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We present during this event a handful of authors who appeared on our show, and who have expressed an interest in selling the international rights to their work.
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This novel is the account of a legendary country girl Xiumi in the early days of the National Revolution. In her eyes, the revolutionary Zhang Jiyuan stands for this mysterious world; to Zhang Jiyuan, the existence of this beautiful girl whom he secretly loves shatters his revolutionary belief. The secret love between these two quickly develops but comes to an end with the elimination of the revolutionaries and the sudden death of Zhang Jiyuan. Xiumi is abducted by bandits on her way to get married. She is taken to a small island in a lake in a remote village. After she reads the diary left behind by Zhang Jiyuan, she understands the true motive of the revolutionaries in establishing a world of universal harmony.
The author explores answers to these questions: What kind of law can effectively respond to the actual needs to construct a fair and orderly society? With a vast expanse of rural areas different from the urban areas, what should China do to deal with its basic judicial system for the rural society? Just like Mr. Fei Xiaotong, the pioneering sociologist and anthropologist, Professor Su Li stayed in the countryside, studied the rule of law at the grassroots level and solved practical problems, thus making his contribution in law for the grassroots people. This book presents ideas that are quite new and subversive to Chinese intellectuals who are accustomed to the principles of Western jurisprudence, and has aroused heated debate in China’s jurisprudential circle since its publication.
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Latest work by Chinese Borges. 2016 China National Book Award. The gradual transition, conflict and confusion between the rural and urban China. Ru Li Zhao is a simple yet scenic village in Jiangnan, known as the ancient home of wealthy and distinguished families. From the perspective of a youth, this novel recorded the town’s gradualchange from simplicity to complexity. Depicting individual fate and town crises, the story spans for more than a half century, revealing its possible future. As “Avant-garde” author, Ge Fei attempts to explore new ways of narration. Following “native China” facing extinction, Looking Forward to Spring Breeze grants a new perspective on the ethics and historical development of modern villages.
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The Homeland Picture Book Series·My Hometown Shibadong is written by the famous children's books writer, Ms. Tang Sulan. This book is about the changes of the Shibadong Village in the form of fairy tale that is popular among children. Young painter Yang Fei is invited to paint the landscapes, people and their lives in watercolor. A long time ago, a little bird brought a seed from faraway and left it on the land of Shibadong Village. The seed grew a pear tree and offered sweet fruit to the villagers during hundred years, but also witnessed the separation. The tree comforted the children and old people with its own fruit. Until one day, the village has changed, lucid waters and lush mountains have become invaluable assets.
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This is a very realistic original picture book. The author turns his attention to the northwest of China, where strong winds and sands dominate the sky, and tells a touching story that depicts the scene that "when the sand advances, humans retreat; when humans advance, the sand retreats." The hero of the book is a boy called Shawa, who is good friends with the magpies on a white poplar. He has been curious about the magpies' nest and wanted to know what it looks like inside, but he has never had a chance. Finally, his curiosity is satisfied after the white poplar is destroyed by a sandstorm and then falls. Surprisingly, there is water, the source of life, inside the nest where magpies fly away and their eggs are broken. Nature gives Shawa a life lesson with its double face of tenderness and grimness. The book, with its concise and powerful narrative and liberal painting style, integrates paintings with texts, in which the scenery of the northwest, the mighty power of nature, and the simplicity and warmth of personal relationships have all been vividly expressed. It makes readers consider the relationship between humanity and nature from a small but large perspective: humans are both small and great in a harsh natural environment. Only by respecting nature and learning to live in harmony with nature can we have a peaceful and happy life. This book is a beautiful hymn to nature and humanity.
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This unique picture book is a creation of Khrystyna Lukashchuk, a well-known Ukrainian author and artist recognized as one of the best illustrators of independent Ukraine. From the emergence of Ukraine through its darkest times to its final victory over evil, A Tale Of Light allows us to find answers to dramatic questions: how can we explain to children why there is a war in their country? Why can not the enemy leave the Ukrainian land in peace? What will help us to defeat the enemy for good? The profound symbolic images that the author recreated will guide the readers along their journey. Ukrainians have been tapping into them for long times to find a source of harmony and internal strength – they are a powerful source of Light sustained by Ukrainian history, culture, and language. No enemy, however big or conniving, can destroy this Light. From 3 to 6 years, 719 words Rightsholders: bondarenkosvetlak@gmail.com
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Half of the Quilt(Picture Book Edition) is based on the movie Heart for Heart (produced by Xiaoxiang Film Group and directed by Meng Qi). In October 1934, the fifth anti-encirclement failed, the Central Red Army evacuated the Soviet Union and began the Long March. The Red Army field hospital was bombed by enemy planes and suffered heavy casualties. Dong Xiuyun, a female soldier who stayed at the field hospital to look after the wounded, decided to take the wounded with her and chase the troops. Dong Xiuyun took in the soldiers of the various units who were left alone along the road, forming a special team. After the team came to Shazhou Village, the three female Red Army lived in Xu Xiexiu's house. When parting, Dong Xiuyun cut the only one quilt in half to Xu Xiexiu. This book nourishes the young people's spiritual world with red culture, inherits the red gene, and allows the spirit of the Long March to be passed on from generation to generation among children.
