the author to examine the imagery used by the supporters of the House of Orange, in particular the symbols of rebirth and regeneration which were deployed to propagate the restoration of the stadholderate in the person of William III. ;
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In the modern Chinese painting circle, Chang Yu is a leader, once alternately refreshing the Chinese oil painting auction record. Painter Chang Yu has had ups and downs throughout her life, and insists on going her own way in art. He is recognized in the West as a world-class painter, a Chinese Modigliani, a painter who creates freely for his artistic beliefs and makes remarkable achievements. Chang Yu turned from the most familiar Chinese art to another brand new western art field, and constantly explored and pursued on the basis of Chinese painting, finally achieving Chang Yu's special painting style of simplicity and fluency. Chang Yu is an indelible Oriental pearl. Few books of Chang Yu are published in China. We popularize such art and publicize Chang Yu's achievements in the history of Chinese art in the 20th century.The series consists of 3 books. This book is a collection of Chang Yu's figure painting works, which contains more than 60 of his important and iconic figure works. Chang Yu's female body works are different from the expression Angle of nude paintings, and he uses the whole body outline of a naked woman to express the scenery in his mind. There are not many slim naked women in Chang Yu's works, but mostly plump and fat women. Quite the author "do not talk to people, alone in the dark" self-pity mode.
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— Analysis of how we view Europe's North and how this image emerged — An outsider's perspective on Nordic societies and their self image — Serves as an introduction into Northern European culture and society Our image of Northern Europe has been shaped by projections and desires in the long history of encounters: berserkers and war atrocities, bad weather, beautiful nature, stable political systems, social welfare, equality and prosperity, peacefulness, low corruption, hygge and Bullerby – all this is part of the Nordic narrative. But what about the religious, linguistic and ethnic homogeneity, what about the muchvaunted Nordic cooperation? How do politics "work" in the North? Why are Northern Europeans the happiest people?
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In 1998, Jicheng village in Yueyang became the first one that implemented "Pushing Over Embankments" system, a national priority project for ecological protection. Till today, the system has been put into practice for over 20 years. In this book, the author who cares about the local environment and has experienced this project tells us various touching stories in this process. Many stirring scenes and stories are vividly narrated to show the key role of this system in ecological protection project for Yangtze river basin.
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Techniques for Work with Plant and Soil Nematodes is an up-to-date, comprehensive book covering the practicalities of working with and studying soil and plant nematodes. Written by an international team of experts, this book is highly illustrated and provides thorough coverage of methods whilst allowing for relevant information to be located quickly. It includes the fundamental traditional techniques and new methodologies, covering: sampling; extraction; estimating numbers; handling, fixing, staining, mounting; culturing techniques; figure preparation, measurement and image processing; electron microscopy techniques; behavioural and physiological assays; and cytogenetic, biochemical and molecular biology techniques. This book is an essential resource for anyone involved in plant nematology needing to refer to a readily available methodology standard, including students of nematology and parasitology, university lecturers and researchers, diagnostic laboratories, and quarantine and advisory service personnel. It provides a much needed compendium of the spectrum of information needed to work with these microscopic organisms.
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This book explores the relationship between technology and social transformation in tourism, hospitality and gastronomy. It presents research and case studies, elaborating on benchmark practices adopted by tourism and hospitality professionals. In recent years, technology has transformed the tourism and hospitality industry; the chapters in this book cover areas such as guest experience and service quality, as well as operational areas such as housekeeping and waste management. Further social transformation in tourism is a result of drivers such as a growing interest in gastronomy and the use of social media; this is covered in the first part of the book. The second part outlines how communities may learn from these events. With contributions from academics, entrepreneurs, destination managers and government officials from the South Asia region, this book offers a real insight in to these areas of growing interest and provide a useful resource for those researching and studying within the areas of tourism development and hospitality.
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Best known for his partnership with Raphael, the engraver Marcantonio Raimondi (c. 1480-c. 1534) enabled Renaissance artists to disseminate their designs in print, advancing a revolution in visual communication that still reverberates in our own information age. Yet Marcantonio did more than render compositions by famous artists in the novel medium of engraving. The entries and essays in this catalogue, written by a group of international scholars and published to accompany the first exhibition of Marcantonio's work in over three decades, reveal the diversity of Marcantonio's oeuvre and the scope of his innovation as the leading printmaker of the Italian Renaissance. In-depth studies of Marcantonio's engravings expand our knowledge of his collaboration with Raphael, while also probing Marcantonio's creative response to the dynamic humanist culture in his native Bologna and later in Venice and Rome. Contributions also examine engravings by Marcantonio's 'followers' and consider the importance of his work to the history of print collecting.
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When a malevolent multinational arrives on our shores, familiar creatures like pontianaks, manananggals, rākṣasīs and ba jiao guis are forced out of their jobs. Some give in and sign up for mundane corporate life – but others would rather fight than join the broken-spirited hordes of the (desk)bound. Benjamin Chee’s comics and Wayne Rée’s prose intertwine in this collection to bring you familiar Asian mythology in an even more familiar setting: the realm of dead-end work, glass ceilings and truly hellish bosses.
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Passages: On geo-analysis and the aesthetics of precarity is a multi-genre and transdisciplinary text addressing themes such as colonialism, nuclear zones of abandonment, migration control regimes, transnational domestic work, the biocolonial hostilities of the hospitality industry, legal precarities behind the international criminal justice regime, the shadow-worlds of the African soccerscape, and immunity regimes related to the COVID-19 pandemic. This book invites inquiry into today's apocalyptic narratives, humanitarian reason, and international criminal justice regimes, as well as the precarity generated by citizen time and 'consulate time'. The aesthetic breaks emerging from the book's image-text montage draw attention to the ethics of encounter and passage that challenges colonial, domestic, and nation-statist sovereignty regimes of inattention.
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A journey to the Italian cinema that overturns established views and opens up new perspectives and interpretations. Its itinerary is organized in four stages. The first is an analysis of the theories of Cesare Zavattini on neorealism which overturns widely accepted positions both on Zavattini and on neorealism. The second confronts a key film of the post-war Italian cinema, Roberto Rossellini's Paisà, by examining the nature of its realism. The third is dedicated to Luchino Visconti: to questions of the use of language exemplified in his La terra trema, the use of settings, costume and light as agents of meaning in his Il Gattopardo and Vaghe stelle dell'Orsa. The final voyage of the film is to the physical and symbolic construction of heaven and earth in the work of Pasolini. Particular attention is given to the representation of the body in his last four films: the grotesque and mythical bodies in popular tradition in his Trilogia di vita and the tortured bodies destroyed by the mass media in Salò.
