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      • TAICCA - TAIWAN CREATIVE CONTENT AGENCY

        Taiwan Creative Content Agency (TAICCA), established in June 2019 and supervised by the Ministry of Culture, is a professional intermediary organization that promotes the development of Taiwan’s content industries. TAICCA supports various cultural content industries in Taiwan, including film and television, pop music, publishing, ACG, and fashion, artworks and cultural technologies. With advanced information and communication technology infrastructure and emerging technologies in Taiwan, TAICCA manages National Development Fund to develop intellectual property (IP), incubate culture technologies, and facilitate startups. Through international distribution channels, TAICCA strives to promote Taiwan’s cultural brand in the world. TAICCA enhances Taiwan’s cultural content industries and creates new value for Taiwan’s national brand. Profitable and eco-friendly, the creative industries are now valued as a key economic indicator worldwide. For more information, please visit: htts://taiwan-fbf2020.taicca.tw

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      • Al-Kamel Verlag / Manshourat Al Jama

        Manshurat Al Jamal was founded in 1983 by Khalid Al Maaly in Cologne ,in 2008 based in Beirut and a further branch in Bagdad .The program focus on :- Classic ,Modern Arab literature- Fiction short stories poems - Philosophy- Sociology Manshurat Al-Jamal is the publisher of a lot of authors: G.Grass O. Pamuk J. Habermas Robert Musil H.Qureishi G. Sinoue P. Celan W. Gombrowicz J. Derrida M. Horkheimer T. Adorno A. Kristof

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      • Trusted Partner
        Henriette Bimmelbahn und ihre Freunde - Der große James Krüss Bilderbuchschatz
        March 2022

        Henriette Bimmelbahn und ihre Freunde - Der große James Krüss Bilderbuchschatz

        by James Krüss

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        Interweaving myths in Shakespeare and his contemporaries
        Literature & Literary Studies
        April 2020

        Interweaving myths in Shakespeare and his contemporaries

        by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin

        This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.

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        Die Formen des Religiösen in der Gegenwart
        December 2001

        Die Formen des Religiösen in der Gegenwart

        by Charles Taylor, Karin Wördemann, Charles Taylor

        Ausgehend von William James' 1902 erschienener Untersuchung "Die Vielfalt religiöser Erfahrung" verfolgt Charles Taylor die Verschiebungen im Verhältnis von Religion, Individuum und Gesellschaft, von Spirituellem und Politischem bis in die Gegenwart. Der Rückzug des religiösen aus der öffentlichen Sphäre hat die Religion nicht ins Private eingeschlossen; vielmehr verbirgt sich hinter diesem Prozeß eine Kulturrevolution: Der moderne »expressive« Individualismus hat eine Vielfalt neuer Religionsformen und -gemeinschaften hervorgebracht, die auf die traditionellen Formen zurückwirkt und die Gesellschaft verändert. Der Ort der Religion muß neu bestimmt werden.

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        Authorship and authority: the writings of James VI and I
        Literary studies: c 1500 to c 1800
        September 2007

        Authorship and authority: the writings of James VI and I

        by Jane Rickard

        James VI of Scotland and I of England participated in the burgeoning literary culture of the Renaissance, not only as a monarch and patron, but as an author in his own right, publishing extensively in a number of different genres over four decades. As the first monograph devoted to James as an author, this book offers a fresh perspective on his reigns in Scotland and England, and also on the inter-relationship of authorship and authority, literature and politics in the Renaissance. Beginning with the poetry he wrote in Scotland in the 1580s, it moves through a wide range of his writings, including scriptural exegeses, political, social and theological treatises and printed speeches, concluding with his manuscript poetry of the early 1620s. The book combines extensive primary research into the preparation, material form and circulation of these varied writings, with theoretically informed consideration of the relationship between authors, texts and readers. The discussion thus explores James's responses to, and interventions in, a range of literary, political and religious debates, and reveals the development of his aims and concerns as an author.

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        Geschichten vom Tierarzt Dr. James Herriot
        1985

        Geschichten vom Tierarzt Dr. James Herriot

        Der Doktor und das liebe Vieh und Dr. James Herriot, Tierarzt

        by Herriot, James / Übersetzt von Kloth, Friedrich A; Übersetzt von Herrera, Ulla H de

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        Siehst du bei Nacht die Sterne - Winter und Weihnachten mit James Krüss
        September 2014

        Siehst du bei Nacht die Sterne - Winter und Weihnachten mit James Krüss

        by Krüss, James / Illustriert von Meyer, Kerstin

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      • Trusted Partner
        Henriette Bimmelbahn und ihre Freunde - Der große James Krüss Bilderbuchschatz
        August 2016

        Henriette Bimmelbahn und ihre Freunde - Der große James Krüss Bilderbuchschatz

        Neuausgabe

        by Krüss, James / Illustriert von Stich, Lisl; Illustriert von Wehner, Katja

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        Shakespeare and Scotland
        Literature & Literary Studies
        July 2018