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Half of the Quilt(Youth Edition) is based on the movie Heart for Heart (produced by Xiaoxiang Film Group and directed by Meng Qi). In October 1934, the fifth anti-encirclement failed, the Central Red Army evacuated the Soviet Union and began the Long March. The Red Army field hospital was bombed by enemy planes and suffered heavy casualties. Dong Xiuyun, a female soldier who stayed at the field hospital to look after the wounded, decided to take the wounded with her and chase the troops. Dong Xiuyun took in the soldiers of the various units who were left alone along the road, forming a special team. After the team came to Shazhou Village, the three female Red Army lived in Xu Xiexiu's house. When parting, Dong Xiuyun cut the only one quilt in half to Xu Xiexiu. This book nourishes the young people's spiritual world with red culture, inherits the red gene, and allows the spirit of the Long March to be passed on from generation to generation among children.
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International Division of the Young Communist Party is a long novel about young people's growth created against the historical background of the establishment and development of the Young Communist International Division of the Chinese Workers and Peasants Red Army during the Second Domestic Revolutionary War. The work is in four volumes, using a combination of reality and fiction, with the growth of fictional teenage heroes such as Yin Jie as the main line, interspersed with Chen Guang, Xiao Hua and other typical characters of the International Division of the Young Communist Party, to tell the glorious revolutionary history of this period. These teenage heroes were enthusiastic, resourceful, brave, decisive and righteous, and made outstanding contributions to the cause of national and ethnic liberation.
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International Division of the Young Communist Party is a long novel about young people's growth created against the historical background of the establishment and development of the Young Communist International Division of the Chinese Workers and Peasants Red Army during the Second Domestic Revolutionary War. The work is in four volumes, using a combination of reality and fiction, with the growth of fictional teenage heroes such as Yin Jie as the main line, interspersed with Chen Guang, Xiao Hua and other typical characters of the International Division of the Young Communist Party, to tell the glorious revolutionary history of this period. These teenage heroes were enthusiastic, resourceful, brave, decisive and righteous, and made outstanding contributions to the cause of national and ethnic liberation.
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International Division of the Young Communist Party is a long novel about young people's growth created against the historical background of the establishment and development of the Young Communist International Division of the Chinese Workers and Peasants Red Army during the Second Domestic Revolutionary War. The work is in four volumes, using a combination of reality and fiction, with the growth of fictional teenage heroes such as Yin Jie as the main line, interspersed with Chen Guang, Xiao Hua and other typical characters of the International Division of the Young Communist Party, to tell the glorious revolutionary history of this period. These teenage heroes were enthusiastic, resourceful, brave, decisive and righteous, and made outstanding contributions to the cause of national and ethnic liberation.
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International Division of the Young Communist Party is a long novel about young people's growth created against the historical background of the establishment and development of the Young Communist International Division of the Chinese Workers and Peasants Red Army during the Second Domestic Revolutionary War. The work is in four volumes, using a combination of reality and fiction, with the growth of fictional teenage heroes such as Yin Jie as the main line, interspersed with Chen Guang, Xiao Hua and other typical characters of the International Division of the Young Communist Party, to tell the glorious revolutionary history of this period. These teenage heroes were enthusiastic, resourceful, brave, decisive and righteous, and made outstanding contributions to the cause of national and ethnic liberation.
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The first and the most diverse edition of the selected works of the famous poet, laureate of the Shevchenko National Literary Prize of Ukraine collected under the title “The Window that Flies”. It includes all the best that was written by the author on the eve of his sixtieth birthday. The ancient world of native mythology and fairy tales comes to life in the work of the most prominent post-sixties poet Vasyl Holoborodko. Probably, this search for something nationally specific, which stretched on for years continues to this day.
