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      • Howard J. Erlichman

        The Roman Century: How a Determined People Launched the Greatest Empire in World History should be of interest to anyone who ponders the increasingly intense competition among the United States, China and Russia. The book places the spectacular Roman advance during a single “long” century (323-188 BCE) in a much wider geo-politico-economic context than existing works; explains how the Romans perfected a three-pronged blueprint of imperial conquest which had been devised by Philip II of Macedon; and incorporates timeless observations from the likes of Appian, Arrian, Clausewitz, Diodorus, Livy, Machiavelli, Plutarch, Polybius, Sun Tzu and Thucydides. The book also explains how the Romans generated a host of lessons to be studied by anyone concerned with the processes through which overseas empires are won and lost. The ebook edition is currently available on Amazon Kindle, Apple iTunes, B&N Nook and Rakuten Kobo.

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      • University of Philippines Press (UP Press)

        The University of the Philippines Press (or the U.P. Press) is the official publishing house for all constituent units of the U.P. system, and is the first university press in the country. It is mandated to encourage, publish, and disseminate scholarly, creative, and scientific works that represent distinct contributions to knowledge in various academic disciplines, which commercial publishers would not ordinarily undertake to publish.

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        Humanities & Social Sciences
        October 2021

        Mary and Philip

        The marriage of Tudor England and Habsburg Spain

        by Alexander Samson

        Mary I, eldest daughter of Henry VIII, was Queen of England from 1553 until her death in 1558. For much of this time she ruled alongside her husband, King Philip II of Spain, forming a co-monarchy that put England at the heart of early modern Europe. In this book, Alexander Samson presents a bold reassessment of Mary and Philip's reign, rescuing them from the neglect they have suffered at the hands of generations of historians. The co-monarchy of Mary I and Philip II put England at the heart of early modern Europe. This positive reassessment of their joint reign counters a series of parochial, misogynist and anti-Catholic assumptions, correcting the many myths that have grown up around the marriage and explaining the reasons for its persistent marginalisation in the historiography of sixteenth-century England. Using new archival discoveries and original sources, the book argues for Mary as a great Catholic queen, while fleshing out Philip's important contributions as king of England.

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        Literature & Literary Studies
        February 2010

        New D.H. Lawrence

        by Howard Booth

        New D.H. Lawrence uses current and emergent approaches in literary studies to explore one of Britain's major modernist writers. The collection features new work by the present generation of Lawrence scholars, who are brought together here for the first time. Chapters include: Andrew Harrison on the marketing of Sons and Lovers; Howard J. Booth on The Rainbow, Marxist criticism and colonialism; Holly A. Laird on ethics and suicide in Women in Love; Hugh Stevens on psychoanalysis and war in Women in Love; Jeff Wallace on Lawrence, Deleuze and abstraction; Stefania Michelucci on myth and war in 'The Ladybird'; Bethan Jones on gender and comedy in the late short fiction; Fiona Becket on green cultural critique, Apocalypse and Birds, Beasts and Flowers; and Sean Matthews on class, Leavis and the trial of Lady Chatterley. New D.H. Lawrence will be of interest to all concerned with contemporary writing on Lawrence, modernism and English radical cultures. ;

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        Literature & Literary Studies
        April 2000

        Modernism and empire

        Writing and British coloniality, 1890–1940

        by Howard Booth, Nigel Rigby

        This is the first book to explore the relationship between literary modernism and the British Empire. Contributors look at works from the traditional modernist canon as well as extending the range of work addresses - particularly emphasising texts from the Empire. A key issue raised is whether modernism sprang from a crisis in the colonial system, which it sought to extend, or whether the modern movement was a more sophisticated form of cultural imperialism. The chapters in Modernism and empire show the importance of empire to modernism. Patrick Williams theorises modernism and empire; Rod Edmond discusses theories of degeneration in imperial and modernist discourse; Helen Carr examines Imagism and empire; Elleke Boehmer compares Leonard Woolf and Yeats; Janet Montefiore writes on Kipling and Orwell, C.L. Innes explores Yeats, Joyce and their implied audiences; Maire Ni Fhlathuin writes on Patrick Pearse and modernism; John Nash considers newspapers, imperialism and Ulysses; Howard J. Booth addresses D.H. Lawrence and otherness; Nigel Rigby discusses Sylvia Townsend Warner and sexuality in the Pacific; Mark Williams explores Mansfield and Maori culture; Abdulrazak Gurnah looks at Karen Blixen, Elspeth Huxley and settler writing; and Bill Ashcroft and John Salter take an inter-disciplinary approach to Australia and 'Modernism's Empire'. ;

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        Literature & Literary Studies
        February 2019

        ABBA ABBA: By Anthony Burgess

        by Paul Howard, Andrew Biswell

        ABBA ABBA is one of Anthony Burgess's most original works, combining fiction, poetry and translation. A product of his time in Italy in the early 1970s, this delightfully unconventional book is part historical novel, part poetry collection, as well as a meditation on translation and the generating of literature by one of Britain's most inventive post-war authors. Set in Papal Rome in the winter of 1820-21, Part One recreates the consumptive John Keats's final months in the Eternal City and imagines his meeting the Roman dialect poet Giuseppe Gioachino Belli. Pitting Anglo-Italian cultures and sensibilities against each other, Burgess creates a context for his highly original versions of 71 sonnets by Belli, which feature in Part Two. This new edition includes extra material by Burgess, along with an introduction and notes by Paul Howard, Fellow in Italian Literature at Trinity College, Cambridge.

