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Shepherd Press is a publishing company committed to providing God's people with solid biblical books and materials.
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MedicineDecember 2016Companion Animal Economics
The Economic Impact of Companion Animals in the UK
by Sophie Hall, Luke Dolling, Katie Bristow, Ted Fuller, Daniel S. Mills
Succinct, highly readable and thought provoking, this important new text is designed to raise awareness of the potential economic impact of companion animals in the UK. It discusses the potential benefits and costs of companion animals to the economy and highlights the need for this matter to be thoroughly researched, given the potential scale of impact and the potential costs of ignoring this matter. The book includes: - case studies to illustrate the savings to the NHS that might be associated with companion animal ownership; - links to up-to-date tables and content that might form templates for use in other countries; and - highly readable information written by expert authors and key opinion leaders in the field. Inspired by the seminal Council for Science and Society (CSS) Report, Companion Animals in Society (1988), this work updates and extends its evaluation of the economic impact of companion animals on society and lays a benchmark for future development. This pivotal new book is important for policy makers at national and international levels and all those involved in animal welfare. ; Succinct, highly readable and thought provoking, this important new text is designed to raise awareness of the potential economic impact of companion animals in the UK. It discusses the potential benefits and costs of companion animals to the economy and highlights the need for this matter to be thoroughly researched. ; 1: Introduction2: Methodology3: Key Features of the Council for Science and Society Report (CSS) 19884: Updates on the Economic Impact of Companion Animals to the UK5: Indirect Costs: Extending the Scope of Economic Value6: Conclusion: Illustrating the Perceived Economic Impact of Companion Animals-: Acknowledgement-: Afterword
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Frau Grubers Lager
by Ted Barr
Frau Grubers Lager Das Manifest der Asche des Hahns von Ted Barr Wo liegen die Grenzen des Bösen? Was ist der Sinn des Lebens am Abgrund des willkürlichen plötzlichen Todes? Was ist ein Leben hinter einem Elektrozaun Wert? Frau Grubers Lager ist ein spannendes Gleichnis über den Glauben der Menschen in ihrer dunkelsten Zeiten, mit Anklängen an George Orwells Meisterwerk Animal Farm. Eine Welt, in der Menschen wie Frau Gruber, Herr Schickl und ihre krankhaften Mitarbeiter leben, ist nicht die, in der wir leben. Obwohl ihre Welt in vielerlei Hinsicht ähnlich zu sein scheint, ist sie eher ein Parallel-Universum, einen Schritt von der Realität, die wir kennen, entfernt. Doch manchmal verschwimmen die Unterschiede und wir werden in diese Welt hinein gezogen. In diesem überraschenden und rätselhaften Roman wird der Leser langsam und vorsichtig in einen imaginären Mikrokosmos geführt – eine fantastische Welt, die poetisch und schrecklich, manchmal herzzerreißend und manchmal erschreckend ist, und in der das Leben nicht mehr ist als eine transparente Ware. Die Hähne als Menschen sind nur momentane Besucher in einem viel größeren Spektakel, dessen Bedeutung zu begreifen sie zu kurzsichtig sind (außer dem alten Hahn Ba Ba Loop, der wie die alten Propheten die Augen hat zu sehen, aber nicht über die Macht verfügt, etwas zu ändern). Die einzige Möglichkeit, in solchen schrecklichen Zeiten noch einen Sinn zu finden, ist die Verbannung der Zeit in die Erinnerung. Dies ist die Grundidee dieses Romans: menschlicher Glauben, Vergessen, Erinnern, und die Quintessenz des Lebens in einer unmöglichen Epoche. Obwohl der Ausgangspunkt des Romans eine Beschreibung der frühen Kindheit Adolf Hitlers ist, geht Frau Grubers Lager viel weiter, als nur eine Geschichte zu erzählen, die in vielerlei Hinsicht Parallelen zu Geschichte der europäischen Juden hat. Vielmehr wird ein Gleichnis der menschlichen Erfahrung im zwanzigsten Jahrhundert durch die Augen eines zeitgenössischen Helden des einundzwanzigsten Jahrhunderts entfaltet. Der Autor, Ted Barr, 54, hat einen Master-Abschluss in Wirtschaftswissenschaften und ist auf vielen Gebieten versiert, darunter deutsche Geschichte, Symbolik, Batallions- und Divisions-Taktik sowie Astronomie. Barr ist ein renommierter Künstler, spezialisiert auf Galaxien und andere Himmelskörper. Der Autor hat eine einzigartige Maltechnik entwickelt, die er in Workshops auf der ganzen Welt unterrichtet. Ted Barr ist der Gründer der Current Art Group, und seine künstlerische Tätigkeit kann auf seiner Website www.tedpaintings.com betrachtet werden. Eine hebräische Ausgabe von Frau Grubers Lager wurde erstmals in Israel im Jahr 2006 veröffentlicht. Ted Barrs erstes Buch, Krombee, ein Kinderbuch, erschien im Jahr 1990.