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The General History of Clothing holds a large time span from the ancient Shang and Zhou Dynasties to the present, and the splendid clothing culture of China appears on the scroll of three meters. The scroll is designed to present on both sides. The front side shows the features of different clothes in different ages with the history of its handcraft, color blending, accessory and military. The back side shows the clothes features of each of china’s 56 nationalities. The Readers can lead the children to appreciate different culture charm and nourish the children’s cultural confident by researching different clothes.
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The General History of China holds a large time span from the ancient age to the present. It also holds a large space span from the transition of the territory, the transition of different dynasties, evolution of characters and the famous architecture in different periods to historical event, historical battles ,historical figures and locations. The book places the history of China in the global dimension by combining the significant events taking place in the world with the time axis and the concept of family, country and world. Its content includes many fields of society, politics, life, culture, technology and military. China’s history of 5000 years totally presents in the long scroll of 2.4meters. Following the paper and plots of time and space, the readers will learn the greatness and prosperity of China in the global view. The readers will feel the pulse of the history and experience the features of different dynasties.
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May the Loveforce Be With introduces a new lineage in energy healing, Kali-Ki ReikiTM, that was revealed to the author, Joni Dittrich, Ph.D. (Rajashree Maa), in a series of mystical encounters with the Divine Mother appearing as the goddess Kali Maa. The book brilliantly tells the stories of these encounters and presents the healing symbols that She revealed, explaining how these symbols can be used both for mind-body healing and spiritual awakening, or what Rajashree Maa calls "wisening." While traditional reiki systems also use symbols to transmit healing energy, the symbols introduced in Kali-Ki Reiki are seen as unique, three-dimensional, active, intelligent forms of light that tap into certain universal energy frequencies that are particularly attuned to the evolving conscious awareness as well as the personal and societal dilemmas of our current times. The fact that these symbols were revealed by Divine Mother to a woman in this era points to a need in today's world to re-establish our connection with the feminine forces of nature and spirit. The healing energy transmitted through these symbols is called Loveforce, which is considered to be the manifesting, creative, and healing power of the Limitless Love that is the Source of all that is.
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As the Chinese saying goes, "mothers-in-law and daughters-in-law are natural enemies". However, Bean Trellis, My Mother-in-law depicts the close bond of the author as daughter-in-law with her mother-in-law for more than three decades. Wherein lies the secret? "仁" Benevolence, "义" righteousness, "礼" courtesy, "智" wisdom, and "信" faith are constant beliefs of the Chinese people, which in the author's eyes are also the most admirable qualities of her mother-in-law, who is illiterate, yet hardworking, kind, and full of the wisdom of simple life. Her kindness and generosity is just the secret to the well-being of the whole family. Aside from describing the unique in-law relationship, this book also looks at the ups and downs of a big Chinese family from the 1970s to the 2020s. With humorous and documentary storytelling, the author wrote her life stories just like chatting with neighbors under the bean trellis. It is all-encompassing, containing traditional Chinese wisdom about getting along with the world, educating children, and even cooking, which could provide new reading experiences and inspiration for all readers.
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This edition includes 20 of the best works of oral folk art. For centuries, they were passed from the older generation to the younger, changed, supplemented and survived to our time. The collection consists of four parts: “Fairy Tales”, “Tales of Animals”, “Everyday Satirical Tales”, “Traditions and Legends”. Heroes of fairy tales personify wisdom and resourcefulness; they fight against evil, greed and laziness.
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Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat. The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac. As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.
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Since the mid-2000s, the harsh reality of call centre employment for a generation of young workers in Portugal has been impossible to ignore. With its endless rows of small cubicles, where human agents endure repetitive telephone conversations with abusive clients under invasive modes of technological surveillance, discipline and control, call centre work remains a striking symbol of labour precarity, a condition particularly associated with the neoliberal generational disenchantment that 'each generation does better than its predecessor'. This book describes the emergence of a regime of disciplined agency in the Portuguese call centre sector. Examining the ascendancy of call centres as icons of precarity in contemporary Portugal, this book argues that call centre labour constitutes a new form of commodification of the labouring subject. De Matos argues that call centres represent an advanced system of non-manual labour power exploitation, due to the underestimation of human creativity that lies at the centre of the regimented structures of call centre labour. Call centres can only guarantee profit maintenance, de Matos argues, through the commodification of the human agency arising from the operators' moral, relational and social embedded agentive linguistic interventions of creative improvisation, decision-making, problem-solving and ethical evaluation.
