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      • Tara Books (Pvt.) Ltd.

        Tara Books is a collective of writers, artists and designers, based in Chennai, south India. We publish illustrated and handmade books for children and adults. While we generate many of our titles in-house, we also work with artists, writers and designers across the world. Known for our richly illustrated books, we offer a unique list that includes titles in children’s literature, photography, graphic novels, art and art education. Tara has also won around 60 international awards, including the Bologna Ragazzi Award for the Best Children’s Publisher in Asia and the London Book Fair International Publishing Industry Excellence Award.

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      • Richard Griffin (1820) Ltd t/a Tarquin

        Tarquin produces books for recreational mathematics, and for students and teachers in schools. We have a near 50 year history of enriching mathematics as well as papercraft and origami titles. Many of our 240 titles have been translated into all the major languages of the world. But as a small publisher, we understand other small publishers and can tailor rights deals appropriately and economically. We have 12 titles that are new in 2020 and where rights are available.

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        November 2012

        Islam und Moderne. Die neuen Denker

        by Rachid Benzine, Hadiya Gurtmann

        Intellektualität und Frömmigkeit zu vereinbaren, das ist das Ziel einer ganzen Generation muslimischer Denker. Unabdingbare Voraussetzung dafür ist die Entwicklung einer neuen Hermeneutik der Koraninterpretation, zu der muslimische Gelehrte aus zahlreichen Ländern ihren Beitrag leisten und dafür mitunter Kopf und Kragen riskieren. Ihre Namen sind hierzulande noch kaum bekannt, da die wenigsten ihrer Schriften ins Deutsche übersetzt worden sind. Dennoch findet ihr Beitrag zur Versöhnung des Islams mit der Moderne auch in Deutschland hohe Anerkennung: So war zum Beispiel der 2010 verstorbene gebürtige Algerier Mohammed Arkoun, Professor an der Sorbonne in Paris, Fellow am Wissenschaftskolleg zu Berlin, desgleichen der ebenfalls 2010 verstorbene Ägypter Nasr Hamid Abu Said. Andere Vertreter, die Benzine in seinem Buch darstellt, sind Fazlur Rahman, Farid Esack (Südafrika), Abdul Karim Sorush (Iran) und Abdelmajid Charfi (Tunesien). Neben dem leidenschaftlichen Engagement für die Sache, der sich diese neuen Denker verschrieben haben und so zu Hoffnungsträgern für viele Muslime geworden sind, beeindruckt die persönliche Opferbereitschaft, die manchem von ihnen abverlangt wurde. Abu Saids Ehe etwa wurde zwangsgeschieden, er erhielt Morddrohungen und mußte ins niederländische Exil flüchten.

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        November 2021

        Handbook of Invasive Plant-parasitic Nematodes

        by Ziaul Haque, Mujeebur Rahman Khan

        Plant parasitic nematodes are major pests of agricultural crops and cause huge monetary losses. There is a very high risk of spread of plant-parasitic nematodes from one country to another, with the movement of plants and planting materials such as seeds, bulbs, corms, suckers, tubers, rhizomes, rooted plants, nursery stock and cut flowers. In view of the large quantities and the wide variety of materials being imported and exported, it is important to assess the status of invasive nematodes and their quarantine importance in relation to agricultural trade. This book contains information on around 100 invasive nematodes and their potential threat in different countries. Each nematode entry includes information on authentic identification, geographical distribution, risk of introduction, host ranges, symptoms, biology, ecology, planting material liable to carry the nematode(s), nematode vectors, chance of establishment, likely impact, and phytosanitary measures. There are detailed accounts of diagnosis procedures including sampling, isolation, detection and identification of nematodes based on morphological and molecular characters. The book offers a global perspective on invasive plant-parasitic nematodes and useful for practitioners, professionals, scientists, researchers, students, and government officials working in plant quarantine and biosecurity.