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        November 2018

        Die Politische Ökonomie des Populismus

        by Philip Manow

        Populismus ist ein vielgestaltiges Phänomen. Mal ist er rechts, mal links; mal artikuliert er Protest gegen offene Märkte, mal wendet er sich gegen Migration. Auch in der geografischen Verteilung zeigt er sich variantenreich: In Südeuropa dominiert der Links-, in Nordeuropa der Rechtspopulismus. Philip Manow entwickelt eine vergleichende Erklärung für dieses zunächst widersprüchlich erscheinende Bild. Den Ausgangspunkt bilden die jeweiligen wirtschaftlichen Wachstumsmodelle, die Verfasstheit von Arbeitsmarkt und Sozialstaat, kurz die jeweiligen Politischen Ökonomien. Es zeigt sich: Wer vom Populismus reden will, aber vom Kapitalismus nicht, landet immer nur bei Identitätspolitik – und wird dann unweigerlich selbst Partei im Streit.

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        January 2008

        Im Schatten des Königs

        Die politische Anatomie demokratischer Repräsentation

        by Philip Manow

        Warum interessieren wir uns für die Haarfarbe Gerhard Schröders oder die Schönheitsoperationen Silvio Berlusconis? Philip Manow antwortet: Weil ein Teil der symbolischen Bedeutung, die ihren Sitz einst im Körper des Königs hatte, in der Demokratie nachlebt, nicht nur im Herrscherkörper, sondern auch im zentralen politischen Körper der repräsentativen Demokratie: dem Parlament. Zum Ausgangspunkt für seinen Essay über die politische Anatomie der Demokratie wählt Manow die Gestaltung moderner Plenarsäle. Anhand von weiteren Überlegungen zur Immunität von Abgeordneten, zur Öffentlichkeit parlamentarischer Verhandlungen und zur Frage, warum in George W. Bushs Wagenkolonne stets mehrere baugleiche Cadillacs fahren, kommt er zu dem Ergebnis, daß in der modernen Demokratie das staatstheoretische Gedankengut des Mittelalters überlebt.

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        May 2020

        (Ent-)Demokratisierung der Demokratie

        by Philip Manow

        Demokratie gegen Demokratie – illiberale gegen liberale, direkte gegen repräsentative Demokratie, vielleicht sogar »the people vs. democracy«? Es scheint, die Demokratie war noch nie so unumstritten wie heute, während zugleich noch nie so umstritten war, was aus ihr folgt. Jeder tritt in ihrem Namen an und beschuldigt den Gegner, ein Gegner der Demokratie zu sein. Der Demokratie droht heute nur noch Gefahr von ihr selbst. Unsere Lage, so die These Philip Manows, ist von der gleichzeitigen Demokratisierung und Ent-Demokratisierung der Demokratie gekennzeichnet: Es ist die drastische Ausweitung von Partizipationschancen, die im Zentrum der Krise politischer Repräsentation steht. Diese Krise aber transformiert den Streit in der Demokratie zu einem Streit über die Demokratie – der ist jedoch demokratisch nicht zu führen.

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        Humanities & Social Sciences
        March 2016

        The Model Arab League manual

        A guide to preparation and performance

        by Philip D’Agati, Holly Jordan

        This textbook provides a comprehensive overview of the Model Arab League (MAL) programme for first time and returning students. Drawing on over fourteen years of combined experience in successfully leading award-winning MAL delegations, Philip D'Agati and Holly A. Jordan provide students with an introduction to being a delegate and tips on effective research techniques as well as simplifying the complex process of taking on the identity of a state and then representing it effectively in a MAL debate. ;

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        Literature & Literary Studies
        March 2021

        Love's Victory

        Lady Mary Wroth

        by Alison Findlay, Philip Sidney, Michael Brennan

        Love's Victory by Lady Mary Wroth (1587-1651) is the first romantic comedy written in English by a woman. The Revels Plays publishes for the first time a fully-authorised, modern spelling edition of the Penshurst manuscript, the only copy of the play containing all five acts, handwritten by Wroth and privately owned by the Viscount De L'Isle. Edited by Alison Findlay, Philip Sidney and Michael G. Brennan, their critical introduction provides details of Wroth's remarkable life and work as a member of the Sidney family, tracing connections between Love's Victory, her prose and poetry and her family's extensive writings. The editors introduce readers to the influence of court drama on Love's Victory and offer a new account of the play's stage history in productions from 1999-2018. Extensive commentary notes guiding the modern reader include explanatory glosses, literary references and staging information.

