All Things Women
Find your focus and strengths in times of crisis.
View Rights PortalAvailable in paperback for the first time, this important collection of essays illustrates the complexity, richness and diversity of the suffrage movement. Combining historical reappraisal with lively accounts of the culture of the women's suffrage movement, this volume offers a unique focus. It includes studies of the fascinating, but neglected groups that participated in the campaign: the Women's Franchise League; the Women's Freedom League; the Women's Tax Resistance League and the United Suffragists. This is accompanied by feminist research on the poetry, fiction and drama that emerged from women's struggle for the vote. In addition there are reappraisals of two leading figures in the Pankhursts' Women's Social and Political Union, an illuminating analysis of the relationship between suffrage and sexuality, and a discussion of what happened away from the metropolis, as well as of the little known campaign to extend the vote after 1918. ;
Feminism is a living phenomenon, but its history can and should be recorded. A number of serious works on the history of the women's movement and feminism have been published in Ukraine, but it is only recently that the history of Ukrainian feminism appeared in the form of a graphic novel. This book is our humble attempt to try and cover the vast history of Ukrainian feminism on a moderate number of pages. We have mentioned many outstanding personalities, but we have not mentioned even more names, for which we immediately apologise - after all, a lot has happened in 150 years and it’s hard to fit all into a relatively small graphic novel. This book may be of interest to those who have only recently become interested in feminism, as it is a brief introduction to the history of Ukrainian feminism. More experienced readers will be delighted to notice some additional details and stories to what they already know.
Women have long been crucial to the provision of medical services, both in the treatment of sickness and in maintaining health. In this study, Susan Broomhall situates the practices and perceptions of women's medical work in France in the context of the sixteenth century and its medical evolution and innovations. She argues that early modern understandings of medical practice and authority were highly flexible and subject to change. She furthermore examines how a focus on female practitioners, who cut across most sectors of early modern medical practice, can reveal the multifaceted phenomenon of these negotiations for authority. This new paperback edition of Women's medical work in early modern France skilfully combines detailed research with a clear presentation of the existing literature of women's medical work, making it invaluable to students of gender and medical history.
The traditional narrative of the mid-century (1930s-60s) is that of a wave of expansion and constriction, with the swelling of economic and political freedoms for women in the 1930s, the cresting of women in the public sphere during the Second World War, and the resulting break as employment and political opportunities for women dwindled in the 1950s when men returned home from the front. But as the burgeoning field of interwar and mid-century women's writing has demonstrated, this narrative is in desperate need of re-examination. Mid-century women's writing: Disrupting the public/private divide aims to revivify studies of female writers, journalists, broadcasters, and public intellectuals living or working in Britain, or under British rule, during the mid-century while also complicating extant narratives about the divisions between domesticity and politics.
This anthology makes available to students and general readers the rich variety of Victorian magazines for women. The extracts range from fashion magazines to feminist journals, from serious works for Christian mothers to tales of romance and passion for 'sweethearts'. Focusing on the historical development of the British women's magazine, this extensively illustrated work gives access to texts which few readers ever see. The first main section describes and illustrates eight kinds of magazine for women. Though they have common features, the differences between the drawing room journal of the 1830s and 1840s and the cheap domestic magazines of the 1890s are clearly demonstrated. The second section focuses on those elements which made up the magazine's typical mix of ingredients, including fiction, the fashion plate, poetry, political journalism, advice columns and reader's letters. The last section is the most comprehensive listing of British Victorian women's magazines which currently exists. This is a work of scholarship but one which will appeal to students of Cultural, Historical, Literary and Women's Studies, as well as to the general interested reader. Like the magazines it represents, it offers its readers both entertainment and instruction. ;
"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
This insightful book offers a timely assessment of the complex relationship between women and leisure in England, drawing upon recent feminist theory. Departing from approaches which focus on particular activities or institutions, it places everyday experiences at its centre, presenting a wide-ranging and lively account of changing perceptions, representations and experiences of leisure across the period 1920-60. It addresses the nature of leisure within women's lives, examining shifting understandings of the concept and identifying areas of definitional ambiguity such as the 'family' holiday, shopping and handicrafts. Focusing upon experiences of leisure across the life cycle, it provides a detailed assessment of the particular forms of leisure enjoyed by women at distinct stages of their lives, including cinema-going, dancing, socialising and home-based pursuits. The book demonstrates that experiences and perceptions of leisure were fundamentally structured along life cycle lines: leisure in youth was often characterised by freedom and independence whilst leisure in adulthood became a vehicle for service and duty to others.
A fully-rounded anthology of women's writing from World War One containing the known and unknown biographers and fiction writers of the period.. Explores the impact of the war on ideology, gender, genre and society and is a perfect complimentary text to Trudi Tate's Women Men and the Great War.. Aims to re-read the First World War as a female experience by drawing on the public and private sources of a wide range of different women.. Uses diaries, letters, articles and essays many of which have not been published.. Invaluable source document for scholars in many disciplines. ;
Accessible, introductory student guide which identifies key feminist approaches to popular culture from the 1960s to the present.. The only introduction to both feminist cultural studies and feminism and popular culture published in the UK.. Presents its information in a reader friendly series of case studies on: women's film romantic fiction soap opera consumption and material culture fashion and beauty proactices youth culture and popular music. Will appeal to students across a wide range of disciplines as a variety of popular cultural forms are discussed. ;
This is the first book-length account of the women's liberation movement in Scotland, which, using documentary evidence and oral testimony, charts the origins and development of this important social movement of the post-1945 period. In doing so, it reveals the inventiveness and fearlessness of feminist activism, while also pointing towards the importance of considering the movement from the local and grassroots perspectives, presenting a more optimistic account of the enduring legacy of women's liberation. Not only does this book uncover the reach of the WLM but it also considers what case studies of women's liberation can tell us about the ways in which the development of the movement has been portrayed. Previous accounts have tended to equate the fragmentation of the movement with weakness and decline. This book challenges this conclusion, arguing that fragmentation led to a diffusion of feminist ideas into wider society. In the Scottish context, it led to a lively and flourishing feminist culture where activists highlighted important issues such as abortion and violence against women. ;