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Le Camp De Frau Gruber
by Ted Barr
Le Camp De Frau Gruber Le manifeste des cendres du coq par Ted Barr Quelles sont les frontières du mal ? Que signifie la vie life on the verge au seuil d’une mort arbitraire soudaine ? Cela vaut-il la peine de vivre derrière une clôture électrifiée ? Le camp de Frau Gruber est une allégorie exaltante à propos de garder la foi en l’humanité dans ses périodes les plus noires ; elle rappelle fortement le chef d’œuvre de George Orwell La Ferme des animaux. Un monde dans lequel il existe des personnes telles que Frau Gruber, Herr Schickl, et leurs associés morbides n’est pas le même que celui dans lequel nous vivons. Bien que sous d nombreux aspects leur monde paraît lui ressembler, il constitue en fait davantage un univers parallèle, retiré de la réalité que nous connaissons. Et pourtant, par moments, le lecteur peut passer outre les différences et s’y laisser plonger. Dans ce roman surprenant et énigmatique, le lecteur se trouve doucement et lentement submergé dans un microcosme imaginaire – un monde fantastique, à la foi poétique et terrible, qui parfois brise le cœur et qui, à d’autres moments, horrifie, dans lequel la vie n’est guère plus qu’un accessoire transparent. Les coqs, en tant qu’êtres humains, sont seulement des visiteurs momentanés dans un scenario bien plus étendu, dont la signification est trop élevée pour eux pour la saisir (mis à part le vieux coq Ba Ba Loop qui, à l’instar des prophètes d’antan, a des yeux pour voir, mais ne possède pas le pouvoir de changer quoi que ce soit). La seule manière d’apporter une signification à des temps d’une horreur telle est de tout investir pour la mémoire, ce qui constitue le cadre dans lequel ce roman est fondé : la foi en l’homme, oublier, se souvenir et l’essence de la vie au sein d’une époque impossible. Bien que se démarquant d'une description, principalement évoquée, de la petite enfance d'Adolf Hitler, Le camp de Frau Gruber ne se contente pas de raconter une histoire qui est, en de nombreux points, parallèle à l'histoire du judaïsme européen. Ce livre se transforme, au contraire, en une fable sur l'expérience vécue par l’humanité entière au XXème siècle, écrite à travers les yeux du XXIème siècle comme une bravade contemporaine. L'auteur, Ted Barr, 54 ans, a une maîtrise en économie et des diplômes dans des zones d'intérêt variées, y compris l'histoire allemande, le symbolisme, les tactiques de bataillon et de division, ainsi qu’en astronomie. Barr est un artiste de renom, spécialisé dans les galaxies et autres éléments du ciel. L'auteur a développé une technique de peinture unique, qu’il enseigne dans des ateliers dans le monde entier. Barr est le fondateur du groupe Current Art, et l’on peut avoir un aperçu de son activité artistique sur son site d'art, www.tedpaintings.com. Une édition du Camp de Frau Gruber est parue pour la première fois en Israël, en hébreu, en 2006, suivant le premier livre de Barr, Krombee, un livre pour enfants paru en 1990.