        Shakespeare and Scotland

        by Willy Maley, Andrew Murphy

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        The architecture of social reform
        The Arts
        May 2022

        The architecture of social reform

        by Isabel Rousset, Elizabeth Currie, James Ryan

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        Shakespeare, memory, and modern Irish literature
        Literature & Literary Studies
        December 2022

        Shakespeare, memory, and modern Irish literature

        by Nicholas Taylor-Collins

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        Emma James und die Zukunft der Schmetterlinge
        March 2010

        Emma James und die Zukunft der Schmetterlinge

        by Scheuermann, Silke / Illustriert von Harvey, Franziska

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        Henry V
        Literature & Literary Studies
        May 2000

        Henry V

        by James Loehlin

        This study examines the profound changes that twentieth-century performance has wrought on Shakespeare's complex drama of war and politics. What was accepted at the turn of the century as a patriotic celebration of a national hero has emerged in the modern theatre as a dark and troubling analysis of the causes and costs of war. The book details the theatrical innovations and political insights that have turned one of Shakespeare's most traditional-bound plays into one of his most popular and provocative. Henry V gives details analyses of several important modern productions. Beginning with a consideration of the play's political significance in Elizabethan London, the book goes on the reveal its subsequent reinvention, both as patriotic pageant and anti-war manifesto. Individual chapters consider important productions by the Royal Shakespeare Company, and other British and North American companies, as well as the landmark film versions. A compelling account of the theatrical revolution that has transformed one of Shakespeare's most challenging plays. ;

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        Knowledge, mediation and empire
        Humanities & Social Sciences
        March 2020

        Knowledge, mediation and empire

        James Tod's journeys among the Rajputs

        by Florence D'Souza, Andrew Thompson, John M. MacKenzie

        This study of the British colonial administrator James Tod (1782-1835), who spent five years in north-western India (1818-22) collecting every conceivable type of material of historical or cultural interest on the Rajputs and the Gujaratis, gives special attention to his role as a mediator of knowledge about this little-known region of the British Empire in the early nineteenth century to British and European audiences. The book aims to illustrate that British officers did not spend all their time oppressing and inferiorising the indigenous peoples under their colonial authority, but also contributed to propagating cultural and scientific information about them, and that they did not react only negatively to the various types of human difference they encountered in the field.

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        James und der Riesenpfirsich
        December 2001

        James und der Riesenpfirsich

        by Dahl, Roald / Übersetzt von Artl, Inge M.; Illustriert von Blake, Quentin; Übersetzt von Ohlen, Kai

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        Post-everything
        Humanities & Social Sciences
        July 2021

        Post-everything

        An intellectual history of post-concepts

        by Herman Paul, Adriaan van Veldhuizen

        Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the 'post boys' responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.

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        Der Soldat James Ryan
        October 1998

        Der Soldat James Ryan

        Der Roman zum Film nach dem Drehbuch von Robert Rodat

        by Collins, Max A

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        The urban life of workers in post-Soviet Russia
        Humanities & Social Sciences
        January 2024

        The urban life of workers in post-Soviet Russia

        Engaging in everyday struggle

        by Alexandrina Vanke

        Despite the intense processes of deindustrialisation around the world, the working class continues to play an important role in post-industrial societies. However, working-class people are often stigmatised, morally judged and depicted negatively in dominant discourses. This book challenges stereotypical representations of workers, building on research into the everyday worlds of working-class and ordinary people in Russia's post-industrial cities. The urban life of workers in post-Soviet Russia is centred on the stories of local communities engaged in the everyday struggles that occur in deindustrialising settings under neoliberal neo-authoritarianism. The book suggests a novel approach to everyday life in post-industrial cities. Drawing on an ethnographic study with elements of arts-based research, the book presents a new genre of writing about workers influenced by the avant-garde documentary tradition and working-class literature.

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        Postcolonial African cinema
        The Arts
        January 2019

        Postcolonial African cinema

        Ten directors

        by David Murphy, Patrick Williams

        This is the first introduction of its kind to an important cross-section of postcolonial African filmmakers from the 1950s to the present. Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines - film studies, African cultural studies, and, in particular, postcolonial studies - in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts. Structurally, the book is straightforward, though the aim is to incorporate diversity and complexity of approach within the overall simplicity of format. Chapters provide both an overview of the director's output to date, and the necessary background - personal or national, cultural or political - to enable readers to achieve a better understanding of the director's choice of subject matter, aesthetic or formal strategies, or ideological stance. They also offer a particular reading of one or more films, in which the authors aim to situate African cinema in relation to important critical and theoretical debates. This book thus constitutes a new departure in African film studies, recognising the maturity of the field, and the need for complex yet accessible approaches to it, which move beyond the purely descriptive while refusing to get bogged down in theoretical jargon. Consequently, the volume should be of interest not only to specialists but also to the general reader.

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