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        September 2015

        Till Eulenspiegel

        Dreißig Streiche und Narreteien

        by Clemens J. Setz, Philip Waechter

        Jedes Kind kennt die Geschichten des berühmtesten aller Narren, der Eulen und Meerkatzen bäckt, einem Esel das Lesen beibringt und den Grafen von Anhalt für dumm verkauft. Sprichwörtlich sind seine Eulenspiegeleien, das penetrante Wörtlichnehmen und absichtliche Missverstehen, mit denen er sich Herren und Meister vom Leib hält. Doch nicht nur die Mächtigen werden Opfer seiner derben Späße, sondern auch arme Bauern und Handwerker, Tiere und Kinder. In Clemens J. Setz’ Nacherzählungen ausgewählter Historien aus dem beliebten Volksbuch stiftet Till Eulenspiegel, »diese vielleicht freieste Figur der deutschen Literatur«, nichts als Unruhe und Chaos in den Dörfern und Häusern der braven, anständigen Menschen, zum diebischen Vergnügen des Lesers, herrlich hintergründig illustriert von Philip Waechter.

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        Literature & Literary Studies
        September 2020

        The early Spenser, 1554–80

        'Minde on honour fixed'

        by Jean R. Brink, Joshua Samuel Reid

        Brink's provocative biography shows that Spenser was not the would-be court poet whom Karl Marx's described as 'Elizabeth's arse-kissing poet'. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell's Catechism and Dean of St. Paul's. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple. Contextualising Spenser's life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.

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        RACKET BOY - WHERE'S MY COUNTRY

        by Philip George, Geetha K

        Do you marvel at people who seemingly have it all only to drop everything for life in a remote village? Have you wondered about leaving your roots for migration to the unknown?  ‘Fit only for climbing coconut trees.’ The mockery invented by Philip’s father because he was badminton-mad and useless (said father) at all else, lingered with him through school in Malaysia. It travelled with him on an Aeroflot to England in 1970, aged 18, functioning onadrenaline. It stuck through his navigation of parochial middle England – caring for patientsin a mental hospital, law practice, sports, and relationships.  Toughened by an Indian father and a Chinese coach, lifted by a messiah-like Englishman and grounded by a Labrador soulmate, Racket Boy – Where’s My Country, explores Philip’s life over six decades. From being ordered by the British government to leave England, accosted in Bombay, mugged in Barcelona to horse-trading with a petroleum giant in Ecuador and thrilling in a World Cup in military-ruled Argentina, to list a few highlights.    Philip is now a spectator in the hills of Tuscany, more than just fit to be climbing coconut trees!

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        January 2009

        Mit Darwin leben

        Evolution, Intelligent Design und die Zukunft des Glaubens

        by Philip Kitcher, Michael Bischoff

        Als Charles Darwin im Jahr 1882 starb, sollte er auf Wunsch der Familie auf dem Friedhof jenes kleinen Dorfes in Kent beigesetzt werden, in dem er fast sein halbes Leben verbracht hatte. Daraus wurde nichts. Eine öffentliche Kampagne mit ausdrücklicher Unterstützung der anglikanischen Kirche führte dazu, daß der Begründer der Evolutionstheorie ein Staatsbegräbnis erhielt und seine letzte Ruhestätte in der Westminster Abbey fand – direkt neben dem Grabmal Isaac Newtons. Der Frieden zwischen der Kirche und Darwin war allerdings nur von kurzer Dauer. Heute, 150 Jahre nach der Veröffentlichung von On the Origin of Species, ist der Kampf um die Evolutionstheorie wieder neu entbrannt und Darwins »gefährliche Idee« steht insbesondere für Vertreter der christlichen Schöpfungslehre und ihrer wissenschaftlichen Spielart, der sogenannten Intelligent-Design-Theorie, zur Disposition. Der Wissenschaftsphilosoph Philip Kitcher zeichnet die Geschichte dieser Auseinandersetzung nach, die auf zunächst ungelöste Spannungen in Darwins Theorie selbst zurückgeht. Er zeigt, daß viele Argumente, die heute von Kreationisten vorgetragen werden, bereits zu Darwins Zeiten, ja sogar von Darwin selbst erwogen und verworfen wurden. Intelligent Design, so Kitcher, ist daher keine Pseudowissenschaft, sondern eine tote Wissenschaft, die längst geklärte Fragen erneut aufwirft. Und der Streit um Darwin ist in Wahrheit nur eine Facette eines viel umfassenderen Clashs zwischen religiösem Glauben und wissenschaftlichen Entdeckungen. Kitcher präsentiert eine vehemente Verteidigung der Evolutionstheorie, ohne dabei die sinnstiftende Funktion der Religion gerade in Zeiten sozialer Unsicherheit herunterzuspielen. Sinnfragen sind wesentlich soziale Fragen. Erst wenn diese beantwortet sind, so sein Fazit, können wir den Glauben an das Übernatürliche aufgeben – und endlich mit Darwin leben.

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        Humanities & Social Sciences
        February 2018

        Antisemitism and the left

        by Robert Fine, Philip Spencer

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        Literature & Literary Studies
        May 2016

        Howard Barker's art of theatre

        by Sarah Goldingay, David Rabey

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