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EL CAMPO DE FRAU GRUBER
by Ted Barr
EL CAMPO DE FRAU GRUBER El manifiesto de las cenizas del gallo, de Ted Barr ?Cuáles son los límites del mal? ?Qué significado tiene la vida, a un paso de una muerte súbita arbitraria? ?Vale la pena vivir detrás de una cerca eléctrica? El Campo de Frau Gruber es una alegoría apasionante acerca de la fe humana en sus momentos más oscuros, que recuerda mucho la obra maestra de George Orwell, Rebelión en la granja.Un mundo que sostiene a gente como Frau Gruber, Herr Schickl y sus insanos asociados no es el mundo en el que vivimos. Aunque en muchos aspectos parece ser similar, es más bien un universo paralelo, desconectado de la realidad que conocemos.No obstante, a veces el lector puede no prestar atención a las diferencias. En esta novela sorprendente y enigmática, el lector se ve sutil y lentamente sumergido en un microcosmos imaginario, un mundo fantástico a la vez poético y terrible, a veces conmovedor y otras horrendo, en el que la vida no es más que una mercancía sin valor.Los gallos como seres humanos son solo actores momentáneos en una obra mucho más grande, o sea demasiado miopes para entender —con la excepción del viejo gallo Ba Ba Lup, que, como los antiguos profetas, tiene ojos para ver pero no tiene el poder para cambiar.La única manera de otorgar un significado a tiempos tan terribles es guardarlo todo en la memoria, que es el marco en el que esta novela se basa:la fe humana, el olvido, el recuerdo y la esencia de la vida durante una época imposible. A pesar de partir de una descripción mayormente improvisada de la infancia de Adolf Hitler, el Campo de Frau Gruber no se limita a relatar una historia en muchos sentidos paralela a la historia de los judíos en Europa. Antes bien, evoluciona hasta transformarse en una fábula sobre el aspecto general de la experiencia humana en el siglo XX, escrita a través de los ojos de un espectador del siglo XXI, como un acto de bravura contemporáneo. El autor, Ted Barr, de 54 años, posee una maestría en Economía y tiene diversas áreas de interés, entre otras, historia alemana, simbolismo, tácticas de batallón y de división y astronomía.Barr es un afamado artista, que se especializa en galaxias y otros elementos celestiales.El autor ha desarrollado una técnica de pintura única, que enseña en talleres en todo el mundo.También es el fundador del Current Art Group y en el sitio de arte www.tedpaintings.com se puede ver el fruto de su actividad artística. En 2006 se publicó por vez primera en Israel una versión hebrea de El Campo deFrau Gruber, tras la primera obra de Barr, Krombee, un libro para niños publicado en 1990.
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January 1996Das Ende
Von der heiteren Hoffnungslosigkeit im Angesicht der ökologischen Katastrophe
by Fuller, Gregory
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Humanities & Social SciencesJune 2024Neither use nor ornament
A cultural biography of clutter and procrastination
by Tracey Potts
Neither use nor ornament is a book about personal productivity, told from the perspective of its obstacles: clutter and procrastination. It offers a challenge to the self-help promise of a clutter-free life, lived in a permanent state of efficiency and flow. The book reveals how contemporary projections of the good, productive life rely on images of failure. Riffing on the aphorism 'less is more' - a dominant refrain in present day productivity advice - it tells stories about streamlining, efficiency and tidiness over a time period of around 100 years. By focusing on the shadows of productivity advice, Neither use nor ornament seeks to unravel the moral narratives that hold individuals to account for their inefficiencies and muddles.
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FRAU GRUBER'S CAMP
by Ted Barr
What are the boundaries of evil? What is the meaning of life on the verge of arbitrary sudden death? Is it worth living behind an electric fence? Frau Gruber's Camp is a thrilling allegory about the faith of mankind in its darkest times, strongly reminiscent of George Orwell's masterpiece Animal Farm. A world that sustains people like Frau Gruber, Herr Schickl, and their morbid associates is not the same one we live in. Although in many ways their world appears to be similar, it is more of a parallel universe removed from the reality we know. However, at times the reader may overlook the differences and be drawn in. In this surprising and enigmatic novel, the reader is gently and slowly submerged into an imaginary micro-cosmos – a fantastic world that is both poetic and terrible, sometimes heart-wrenching and at other times horrifying, where life is but a transparent commodity. The roosters as human beings are just momentary visitors in a much larger play, whose meaning they are too short-sighted to comprehend (except the old rooster Ba Ba Loop that, like ancient prophets, has the eyes to see but does not possess the power to change). The only way to give meaning to such dreadful times is by committing it all to memory, which is the framework on which this novel is founded: human faith, forgetting, remembering, and the essence of life during an impossible epoch. Though taking off from a mainly conjured description of Adolf Hitler's early childhood, Frau Gruber's Camp does not stop at relating a story parallel in many ways to European Jewish history. Rather it evolves into a fable on overall human experience in the twentieth century, written through twenty-first century eyes as a contemporary bravado. The author, Ted Barr, 54, has a master’s degree in economics and varied areas of interest, including German history, symbolism, battalion and divisional tactics, and astronomy. Barr is a renowned artist, specializing in galaxies and other celestial elements. The author has developed a unique painting technique, which he teaches in workshops around the world. Barr is the founder of the Current Art Group, and his artistic activity can be viewed at his art site, www.tedpaintings.com . A Hebrew edition of Frau Gruber’s Camp was published in Israel in 2006, following Barr’s first book, Krombee, a children’s book first published in 1990. 116 pages, 14.5X21 pages
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April 2000Zeit für mich selbst
Erkennen, was wirklich zählt - und das Leben geniessen
by Steenhouse, Andrea van; Fuller, Doris A
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July 1998Zeit für mich selbst
Erkennen, was wirklich zählt - und das Leben geniessen
by Steenhouse, Andrea van; Fuller, Doris A / Übersetzt von Kalckreuth, Stefanie von
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Animal husbandryMay 2004Encyclopedia of Farm Animal Nutrition
by N J Benevenga, Santosh P Lall, Kelvin J McCracken, Hussain M Omed, Roger F E Axford. Edited by Malcolm F Fuller.
