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China South Publishing & Media Group (CNS)is among the leading publishers in China in terms of market value and profit. Its business comprises publishing, printing, distribution, and newspapers, as well as television stations and networks.
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Mandalas for the Soul is a transformation, it has no gender or age, it has no race, it is for the soul, it is for spiritual beings, it is finding balance in your life as we all came here to live an earthly experience. Mandalas Books, Journals and messages from the universe were all created to offer an experience that let people connect with their most sublime, wise and spiritual part at any time, this part of us that knows everything and is always in a state of calm and freedom.
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It is quite significant for the souvenirs for travellers to mould fine figures of tourism and make brands for tourism and promote the development of tourism. The souvenirs for travellers which adopt the people's ideas in particular regions, give expressions to the history of the regions, prolong the folk contradition and make the regional culture be rich and bring forth new ideas. No matter who they are, Whatever they are, famous specialized working men or new hands, they have the same wish to activate the regionous culture, then, improve people's income and raise their consumption. The author of the book collects many concrete examples showing the design of the unique keepsakes by outstanding designers from all over the world into the book. Following the publishment of this book, more and more readers will suely become better and better designers of tourist souvenirs.
Al is an unusual elephant born with the ability to change into different things, including turning into human. His magic tricks helps save other elephants from poachers.
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In one faraway land, before fruits were eaten by people, they lived on their own in the Fruit Kingdom. The tale teaches children the health benefits of eating various fruits.
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On her ninth birthday, a lonely orphan named Bella gets a visit from a giraffe. The giraffe later takes her to Giraffe Land to meet the queen. While in Giraffe Land, Bella breaks the spell of of a witch who had planned on destroying Giraffe Land.
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One day, twin baby owls leave their nest to go look for their mother who had gone to look for food and they got lost...
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This picture book describes what some baby animals call their mothers. The book is suitable for ages 0-3.
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Alice is a young girl who out of curiosity, follows a tourist car and eventually gets lost. She lives in the forest on her own until she is found by kind gorillas.
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This picture book originally written in Kinyarwanda is suitable for ages 0 to 3. Simon does not like to share his book, one day when he stepped out, the family cat stole it. The cat wanted to read it too.
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In one village called the Sneezing Village, everyone there sneezed. Children and adults sneezed all the time. The book tells a story of the relationship between people that lived in that village and three unique parrots.
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Fifi la footballeuse est une histoire pour enfants qui parle d’une jeune fille passionnée de football.
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For many years, Mr. Eagle had been feeding on little chickens until he met a happy family of chickens... What does he do when he meets them?
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This baby picture book teaches young children the names of some baby animals and how thier mothers are called. It is suitable for ages 0-3.
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Relics, Dreams,Voyages is a closely focused sequence of studies of worldwide connections in all the arts in the baroque period. Drawing on original research in libraries, collections, and archives in five countries, and in as many languages, this book draws many astonishing, unfamiliar and beautiful texts, things and events, into a cartography of the secret and strange patterns of baroque cultures worldwide. The visual arts are examined across a wide temporal and geographical span, and many subversive iconographies are decoded: at the French and English courts, in remote Scotland, in Nagasaki, in Valladolid. This books offers a new, extraordinary cultural geography of the baroque world, opening doors to many rich and strange cultural artefacts, from 'China to Peru.'
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Nina likes to look up in the sky. She sees a number of things up in the sky. This baby picture book is suitable for ages 0-3.
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A new and accessible translation of Hariulf's History of St Riquier, this book examines the history of a monastic community from the seventh to the eleventh century. It covers the ascetic life of the founding saint and the development of the community under the Carolingians in the late eighth and ninth centuries. There were setbacks when the house was sacked by the Vikings and the founder's relics were stolen for political ends, but it recovered in the tenth and eleventh centuries and developed the links with both the Norman and English courts that enable Hariulf to make interesting observations about the Norman Conquest of England. Hariulf's description of the monastic site with its three churches and the liturgical arrangements practised there, as well as the relics, treasures, books and endowments of a great monastic foundation, make his history an important source for monastic history.
