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March 2024Lichtjahre im Dunkel
Roman | Ein Wiedersehen mit Tabor Süden und Fariza Nasri
by Friedrich Ani
Ein verschwundener Ladenbesitzer, der noch große Pläne hatte. Seine Frau, die sich am Ende ihrer Träume wähnt. Ein ehemaliger Umzugsunternehmer mit Schuldkomplex. Ein geheimnisvoller Besucher aus der Berliner Halbwelt. Ihre Schicksalslinien treffen in München aufeinander, wodurch das Leben aller Beteiligten aus den Fugen gerät. Leo Ahorn ist verschwunden. Dabei hatte er die letzten Wochen hauptsächlich damit zugebracht, Geld für den Umbau seines Schreibwarenladens aufzutreiben. Da seine Frau die Polizei scheut, heuert sie Privatdetektiv Tabor Süden an, um Leo zu finden. Allerdings weiß sie gar nicht so genau, ob sie ihn wirklich wiederhaben will. Im Blauen Eck, Leos Stammkneipe, stößt Süden auf eine illustre Schar von Leos Bekannten und bekommt beklemmende Einblicke in dessen Leben. Dann wird in der Nähe ein Toter aufgefunden, und die Ereignisse erscheinen plötzlich in einem völlig neuen Licht. Oberkommissarin Fariza Nasri nimmt mit ihrem Team die Ermittlungen auf, während Tabor Süden auf magische Weise im Hintergrund die Fäden zieht …
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November 1964Das Leben des Horace A. W. Tabor
Ein Stück aus den Tagen der letzten Könige
by Zuckmayer, Carl
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December 2016Das Manufakturhaus auf dem Tabor in Wien.
Ein Beitrag zur österreichischen Wirthschaftsgeschichte des 17. Jahrhunderts. (Staats- und socialwissenschaftliche Forschungen VI.1).
by Duncker & Humblot
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June 2019All die unbewohnten Zimmer
by Friedrich Ani
Eine Bibliothekarin wird in einem Park in München erschossen, ein Polizist verletzt. Ein Streifenpolizist wird erschlagen am Rande einer rechtsradikalen Demonstration. Zur Aufklärung bietet Friedrich Ani gleich vier Ermittler auf, man kennt sie aus seinen anderen Büchern: Polonius Fischer, Jakob Franck, Tabor Süden sowie Fariza Nasri. Ohne sie wären die Fälle nicht aufzuklären, denn die Vier sehen sich mit einem Kaleidoskop von menschlichem Leid, Rache- und Machtgelüsten, privaten Vorlieben, politischen Umtrieben und gesellschaftlichen Spaltungen konfrontiert, kurz mit einem Kosmos, der die gesamte Situation nicht nur Deutschlands in nuce widerspiegelt. All die unbewohnten Zimmer schlägt eine Schneise durch das Gestrüpp der politischen und individuellen Verfasstheit unserer Zeit. Friedrich Ani legt einen ebenso überraschungsreichen Krimi wie abgrundtief bösen Gesellschaftsroman vor. Er lässt uns das Böse und (das nie zu erreichende) Gute neu begreifen.
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FictionWHY I CAN'T WRITE
How to survive in a world where you can’t pay rent, can’t afford to focus, be healthy or to remain principled. Dijana Matković tells a powerful story of searching for a room of her own in the late stages of capitalism.
by DIJANA MATKOVIĆ
It is a coming-of-age story for Generation Z. How to grow up or even live in a world where no steady jobs are available, you can’t pay your rent and can’t afford medical or living expenses. Moreover, it touches on how to be a socially engaged artist in such a world, and more so, a woman in a post-me too world? Dijana, a daughter of working-class immigrants, tells the story of her difficult childhood and adolescence, how should became a journalist and later a writer in a society full of prejudices, glass ceilings and obstacles. How she gradually became a stereotypical ‘success story’, even though she still struggles with writing, because she can’t afford a ‘room of her own’. Dijana is a daughter of working-class immigrants, who came to Slovenia in the eighties in search of a better future. The family is building a house but is made redundant from the local factory when Yugoslavia is in the midst of an economic crisis. When her parents get divorced, Dijana, her older sister and mother struggle with basic needs. She is ashamed of their poverty, her classmates bully her because of her immigrant status, but mostly because of her being ‘white trash’. In the local school she meets teachers with prejudices against immigrants, but is helped by a librarian who spots her talent. When Dijana goes to secondary school, she moves in with her older sister who lives in Ljubljana, the capital of Slovenia. Her sister is into rave culture and Dijana starts to explore experimenting with drugs, music and dance. At the secondary school, she is again considered ‘the weird kid’, as she isn’t enough of a foreigner for other immigrant kids because she is from the country, yet she isn’t Slovenian enough for other native kids. She falls even deeper into drug addiction, fails the first year of school and has to move back to live with her mother. She takes on odd jobs to make ends meet. Whilst working as a waitress she encounters sexism and sexual violence from customers and abuse from the boss. She finishes night school and graduates. She meets many ‘lost’ people of her generation along the way, who tell her their stories about precarious, minimum wage jobs, lack of opportunities, expensive rent, etc. Dijana writes for numerous newspapers but loses or quits her job, because she isn’t allowed to write the stories she wants or because of the bad working conditions or the blatant sexual harassment. Due to the high rent in the capital, Dijana has to move to the countryside to live with her mother. She feels lonely there, struggles with anxiety and cannot write a second book, because she is constantly under pressure to make a living. She realises that she must persevere regardless of the obstacles, she must follow her inner truth and by writing about it, try to create a community of like-minded people, a community of people who support each other – all literature/art is social.