The Encyclopedia of Farm Animal Nutrition deals with the whole of farm animal nutrition, embracing a wide range of disciplines, including physiology, biochemistry, veterinary medicine and feed technology.The encyclopedia contains approximately 2000 entries from 90 contributors. These entries range from short definitions to more discursive articles, all entries are fully cross-referenced to aid further research.The encyclopedia covers every type of farm animal found in both developing and developed countries, including cattle, sheep, pigs, chickens, goats, horses, fish, deer, buffaloes, rabbits and camelids, as well as ducks, turkeys, ostriches and other birds.Sample Entries: Acylglycerol, A form of lipid made up of one glycerol molecule combined with three individual (not necessarily identical) fatty acid molecules attached to the glycerol by ester bonds. Acylglycerols form part of the neutral lipid fraction.Free fatty acids (FFAs), Also called non-esterified fatty acids (NEFAs), fatty acids that are not esterified to glycerol or another alcohol such as choline or cholesterol. In blood plasma or serum, FFAs are really not free but bound to plasma albumin.Locust bean, Properly the fruit of the African locust bean tree (Parkia filicoidea) but the name is frequently applied to the fruit of the carob tree (Ceratonia siliqua). The latter originated in the eastern Mediterranean region and is also found in the subtropics. The fruits are thick, fleshy (more so in the carob) pods each containing about a dozen seeds. The seeds are tough and must be crushed before feeding. The resulting meal has a high sugar and energy content and is very palatable but is low in protein (42-54 g kg-1).Oyster Shell, Oyster shells are almost pure calcium carbonate (95-99%) and are good sources of calcium for all classes of animals. Clam shells, conch shells, coral and coral sand can all be used for feeding. Shells that have been ground to coarse grit tend to be more palatable to laying hens and help grain digestion in the gizzard, as well as producing strong eggshells. For laying hens the shells should be ground to 0.5-2.0 mm and mixed 2:1 with finely ground limestone.Pacu, A commercially important freshwater fish native to the rivers of Brazil. This large migratory fish reaches 60 cm in length and is a scavenger that eats vegetation, mostly of fruit that falls into the water as well as an occasional small fish or insect. Pacu is one of the first native fish species to be successfully cultured in Brazil. A market size of 1-2 kg can be attained in 18-20 month at water temperatures of 22-280 C.
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Business, Economics & LawOctober 2016Europe's Changing Woods and Forests
From Wildwood to Managed Landscapes
by Tibor Hartel, Keith Kirby, Thomas Ranius, Charles Watkins, Peter Buckley, Peter S Savill, Chris Quine, Matthias Bürgi, John Fletcher, Robert Hearn, Martin Hermy, Diego Moreno, Tomasz Samojlik, George Peterken, Xavier Rochel, Per Angelstam, Jim Latham, Emma Goldberg, Roberta Cevasco, Clive Potter, Juha Siitonen, Robert Fuller
Our understanding of the historical ecology of European forests has been transformed in the last twenty years. Bringing together key findings from across the continent, Europe's Changing Woods and Forests: From Wildwood to Managed Landscapes provides a comprehensive account of recent research and the relevance of historical studies to our current conservation and management of forests. Combining theory with a series of regional case studies, this book shows how different aspects of forestry play out according to the landscape and historical context of the local area, with broad implications for woodland history, policy and management. Beginning with an overview of Europe's woods and forests, the book reviews a variety of management techniques (including wood-pastures, coppicing, close-to-nature forestry and the impact of hunting), describes how plants and animals respond to changes in woodland and forest cover, and includes case histories from around the continent. It concludes with a discussion of how lessons learned from the past can help in the future. This book is both a vital resource and an interesting read for foresters, conservationists, landscape historians, geographers and ecologists. ; This book provides a comprehensive account of the relevance of historical studies to current conservation and management of forests. It combines theory with a series of regional case studies to show how different aspects of forestry play out according to the landscape and historical context of the local area. ; I: ContributorsII: PrefaceIII: AcknowledgementsPART 1: Introduction and Overview1.0: Overview of Europe’s woods and forests1.1: Introduction1.2: The current state and composition of European woods and forests1.2.1: European forests in a global context1.2.2: Variation in forest cover across the continent1.2.3: Variation in forest composition1.3: Forestry policy and cooperation at a European level 01.3.1: Forestry policy1.3.2: Conservation measures1.3.3: Landscape and amenity conservation.1.3.4: Certification as an approach to sustainable forestry management1.3.5: Forest research cooperation across Europe1.4: Conclusion1.5: References2.0: Methods and approaches in the study of woodland history2.1: Introduction2.2: Oral history2.3: Photographs and drawings2.4: Biological indicators2.5: Historical records2.6: Preserved wood and dendrochronology2.7: Lidar and GIS2.8: Applying archaeological insights to ecological issues2.9: Pollen and charcoal analysis2.10: Conclusion2.11: References3.0: The forest landscape before farming3.1: Where to begin?3.2: A cold open continent3.3: Trees spread back after the ice3.3.1: Forming a canopy 53.3.2: The wood beneath the trees3.3.3: Molecular markers for re-colonisation routes.3.4: A holey blanket of trees3.5: The role of large herbivores, particularly bison, wild horse and aurochs3.6: People in the landscape: the trees in retreat3.7: References4.0: Evolution of modern landscapes4.1: Introduction4.2: The emergence of woodland management4.3: Changes in forest extent and distribution4.3.1: Reductions in forest cover4.3.2: Increases as well as decreases4.3.3: Patterns of clearance and survival4.3.4: The ecological consequences of a patchy landscape4.4: Changes in structure and composition through management4.5: Deliberate modification of the tree and shrub composition of forests4.6: Other species gains and losses4.7: Changes to the fire regime4.8: Changes to the forest soil4.9: Forests and atmospheric pollution4.10: Climate change4.11: Conclusion4.12: ReferencesPART 2: The variety of management across European woods and forests5.0: Wood-pastures in Europe5.1: Introduction5.2: Wood-pasture: a multi-purpose system5.3: Historical development of wood-pastures in Europe5.3.1: Forest grazing and pasturing in ancient times5.3.2: Driving the livestock out of the forest (18th-19th centuries)5.3.4: New recognition for wood-pastures?5.4: National inventories of wood-pastures5.5: Wood-pastures as multi-functional landscape elements: past and present5.6: Threats to wood-pastures5.6.1: Management changes5.6.2: Policy mismatch5.6.3: Decline of old, hollowing or dying trees5.6.4: Lack of regeneration5.7: Conclusions5.8: Acknowledgements5.9: References6.0: Coppice silviculture: from the Mesolithic to the 21st century6.1: Introduction6.2: The physiological and evolutionary significance of coppice6.3: Historic development of coppice silviculture6.4: The rise and fall of coppice as an industrial resource6.5: Surviving and neglected coppice in Europe: the extent of the forest estate6.6: Coppice silviculture6.6.1: Cutting methods6.6.2: Time of cutting6.7: Conversion to high forest6.7.1: Coppice versus high forest yields6.8: Reinstating coppice management6.9: Future drivers of change6.10: References7.0: High forest management and the rise of even-aged stands7.1: Introduction7.2: Changing from coppice to high forest systems7.3: The need for new administrative tools7.4: Silvicultural systems7.5: The rise of plantations7.6: Increased use of conifers and introduced species7.7: How forestry is changing7.8: Future high forest and natural forest structures7.9: References8.0: Close-to-nature forestry8.1: Introduction8.2: Roots and pre-requisites8.3: Developments in the 20th century8.4: Ecological implications8.5: Conclusion8.6: References9.0: The impact of hunting on European woodland from medieval to modern9.1: Introduction9.2: Early impacts of hunting9.3: Meat or merit?9.4: Medieval hunting reserves9.5: Early modern hunting parks in Europe9.6: Hunting and the wider landscape9.7: Modern hunting9.7.1: The influence of driven pheasant shoots on British woodland9.7.2: The influence of modern hunting enclosures on Spanish woodland9.8: Conclusion9.9: ReferencesPART 3: How plants and animals have responded to the changing woodland and forest cover.10.0: The flora and fauna of coppice woods: winners and losers of active management or neglect10.1: Introduction10.2: The diversity of coppice10.2.1: Plants10.2.2: Birds10.2.3: Invertebrates10.2.4: Deadwood and associated species10.2.5: Mammals10.3: Impacts of deer browsing on flora and fauna in coppice10.4: Conservation strategies10.5: Short Rotation Coppice10.6: Conclusion10.7: References11.0: The importance of veteran trees for saproxylic insects11.1: Introduction11.2: What are saproxylic species11.3: Veteran trees in past and present landscapes11.4: Important structures and associated species in old trees11.4.1: Microhabitat diversity11.4.2: Tree cavities and their invertebrates11.4.3: Other microhabitats11.5: Effects of environmental factors on the invertebrate fauna11.5.1: Effects of tree characteristics on species assemblages11.5.2: Effects of surrounding landscape on species assemblages11.5.3: Catering for the needs of the adult as well as the larvae11.5.4: Survey methods11.6: Current situation in Europe11.7: How to preserve the specialized saproxylic species?11.7.1: Management for increasing habitat amount and quality11.7.2: Management for securing spatio-temporal continuity11.8: Future prospects11.9: References12.0: The changing fortunes of woodland birds in temperate Europe12.1: Introduction12.2: The birds of the early Holocene12.3: The birds of the wildwood: alternative models of forest dynamics12.3.1: Largely closed forest – ‘closed canopy’ scenario12.3.2: Open mosaic landscape – ‘wood pasture’ scenario12.3.3: Forest-dominated, but more varied – ‘closed but varied’ scenario12.4: Fragmentation of the wildwood12.5: Effects of the historical emergence of management12.6: The age of managed pasture woods and coppice12.7: The shift towards high forest12.8: Woodland birds today12.8.1: Population trends12.8.2: Influences of agriculture12.8.3: Forestry intensification12.8.4: Birds and afforestation12.9: Recent trends12.10: Conclusions12.11: References13.0: Evolution and changes in the understorey of deciduous forests: lagging behind drivers of change13.1: Introduction13.2: Background13.3: What sorts of plants occur in forests?13.4: Comparing ancient and recent forests13.5: Colonization of new forests13.6: Dispersal and recruitment limitation13.7: Changing ancient forests13.7.1: Management effects13.7.2: Effects of environmental changes13.7.3: Effects of grazing13.7.4: Effects of invasive non-native species13.8: Conserving and expanding forests: does it work?13.9: References14.0: Gains and losses in the European mammal fauna14.1: Introduction14.2: Aurochs14.3: The carnivores14.3.1: Wolf14.3.2: Brown bear14.3.3: Lynx14.4: The Beaver14.5: A species that has done too well14.6: The decline and rise of wild boar and deer14.6.1: Wild boar14.6.2: Deer14.7: Conclusion14.8: References15.0: The curious case of the even-aged plantation: wretched, funereal or misunderstood?15.1: Introduction15.2: What is an even-aged plantation?15.3: A brief historical overview of Atlantic spruce forests15.3.1: The dominance of Sitka spruce15.3.2: Breaking up the conifer blanket15.4: Species composition of spruce plantations15.5: Ecological implications of stand dynamics15.5.1: Precursors - the creation of woodland through afforestation (Stage 0)15.5.2: Stand initiation (Stage 1)15.5.3: The impact of stand development – canopy closure and mortality (Stages 2 and 3)15.5.4: Prolonging the rotation and developing multiple storeys (Stage 4)15.5.5: Resetting the woodland through disturbance15.6: Forest design15.7: The landscape setting15.8: Where next?15.9: Conclusions15.10: ReferencesPART 4: A variety of woodland histories.16.0: Historical ecology in modern conservation in Italy16.1: Introduction16.2: Background16.3: The spread of an historical ecological approach in European conservation thinking16.3.1: Forestry versus Woodmanship16.3.2: Woodland or land-bearing-trees16.3.3: The need for an inter-disciplinary approach16.3.4: The role of historical ecology16.4: Integrating Historical and Local Knowledge into Management Strategies16.4.1: An introduction to the case studies16.4.2: Trees and Woodlands Producing Leaf Fodder16.4.3: Trees, woodland and soil fertility16.4.4: The collection of litter16.4.5: Trees invading bogs: an experiment in applied historical ecology16.5: Conclusion16.6: References17.0: Bialowieza Primeval Forest: a 2000-year interplay of environmental and cultural forces in Europe’s best preserved temperate woodland17.1: Introduction17.2: Previous studies17.3: A new palaeo-ecological record for Bialowieza Primeval Forest17.3.1: Methods17.3.2: Results17.4: Archaeological evidence17.5: Archival studies17.5.1: Royal forest of Polish kings17.5.2: Under Russian rule17.5.3: World War I to the present17.5.4: Changes in land use extent and character17.6: Dendro-chronological analyses of fire dynamics17.7: Interplay of natural and cultural forces17.7.1: The Iron Age17.7.2: The Migration Period, mediaeval and early modern times17.7.3: The seventeenth