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The pastor in print explores the phenomenon of early modern pastors who chose to become print authors, addressing ways authorship could enhance, limit or change clerical ministry and ways pastor-authors conceived of their work in parish and print. It identifies strategies through which pastor-authors established authorial identities, targeted different sorts of audiences and strategically selected genre and content as intentional parts of their clerical vocation. The first study to provide a book-length analysis of the phenomenon of early modern pastors writing for print, it uses a case study of prolific pastor-author Richard Bernard to offer a new lens through which to view religious change in this pivotal period. By bringing together questions of print, genre, religio-politics and theology, the book will interest scholars and postgraduate students in history, literature and theological studies, and its readability will appeal to undergraduates and non-specialists.
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It is a coming-of-age story for Generation Z. How to grow up or even live in a world where no steady jobs are available, you can’t pay your rent and can’t afford medical or living expenses. Moreover, it touches on how to be a socially engaged artist in such a world, and more so, a woman in a post-me too world? Dijana, a daughter of working-class immigrants, tells the story of her difficult childhood and adolescence, how should became a journalist and later a writer in a society full of prejudices, glass ceilings and obstacles. How she gradually became a stereotypical ‘success story’, even though she still struggles with writing, because she can’t afford a ‘room of her own’. Dijana is a daughter of working-class immigrants, who came to Slovenia in the eighties in search of a better future. The family is building a house but is made redundant from the local factory when Yugoslavia is in the midst of an economic crisis. When her parents get divorced, Dijana, her older sister and mother struggle with basic needs. She is ashamed of their poverty, her classmates bully her because of her immigrant status, but mostly because of her being ‘white trash’. In the local school she meets teachers with prejudices against immigrants, but is helped by a librarian who spots her talent. When Dijana goes to secondary school, she moves in with her older sister who lives in Ljubljana, the capital of Slovenia. Her sister is into rave culture and Dijana starts to explore experimenting with drugs, music and dance. At the secondary school, she is again considered ‘the weird kid’, as she isn’t enough of a foreigner for other immigrant kids because she is from the country, yet she isn’t Slovenian enough for other native kids. She falls even deeper into drug addiction, fails the first year of school and has to move back to live with her mother. She takes on odd jobs to make ends meet. Whilst working as a waitress she encounters sexism and sexual violence from customers and abuse from the boss. She finishes night school and graduates. She meets many ‘lost’ people of her generation along the way, who tell her their stories about precarious, minimum wage jobs, lack of opportunities, expensive rent, etc. Dijana writes for numerous newspapers but loses or quits her job, because she isn’t allowed to write the stories she wants or because of the bad working conditions or the blatant sexual harassment. Due to the high rent in the capital, Dijana has to move to the countryside to live with her mother. She feels lonely there, struggles with anxiety and cannot write a second book, because she is constantly under pressure to make a living. She realises that she must persevere regardless of the obstacles, she must follow her inner truth and by writing about it, try to create a community of like-minded people, a community of people who support each other – all literature/art is social.
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This is a catalogue about an exhibition on cultural relics related to women in ancient China, enhanced by abundant information and high-quality images, covering all aspects of women’s daily lives in the past. Relying on the collections in Nanjing Museum, the book is designed with the theme of “femininity” and “art”. It makes a breakthrough in its idea and form of the exhibition.
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A modern warm red mitten is a home for the main characters of the book: Mousey Scratcher, Froggie Croaker, Running Rabbit, Little Sister Fox and others who got new knitted images. This lovely book is actually a handmade creation; it includes a toy souvenir shaped like a mitten. The Mitten is a joint project of The Navchalna Knyha - Bohdan Publishing House and Art Studio Agrafka (Romana Romanyshyn & Andriy Lesiv, Lviv, Ukraine). The Mitten won the award at The Biennial of Illustration, Bratislava, 2011. In 2012 The Mitten was also added to the White Ravens Catalogue of children literature. From the 3 to 5 years, 179 words Rightsholders: Diana Semak, bohdanbooksco@gmail.com
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In one school bathroom, four soaps decide to take action after being ignored by children for many years. They become police soaps.