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Horace Tabor
by Smith, Duane A.
Worldwide rights available excluding English language rights for sale and distribution in Canada and the United States, including U.S. territories and possessions. Horace Tabor: His Life and the Legend is the first biography to give full attention to Tabor's mining, business, and political activities as well as to his matrimonial escapades. It is a careful and detailed portrait of a man so extraordinary that even in his own lifetime the facts were largely obscured behind the legend. Rarely has the Victorian American West, both good and bad, been better synopsized in the figure of one man. An 1858er who had spent nearly two decades following the will-o-the-wisp Colorado mining frontier, in 1876 Tabor was then living and working in out-of-the-way Oro City, near where Leadville would be one day. Soon thereafter came the Little Pittsburg silver strike, and Tabor's fortune took flight. Very quickly, Colorado - and the rest of the nation - was hearing about Horace Tabor. "Denver's lucky star was on high when Governor Tabor decided to spend his fortune here," praised the Denver Tribune in 1881. The Leadville Daily Herald (July 8, 1882) also understood his contribution: "Colorado has produced fortunes for many men, but no man who has met with success has so freely made investments in this state, as has Governor Tabor." The events that followed that amazing silver discovery on Fryer Hill, May 1878 unfolded like a classic Greek tragedy. Tabor weathered them all, and his name has resounded through the succeeding decades. No other Coloradan of his generation is so well remembered, nor does anyone else so typify the tempo of this legendary mining era.
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Theatre studiesBallad of Baby Doe
"i Shall Walk Beside My Love"
by Duane A Smith , John Moriarty
First produced at the Central City Opera House in 1956, 'The Ballad of Baby Doe' is now widely considered a classic and is the second most produced American opera. In THE BALLAD OF BABY DOE, Smith tells the tale of the complicated birth of this most American of operas. Inspired in 1953 by composer Douglas Moore's interest in Horace Tabor's story and funded by the Central City Opera House Association, the opera came together through a unique combination of hard work and serendipity. Smith relates how key people -- including investors and historians in addition to creative talent -- turned Moore's idea into a reality and brought the story of the Tabors to millions of opera fans worldwide. In addition, Smith compares the opera's libretto with historical reality, and the book even includes a chapter on the production written by John Moriarty, who conducted the opera in 1981, 1988, and 1996.
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FictionMarch 2022Oceanic
by Yolanda González
A right whale is beached on the Basque coastline on the eve of the G7 Summit held in Biarritz in August of 2019. An environmental journalist is knocked down by the whale’s final fin thrash while she is covering the news story. The event is politically suspicious because various clues point to a sabotage operation orchestrated by anti-system groups gathered in Hendaya to protest the summit. The whale’s cadaver becomes the awkward guest at political meeting, adding tension to an already fraught social situation marked by the crisis and the continuing protested by the Yellow Vests. In parallel, in the Spain of King Philip II, a group of Basque whalers prepare for the great transatlantic expedition in search of whale oil, the essential fuel for the development of the civilized world. Men die at sea and women confront the human drama with their own weapons while the city of Bayonne is decorated for the celebration of the meeting between the two great European monarchies. The very same ocean that served as the hatchery for budding empires, today is agonizing in full view of the Group of Seven. The gazes of Elizabeth of Valois, Catherine de Medici, and their courts blend into the gazes of Macron, Trump, and the other world leaders. Outside, the streets are filled with screaming protestors. The whales advance toward them, special guests to the powerful party. Five centuries separate the two great political meetings: the Biarritz G7 Summit focused on inequality and climate change, and the 1565 Bayonne meeting for peace between the peoples of the Spanish and French crowns. Using elements from the ecothriller, historical fic3on, and poli3cal sa3re, the novel Oceanic blends different 3me periods and narra3ve voices, making nature a leading character.
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Biography & True StoriesBORIS PAHOR - THAT'S HOW I LIVED
STOLETJE BORISA PAHORJA
by TATJANA ROJC
The life story of BORIS PAHOR (1913), a Slovene writer and centenarian, is at the same time a story about one of the most turbulent centuries in human history. With his clear standpoints and engagement, the author has always challenged current authorities and found himself in some of the most difficult situations of the 20th century. That’s How I Lived is also a story about Trieste and the lives of the people who moved there from rural areas, about the sad fates of Pahor’s patriotic friends and, of course, about his own Calvary through the Third Reich’s concentration camps. It offers an insight into Pahor’s private life, his first experiences of love and the first meetings with people with similar intellectual views and allies. The reader follows Pahor through his much-noticed conflicts with Slovene politicians and his activities on the international stage in favour of the rights of minority cultures. The narrative is supplemented with documents and photographs.
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Children's & YATHE SECRET SOCIETY KRVZ
by SIMONA SEMENIČ
White Raven 2020. Winner of the Blue Bird Award 2020. One evening, Črt sees a mysterious shadow in the sky through the window of his room. Is what he sees really a dragon? He wants to share this unusual experience with his friend Vid, but there is no opportunity at all, since Vid wants to share the news of the exciting discovery with him as well. A mysterious map came into the hands of his two new friends, and this fires the imagination of the children. They immediately find themselves in the midst of a thrilling adventure which involves thieves, a dragon slayer, a scientist, a detective and lots of mums and dads. And a dragon... Simona Semenič, who until now was mostly known as an award-winning playwright, has created a suspenseful and multifaceted story, with extremely vivid characters, an interesting writer’s perspective, humour, and a wealth of literary references. A masterfully written story. The book is a true literary gem. Format: 14 x 20 cm, 312 pages | Age: 9+