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        FARHAN BELAJAR MEMINTA MAAF DARIPADA KISAH NABI ADAM A.S

        by Edzati Kamaluddin, Syaari Ab Rahman, Faizal Razali

        “Inspiration from the story of the Prophet Adam who begged forgiveness from God when he ate the fruit of the khuldi tree in heaven.” Farhan is busy building a castle for Farah using his toys. When Farah falls because of Farhan’s fading toys, Farhan is silent. Until then, the palace collapsed and broke Farah’s clothes. Naturally! What should Farhan do? Let’s follow the story of Farhan learning to apologize from the tale of the Prophet Adam.

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        TIME TO HEAL : A NOVEL

        by Norhafsah Hamid, Maman Rosnan & Husna Abd Rahman

        Hassan, who had lost his twin brother, best friend and partner-in-crime — Hussin — during teenagers due to cancer.   Hassan then further studies medicine and makes friends with Amy and Nieza; and become best friends. Hassan — loves to joke around, tease his friends and coworkers a lot, a gentleman to the point people called him Dr Charmer, and very protective towards his friends especially Amy and Nieza. If a man wants to approach Amy and Nieza, he has to go through Hassan first!   Beneath those witty personalities, Hassan was actually struggling in handling his inner turmoil when it comes to grieving and sadness. When his friend and his teenage patient passed away, Hassan was again at a loss.   He always thought that he needed to be strong for his parents after Hussin passed away — he stopped crying, he stopped expressing his grief, he just ignored the pain. But then he learn, being strong does not mean one should suppress and dismiss his feelings.

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        Pest control
        August 2001

        Fungi as Biocontrol Agents

        Progress, Problems and Potential

        by Edited by Tariq Butt, Chris Jackson, Naresh Magan

        There is increasing interest in the use of fungi for the control of pests, weeds and diseases. This book brings together perspectives from pathology, ecology, genetics, physiology, production technology, to address the use of fungi as biological control agents.

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        FARAH BELAJAR MENJADI BERANI DARIPADA KISAH NABI MUSA A.S

        by Anis Puteri, Syaari Ab Rahman, Nabilah M Zaidi

        “Inspiration from the story of Moses who built courage to face Pharaoh” Farah has a mission. Farah wanted to sell chocolate cakes and donate money for sale to orphan homes. But the mission is more complicated than Farah imagined. Farah doesn’t feel like he can. Did Farah manage to sell all of his cakes? This story about Farah learning to be brave from the tale of Moses A.S!

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        KHAYRA UMMAH SERIES (NO.4/9) ISLAM, AND MORAL FREEDOM: ISSUES AND CHALLENGES

        by Siti Fatimah binti Abdul Rahman, Haji Mohammad Rohaizad bin Haji Mohamad Rasid

        This volume is part of The Khayra Ummah series, being itself the culmination of a sequence of colloquium of several themes organised by IKIM. The issues addressed in this series are: Islamic economics; Islamophobia; governance; moral deterioration; disruptive technology; the Islamic state and society; enviromental degradation; and the Islamic mind.

      • Trusted Partner
        September 2006

        Schwarze Notizen

        Geschichten der Teilung

        by Saadat Hassan Manto, Christina Oesterheld, Lothar Lutze, E. Zaidi, M. Zaidi, Christina Oesterheld, Tariq Ali

        Was Isaak Babel für den der Oktoberrevolution von 1917 folgenden Bürgerkrieg, das leistete der Schriftsteller und Journalist Saadat Hassan Manto (geboren 1912, gestorben 1955 in Lahore/Pakistan, nahe der indischen Grenze) mit seinen Geschichten von der blutigen Teilung des indischen Subkontinents 1947: die bleibende Verdichtung des Gehörten, Gesehenen und Erlebten zu Szenen schmerzhaft gesteigerter Gegenwart, eines angesichts des Todes auf die Spitze getriebenen Lebens.