and eighteenth centuries17.7.4: The nineteenth to mid-twentieth centuries17.7.5: The recent decades17.8: The role of large herbivores in shaping BNP17.9: Conclusions17.10: Acknowledgements17.11: References18.0: Woodland history in the British Isles - an interaction of environmental and cultural forces.18.1: Introduction18.2: Outline of British woodland history18.3: Historical stages and processes of change18.4: Regions18.4.1: Pre-Neolithic wildwood18.4.2: Exploited wildwood18.4.3: Traditional woodland management18.4.4: Parks, Forests and wooded commons18.4.5: Improved traditional management18.4.6: Plantations18.4.7: Revival and restoration of native woodland18.5: Some consequences of differences in regional history18.6: References19.0: Forest management and species composition: an historical approach in Lorraine, France19.1: Introduction19.2: The study of forest history in France19.3: Historical forest uses and their consequences on forest management19.4: The making of the technical and legislative framework19.5: The consequences of forestry policies on forest composition in woodlands of Lorraine19.6: The modern forest - conclusion19.7: References20.0: Barriers and bridges for sustainable forest management: the role of landscape history in Swedish Bergslagen20.1: Introduction20.2: The European scale20.3: The regional scale20.4: Bergslagen – an introduction20.5: Forests, forest ownership and land use dynamics20.6: Barriers to sustainability20.6.1: Ecological sustainability20.6.2: Economic sustainability20. 6.3: Social and cultural sustainability20.7: Bridges towards sustainable forest management20.8: Discussion20.8.1: From forest history to history of forest landscapes20.8.2: Landscapes with different histories: using space for time substitution20.9: ReferencesPART 5: Lessons from the past for the future?21.0: The development of forest conservation in Europe21.1: Introduction21.2: Why conserve forests?21.2.1: As a spiritual place21.2.2: As a place for the Chase21.2.3: As a source of raw materials and a barrier against the elements21.2.4: For a new form of communing with the forests21.3: Type and extent of Protected Forest Areas21.4: Selection of protected areas21.5: Developing a European perspective21.6: Forest protection and conservation as part of land-use practice.21.7: Rewilding and forest conservation21.8: From the past to the future21.8.1: Conservation for people?21.8.2: What sorts of woods and forests will be conserved in future?21.9: References22.0: The UK’s Ancient Woodland Inventory and its Use22.1: Introduction22.2: Developing the ancient woodland concept22.3: The creation of the ancient woodland inventory22.4: Developing and using the inventories22.4.1: England: the ‘Red Queen’ dilemma22.4.2: Wales22.4.3: Scotland22.4.4: Northern Ireland22.5: Testing the limits of the English inventories22.5.1: Uncertain evidence22.5.2: What is a wood?22.5.3: How small can an ancient wood be?22.6: Conclusion22.7: References23.0: Tree and forest pests and diseases: learning from the past to prepare for the future23.1: Introduction23.2: Background23.2.1: Dutch Elm Disease, Ramorum blight and Ash Dieback23.3: The Dutch Elm Disease outbreak23.4: ‘Sudden Oak Death’ (ramorum blight) in the UK23.5: A landscape without ash?23.6: The lessons from history23.7: References24.0: Reflections24.1: Introduction24.2: Ways of exploring and understanding woodland histories24.3: Issues for the future historian24.4: From cultural landscapes back to wildwood?24.5: Europe’s woods and forests: the future?
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Trusted Partner
K u n s t / A n g s t
by DAVID BAYLES & TED ORLAND
K u n s t / A n g s t EIN ÜBERLEBENSHANDBUCH FÜR DEN KÜNSTLER Von DAVID BAYLES & TED ORLAND Worum geht es bei Kunst? Wohin bewegt sie sich? Welche Widerstände gibt es? DAS SIND DIE FRAGEN, AUF DIE ES ANKOMMT, wiederkehrende Fragen, die sich in jedem Stadium der künstlerischen Entwicklung stellen. Sie sind der Ursprung für dieses Kompendium scharfsinniger Beobachtungen. Kunst & Angst erforscht, wie Kunst geschaffen wird, die Gründe, warum Kunstwerke oft nicht entstehen und die Art der Schwierigkeiten, die so viele Künstler dazu bringt, auf der Wegstrecke aufzugeben. Dieses Buch handelt davon, was du fühlst, wenn du in deinem Atelier oder im Lehrsaal sitzt, du an der Töpferscheibe oder am Keyboard, vor der Staffelei oder hinter deiner Kamera stehst und du versuchst, das Werk, das dir bestimmt ist, zu schaffen. Es geht darum, dass du deine Zukunft in die Hand nimmst, den Freien Willen über Vorherbestimmung, die Wahl vor den Zufall stellst. Es geht darum, dein eigenes Werk zu finden.