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        KERANGKA NILAI BUDAYA DALAM CERITA LISAN ORANG ASLI TEMIAR, GUA MUSANG, KELANTAN

        by MOHD FIRDAUS CHE YAACOB, MOHD FAHMI ISMAIL & MOHAMAD KAMARUL HISYAM BIN A RAHMAN (ILLUSTRATOR)

        The Cultural Value Framework Book in the Oral Stories of the Aborigine of Temiar, Gua Musang, Kelantan, is a study and analysis of some of the original oral stories presented by Ibrahim Marajiah, an experienced storyteller. All of these oral stories focus on the discovery of common values that are familiar to the aborigines of Temiar, Gua Musang, Kelantan from ancient times and nurtured to this day. In addition, the cultural framework approach has been a deductive study of each analysis of the values of indigenous oral stories to make their production and discussion more robust. A string of these great collaborations can contain some of the original oral stories of the Aborigine of Temiar, Gua Musang, Kelantan such as  Buah Mangkung dengan Seekor Anjing, Burung Kuang dengan Harimau, Bertindak Tanpa Akal, Sepakat Menyelamatkan Diri, Sang Kura-kura yang Bijaksana, Cucu yang Bijaksana, Pengail yang Pintar, Tangkal Hikmah dan Manusia Jelmaan Anjing. In this regard, readers will have a better understanding of the details of the values contained in the oral stories of the Temiar native, Gua Musang, Kelantan to serve as a foundation for great self-esteem for the soul and body.

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        January 2013

        The Madmen of Bethlehem

        by Osama Alaysa

        Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people.   This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations.   Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written).   The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places.   The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form.   The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes.   The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.

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        Children's & YA
        January 2015

        Hatless

        by Lateefa Buti / Illustrated by Doha Al Khteeb

        Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity.   The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless.   Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them.   So Hatless removes her hat.    As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats.   Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air.   By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens.     Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.

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        In the Footsteps of Enayat Al-Zayyat

        by Iman Mersal

        ‘In the Footsteps of Enayat Al-Zayyat’ is a book that traces the life of an unknown Egyptian writer who died in 1963, four years before the release of her only novel. The book does not follow a traditional style to present the biography of Al-Zayyat, or to restore consideration for a writer who was denied her rights. Mersal refuses to present a single story as if it is the truth and refuses to speak on behalf of the heroine or deal with her as a victim, but rather takes us on a journey to search for the individuality that is often marginalised in Arab societies. The book searches for a young woman whose family burned all her personal documents, including the draft of her second novel, and was completely absent in the collective archives.   The narration derives its uniqueness from its ability to combine different literary genres such as fictional narration, academic research, investigation, readings, interviews, fiction, and fragments of the autobiography of the author of the novel. The book deals with the differences between the individuality of Enayat, who was born into an aristocratic family, graduated from a German school and wrote her narration during the domination of the speeches of the Nasserism period, and that of Mersal, a middle-class woman who formed her consciousness in the 1990s and achieved some of what Enayat dreamed of achieving but remained haunted by her tragedy.   The book deals with important political, social and cultural issues, as we read the history of psychiatry in modern Egypt through the pills that Enayat swallowed to end her life on 3 January 1963, while her divorce summarises the continuing suffering of women with the Personal Status Law. We also see how the disappearance of a small square from her neighbourhood reveals the relationship between modernity and bureaucracy, and how the geography of Cairo changes, obliterated as the result of changes in political regimes. In the library of the German Archaeological Institute, where Enayat worked, we find an unwritten history of World War II and, in her unpublished second novel, we see unknown stories of German scientists fleeing Nazism to Cairo. We also see how Enayat’s neglected tomb reveals the life story of her great-grandfather, Ahmed Rashid Pasha, and the disasters buried in the genealogy tree.

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        Children's & YA
        January 2011

        The Boy Who Saw the Color of Air

        by Abdo Wazen

        In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group.   Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited.   So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write.   Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind.   At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large.   The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut.   Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.

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        Picture books

        The Lilac Girl

        by Ibtisam Barakat (author), Sinan Hallak (illustrator)

        Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat.   The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac.   As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.

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        Children's & YA

        The Dinoraf

        by Hessa Al Muhairi

        An egg has hatched, and what comes out of it? A chicken? No. A turtle? No. It’s a dinosaur. But where is his family?  The little dinosaur searches the animal kingdom for someone who looks like him and settles on the giraffe. In this picture book by educator and author Hessa Al Muhairi, with illustrations by Sura Ghazwan, a dinosaur sets out in search of animals like him. He finds plenty of animals, but none that look the same...until he meets the giraffe. This story explores identity and belonging and teaches children about accepting differences in carefully crafted language.

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