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Trusted Partner
November 2019Missing Boy
Thriller
by Candice Fox, Thomas Wörtche, Andrea O’Brien
Ein achtjähriger Junge ist spurlos verschwunden, und sein Verschwinden gibt Rätsel auf: Er und seine drei Freunde befanden sich in einem Zimmer auf der 5. Etage des White Caps Hotel, während ihre Eltern im hoteleigenen Restaurant unten zu Abend aßen. Als Sara Farrow um Mitternacht nach den Kindern sieht, ist ihr Sohn Richie weg. Die anderen drei Jungs schwören, dass sie in ihrem Zimmer geblieben sind, und die Aufzeichnungen der Hotel-Überwachungskameras bestätigen, dass Richie das Gebäude tatsächlich nicht verlassen hat. Da seine Mutter kein Vertrauen in die Fähigkeiten der örtlichen Polizei hat, wendet sie sich an das Ermittlerduo Ted Conkaffey und Amanda Pharrell. Für Ted hätte der Auftrag jedoch nicht zu einem schlechteren Zeitpunkt kommen können: Zwei Jahre zuvor hatte ihn eine falsche Anschuldigung seine Karriere, seine Reputation und seine Ehe gekostet, nun aber ist gerade seine junge Tochter Lillian auf dem Weg zu ihm nach Crimson Lake, seinem nordaustralischen Refugium. Er muss die übelsten Typen der Gegend aufspüren, um den vermissten Jungen zu finden – und könnte dabei sein eigenes Kind in tödliche Gefahr bringen …
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Trusted Partner
Geography & the EnvironmentMay 2020The power of pragmatism
by Jane Wills, Robert Lake, Malcolm Cutchin, Crispian Fuller, Nichola Wood, Trevor Barnes, Ihnji Jon, Richard Nunes, Alireza Farahani, Owain Jones, Gary Bridge, Meg Holden, Liam Harney, Jane Wills, Klaus Geiselhart, Susan Saegert, Alice Huff, Robert Lake, Clive Barnett
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Trusted Partner
The ArtsNovember 2013After Dada
Marta Hegemann and the Cologne avant-garde
by Dorothy Rowe
What happened in 1920s Cologne 'after Dada'? Whilst most standard accounts of Cologne Dada simply stop with Max Ernst's departure from the city for a new life as a surrealist in Paris, this book reveals the untold stories of the Cologne avant-garde that prospered after Dada but whose legacies have been largely forgotten or neglected. It focuses on the little-known Magical Realist painter Marta Hegemann (1894-1970). By re-inserting her into the histories of avant-garde modernism, a fuller picture of the gendered networks of artistic and cultural exchange within Weimar Germany can be revealed. This book embeds her activities as an artist within a gendered network of artistic exchange and influence in which Ernst continues to play a vital role amongst many others including his first wife, art critic Lou Straus-Ernst; photographers August Sander and Hannes Flach; artists Angelika Fick, Heinrich Hoerle, Willy Fick and the Cologne Progressives and visitors such as Kurt Schwitters and Katherine Dreier. The book offers a significant addition to research on Weimar visual culture and will be invaluable to students and specialists in the field. ;
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Personal & social issues: self-awareness & self-esteem (Children's/YA)Picture Books about Emotion Management for Boys
by Le Fan, Duan Zhang Qu Yi
There is a pervading idea, both in the east and west, that "big boys don't cry". To reach some cultural ideal of a "real man", boys are too often pushed to be tough and stoic and suppress their emotions. The Picture Books about Emotion Management for Boys challenges this old tradition. Of course boys cry, and we should let them cry! The series contains five books. I Want to Cry encourages boys to express their vulnerable feelings in appropriate ways. I Don't Want to Hit Back encourages boys to follow their hearts and stick up for themselves in the way they like. I am a Coward talks about self-acceptance. I Don't Want to be a Big Brother is for boys experiencing issues with new siblings. I Didn't Hear You talks about protecting boys' own little worlds. All five stories came from author Le Fan's real experiences of raising two sons as a mother. While the books are certainly children's books, they could even be viewed as parent handbooks of sorts. The author has written their parents and other adults in little boys' eyes, and calls for parents and society to raise boys differently and understandingly so they can grow in positive, healthy ways.
